Recording of Rainer Riehn's Chants de Maldoror.

Recording of Lucien Goethals' Contrapuntos

Sound recording of D. Newman giving a talk titled "Culture, Class, and Christianity in a Cotton Mill Village" and D. Janiewski giving a talk titled "Sisters Under the Skin: Conflict Between Race and Class Among Southern Working Women".

Recording of Bengt Hambraeus' Doppelroho II. The title indicates that Hambraeus has used as his basic material the range of tones produced by an organ. In this work timbral manipulation becomes a new compositional element. The importance of the organ is immediately established not only in its exclusive use, but as one of the most effective timbral fillers of the gap between live and electronic music.

Sound recording of Randall Jarrell and Charlie Morrissey giving a talk titled "Elite and Non Elite Interviewing".

Sound recording of Eliot Wigginton and students giving a talk titled "Foxfire" about his student program at an Oral History Association event.

Recording of Ramon Zupko's Metacycles

This work was made almost exclusively with the voice and Microntage.

Recording of Luctor Ponse's Nacht

Sound recording of E. Mason giving a talk titled "Oral History after Thirty Years".

Sound recording of H. Blake and J. Dwyer giving a talk titled "Oral History and Black Genealogy; The Kinte - Roots Project.

Sound recording of H. Blake and J. Dwyer giving a talk titled "Oral History and Black Geneology: The Kinte - Roots Project".

Recording of Janez Matičič's Oscillations. This work represents the composer's first electroacoustic composition which was produced as four-channel sound. Motions of sound, specifically from the phenomenon of gravitation, feature prominently in this composition. This work was created using concrete sounds only.

Commissioned by Chilean pianist Carla Hübner, and premiered by her at the Latin American Music Festival, Bloomington, Indiana, in 1966. In Plectros II the composer extends the idea first explored in his Plectros I - the opposition of two different worlds of sounds. It requires the interpreter to extract "electronic" type of sounds from the piano using both the keyboard and the inside of the piano. No special mallets are required, and the pianist uses fingernails, fingertips or the palm of the hand to obtain harmonics, resonances, and glissandi, or to produce clusters and a variety of different attacks. On the other hand the tape part, produced at the Columbia-Princeton Electronic Music Center in New York, has synthetic sounds - all electronically produced - creating artificial quasi-piano type of sonorities. The goal is to achieve a blending which gives the listener an impression that it is not clear if the sound is coming from the instrument or from the loudspeakers. Plectros II is not a dodecaphonic composition, nor a "prepared piano" one.

Recording of John Gilliland interviewing Jim Jordan of the radio comedy Fibber McGee and Molly.

Recordings from the 1966 Prague Jazz Festival.

Sound recording of James Mink and Charles Morrissey giving a talk titled "Project Plan" during an Oral History Association event.

Sound recording of D. Newman giving a speech titled "Culture, Class, and Christianity in a Cotton Mill Village" and D. Janiewski giving a talk titled "Sisters Under the Skin: Conflict Between Race and Class Among Southern Working Women".

Recording of Boguslaw Schaeffer's Symphonie. "Towards the end of 1964, I began work on a large format electronic work. From the beginning, I called it Symphony, not to obey the spirit of contradiction, which is a way of creating a long time out of use, but being convinced that this name is likely to new applications, there especially where it is a matter of simultaneously resonating a sound matter of very disparate origin, thus proceeding by symphonic means. That was our idea of departure. Yet, already in the course of composition, I suffered the magic of the adopted denomination, so that at the end of a certain time I ended up asking myself to write a work of a structure, a format and a symphonic emotional message. Therefore, the essential problem was not to use the electronic language to express only traditional musical ideas, but rather to proceed by truly electronic means without ever going beyond the framework. Moreover, it was a question of rediscovering auditory laws, of developing new means of expression from an electronic mode of thinking and proceeding. Both in its original conception and in its accomplishment, of which a considerable share of merit belongs to Mr. …

Sound recording of Benis Frank giving a talk titled "Taped Interviews and Military History".

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Rossini's Overture to The Barber of Seville, Ponchielli's Dance of the Hours from La Gioconda and Haydn's Surprise Symphony, and an interview with baritone Frank Guarrera.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes a performance of selections from Verdi's Requiem and features "In Memoriam for Arturo Toscanini."

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Gluck's Overture to Iphigenia in Aulis, Dukas's The Sorcerer's Apprentice and Brahms's Concerto for Violin and Cello.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Verdi's Te Deum and Hymn of the Nations, and features Toscanini: The Verdi Years.