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Degree Department
School of Music
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School of Music
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Music
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Music
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1960-1969
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1968
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An Analytical Critique of the Use of Twelve Equal Tones as Utilized in "Sonata-Fantasia" by George Rochberg
An Analytical Study of Solos for Beginning College Voice Students
Arabic 1620: An Analysis and Procedure for Composing Computer Music
Arabic 1620: An Analysis and Procedure for Composing Computer Music VOL. 2
The Basset Horn: Its Development and Literature
Carl Nielsen's Symphonic Elements as Evidenced in the Commotio
Choral Problems in Handel's Messiah
Clavecin Pieces of Louis Couperin
A Comparison of Formal and Structural Principles in the Concerti Grossi of Corelli's Opus VI and Vivaldi's Opus III
The Development of Schoenberg's Twelve-Tone Technique From Opus Nine to Opus Twenty-Six
Elements of Verismo in Selected Operas of Giuseppe Verdi
The English Horn: Its History and Development Into Orchestral Music
Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Basevi 2439: Critical Edition and Commentary
Menotti's Use of Dramatic Impact in The Medium
Nineteenth-Century New Orleans Composers
A Plan of Study for a Course in Vocal Pedagogy
Programmed Learning for Primary Choirs in Southern Baptist Churches
A Rehearsal Method for Presenting Historical and Theoretical Aspects of Selected Works for Concert Band
The Stage Works of Franz Schubert with an Analysis of Fierrabras
A Study of Stravinsky's Use of the Trombone in Selected Works
Stylistic Analysis of "Banalités" by Francis Poulenc
A Stylistic and Pianistic Evaluation of Aaron Copland's Piano Fantasy
The Use of Imitation in the String Quartets of Béla Bartók
The Use of the Trombones in Beethoven's Symphonies Nos. 5, 6, 9, and Schubert's Symphony No. 8
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