This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Schumann's Manfred Overture, Waldteufel's Skaters' Waltz and Verdi's Ballabile from Otello.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Debussy's Prelude to the Afternoon of a Faun and Mendelssohn's Symphony No. 4, and an interview with conductor Yuri Krasnapolsky.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances and rehearsal outtakes of Tchaikovsky's Symphony No. 6.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Rossini's Overture to Il signor Bruschino, Prokofiev's Classical Symphony and Wagner's Prelude and Liebestod from Tristan und Isolde, and an interview with NBC Orchestra's principle trumpet player, Harry Glantz.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes rehearsals of Cherubini's Symphony in D.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Beethoven's Overture to The Consecration of the House and Boito's Prologue to Mefistofele, and an interview with the Albeneri Trio.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Beethoven's Overture to Coriolanus, Franck's Psyché et Eros, and Mussorgsky's Pictures at an Exhibition.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Kabalevsky's Overture to Colas Breugnon and Verdi's Rigoletto, Act IV, and an interview with music publisher Eugene Weintraub.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Wagner's Faust Overture and Schubert's Symphony no. 5, and an interview with publisher Marziale Sisca.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Thomas' Overture to Mignon and Elgar's Enigma Variations and features an interview with La Folia publisher Marziale Sisca.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Brahms's Variations on a Theme of Haydn and Haydn's Surprise Symphony.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Berlioz's Rákóczy March, Strauss's Till Eulenspiegel and Respighi's Pines of Rome and features an interview with NBC sound effects specialist Chet Hill.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes rehearsal and performance of Strauss's Death and Transfiguration.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Beethoven's Prometheus Overture and Symphony No. 7 and features an interview with music producer and conductor Arthur Austin.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Mozart's Symphony No. 40 in G minor, Gluck's Dance of the Blessed Spirits from Orfeo ed Euridice and Tchaikovsky's Nutcracker Suite.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Ponchielli's Dance of the Hours from La Gioconda and a feature called "The Maestro and his Singers".

Sound recording of E. Mason giving a talk titled "Oral History after Thirty Years".

Sound recording of H. Blake and J. Dwyer giving a talk titled "Oral History and Black Genealogy; The Kinte - Roots Project.

Sound recording of H. Blake and J. Dwyer giving a talk titled "Oral History and Black Geneology: The Kinte - Roots Project".

Recording of Janez Matičič's Oscillations. This work represents the composer's first electroacoustic composition which was produced as four-channel sound. Motions of sound, specifically from the phenomenon of gravitation, feature prominently in this composition. This work was created using concrete sounds only.

Commissioned by Chilean pianist Carla Hübner, and premiered by her at the Latin American Music Festival, Bloomington, Indiana, in 1966. In Plectros II the composer extends the idea first explored in his Plectros I - the opposition of two different worlds of sounds. It requires the interpreter to extract "electronic" type of sounds from the piano using both the keyboard and the inside of the piano. No special mallets are required, and the pianist uses fingernails, fingertips or the palm of the hand to obtain harmonics, resonances, and glissandi, or to produce clusters and a variety of different attacks. On the other hand the tape part, produced at the Columbia-Princeton Electronic Music Center in New York, has synthetic sounds - all electronically produced - creating artificial quasi-piano type of sonorities. The goal is to achieve a blending which gives the listener an impression that it is not clear if the sound is coming from the instrument or from the loudspeakers. Plectros II is not a dodecaphonic composition, nor a "prepared piano" one.

Recording of John Gilliland interviewing Jim Jordan of the radio comedy Fibber McGee and Molly.

Recordings from the 1966 Prague Jazz Festival.

Sound recording of James Mink and Charles Morrissey giving a talk titled "Project Plan" during an Oral History Association event.