Instead of putting the emphasis on color in his orchestration, Brahms felt that the music was more important; not the orchestration. However, it would be a mistake to feel that he was deaf to orchestral color. When discussing color in regard to Brahms' orchestration it is necessary to realize that his use of color is much different than that of his contemporaries. This thesis discusses the four symphonies of Brahms and his usage of brass instruments within these symphonies, specifically the french horn, trumpet, trombone and tuba. It is apparent that he used considerable care in writing for the brasses as well as the other instruments and had complete command of the use of their individual colors.

The present investigation was focused on the problem of identification and detection of Juvenile delinquency. The purpose of the study was to determine if Juvenile delinquents whose first offenses were runaway or auto theft differ significantly from non-delinquents of a church group. The two delinquent groups were examined to determine if a significant difference existed.

The purpose of this study is to describe contemporary plans for training the boy's changing voice and to prescribe ensemble material for these voices. Specific Problems: Analysis of the general problem leads to subordinate questions, or sub-problems, which may be stated as follows: 1. What are the contemporary plans of training the boy's changing voice? 2. What are the most usable musical materials available for use by ensembles which include boys with changing voices?

The present study was concerned with the relationship between level of aspiration and anxiety. Level of aspiration is a term used for goal setting behavior. In other words, if a person sets his goals high it is said that he has a high level of aspiration. Anxiety, for the purpose of the present study is assumed to possess drive properties. Theoretically, at least, a highly anxious person has a high drive level. This assumption may be warranted in terms of physiological unrest--causing an effort toward equilibrium or homeostasis; or it can be defended psychologically as the need to achieve or the need to prove one's abilities to himself. However, the present paper was not concerned directly with the current controversy of anxiety as a drive mechanism. Rather it was the general purpose of the study to determine whether or not highly anxious college students set their goals higher, in response to previous experimental success or failure experiences than low anxious students. To be more specific the purpose was to determine whether or not highly anxious subjects differ significantly from low anxious subjects with respect to responses on a level of aspiration task. The particular response measures or scores investigated on …

The problem of this study was to survey the status of art in the secondary schools of Oklahoma. Art educators today are faced with a lack of uniformity in the teaching of art. There is an increasing need for a recognized art program and a placing of renewed emphasis on the teaching of art. Clear and comprehensive attitudes and ideas toward art in the Oklahoma public schools would tend to ease these difficulties and enrich teaching. There has been a great deal of critical thinking, but this has failed to produce the answers necessary to formulate a basis on which to build a good art program. This study was an attempt to survey the individual schools to determine the present status of art in the secondary schools of Oklahoma.

Many of the causes for delinquency are known, but more investigation is needed in the prediction of future delinquent behavior. It was in this area of delinquency that this study was concerned. The problem was to compare scores made on the IES Test by a group of nondelinquent males with those made by a group of delinquent males to determine if the IES Test would discriminate between these two groups.

Sinfonia Concertante is a name for an eighteenth-century composition as well as a name of an eighteenth-century instrumental form that was modeled after the earlier concerto grosso. It may be defined as a composition for two or more solo instruments with orchestral accompaniment and written in a style that admits the brilliant display of skill on the soloists' part. It is also thought that the form is nearer that of the symphony than that of the concerto. This thesis discusses the many different influences that resulted in the instrumental form of the sinfonia concertante as well as analyzes specific sinfonia concertanti of Bach, Haydn, Karl Stamitz, and Mozart.

The study of metric spaces is closely related to the study of topology in that the study of metric spaces concerns itself, also, with sets of points and with a limit point concept based on a function which gives a "distance" between two points. In some topological spaces it is possible to define a distance function between points in such a way that a limit point of a set in the topological sense is also a limit point of the same set in a metric sense. In such a case the topological space is "metrizable". The real numbers with its usual topology is an example of a topological space which is metrizable, the distance function being the absolute value of the difference of two real numbers. Chapters II and III of this thesis attempt to classify, to a certain extent, what type of topological space is metrizable. Chapters IV and V deal with several properties of metric spaces and certain functions of metric spaces, respectively.

There are two major purposes in selecting Couperin's programmatic clavecin pieces for study; to prove their importance in the evolution of programmatic music and to prove the value of their study by the modern pianist. Due to the enormous number of Couperin's programmatic pieces, a detailed analysis of each piece will not be attempted in this paper. Instead, a general survey will be made.

Samuel Barber was born in West Chester, Pennsylvania, a town on the outskirts of Philadelphia, on March 9, 1910. He was the son of Samuel Le Roy Barber and Marguerite Beatty Barber. His father came from a long line of tradesmen and professional people and was a doctor and prominent citizen in the Pennsylvanian town in which his son was born. Although no musical tendencies existed on the father's side, there were numerous accounts of musical abilities in his mother's family. Marguerite Beatty Barber was a talented pianist and the sister of the celebrated contralto, Louise Homer. At the age of six, Samuel Barber began to play the piano and a year later began to compose. Although his mother helped to write down some of his first compositions, neither she nor her husband made any attempt to develop a possible prodigy. Instead, they tried to encourage him to indulge in the activities of any normal American boy.

Contemporary psychology has shown an increasing interest in the self-concept of the individual. This interest has grown in large measure from studies of perception. Many theorists have felt that perception in general and self-perception in particular is a function of the needs of the organism, as well as a function of the external stimuli. It is the purpose of this study to investigate the relationships between distortions in self-perception and total level of adjustment in a population of college students.