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Concertino for Orchestra is a one-movement composition of rhapsodic character. The treatment of form and orchestration resembles that of the first movement of a concerto. The piece is in modified sonata form, containing two exposition-development sections. The orchestration employs a wide range of tonal colors, and has been used extensively in this piece to emphasize textural development. Each group of instruments is used individually in solo style, and yet the orchestral tutti never assumes the secondary role of accompaniment.

Concerto for Piano and Orchestra is a three-movement composition by Dan Beaty.

Like the trumpet concertos of Haydra and Hummel, the present concerto for trumpet and orchestra is set in the classical plan of three movements: fast, slow, and fast. The total duration is approximately twenty minutes. The instrumentation of the orchestra, reveals an ensemble of moderate proportions.

The purpose of this study is to trace the development of a comparatively young orchestral instrument, the bass clarinet, and its use in the symphony orchestra. The first chapter concerns the development of the bass clarinet from the earliest imperfect specimen to the modern day instrument. The second chapter discusses physical characteristics that are peculiar to the bass clarinet. The third chapter deals with the particular methods of using the bass clarinet in orchestral literature by various composers, from its introduction into the orchestra by Meyerbeer through the present.

Maps -- Chapter I. The regiments and the posts -- Chapter II. Recruitment -- Chapter III. Routine at the Western posts -- Chapter IV. Rations, clothing, promotions, pay, and care of the disabled -- Chapter V. Discipline and related problems -- Chapter VI. Entertainment, moral guidance, and burial of the frontier -- Chapter VII. Conclusion -- Bibliography.

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This study seeks to examine the history of the ricercare, specifically in the baroque era. In this work, all types of keyboard compositions that utilize imitative counterpoint have been examined. Late baroque fugues have been examined to determine which characteristics of the earlier ricercare remained in general use and which specific compositions contain elements causing them to resemble strongly the parent form. This volume is a musical supplement to the thesis.

This study examines the life of Margo Jones and the creation of the Dallas Theatre, later renamed the Margo Jones Theatre.

The discovery of the production of antibiotic materials by certain members of the Actinomycetales has stimulated the study of these organisms over the last two decades, raising them from a position of little significance to one of noticeable importance. These studies include investigations concerning the physiology and biochemistry of the actinomycetes.

The form of the movement is as follows: Slow introduction; forceful theme "A"; lyrical theme "B"; bridge between second theme and development section; development of theme "B"; another bridge developed from a fragment introduced immediately preceding the bridge which is used for a climax before theme "C" is introduced and developed. with the end of the development of theme "C", the development section ends, and thus begins the recapitulation of themes "B" and "A" in that order with little variation in either from that of the exposition. Theme "C", since it played such an integral part in the development section, is not brought back in the recapitulation.

"Music for Orchestra and Electronic Tape" is an attempt to combine the instruments of the symphony orchestra with electronic sounds which were pre-recorded on tape. The composition is divided into three sections, comprising a large ABA' form with an introduction and a coda. An electronic event occurs between each section.

New York Cycle consists of the settings of three poems for bass-baritone voice and eight instruments. The poems, each of which serves as the basis for one movement, are "The East River's Charm" by Samuel Bernard Greenberg, "Brooklyn Bridge" by Vladimir Mayakovsky, and "The Skyscraper Loves Night" by Carl Sandberg. The instrumentation employed consists of two French horns, vibraphone, timpani, and string quartet.

Oscillation for Prepared Electronic Tape and Symphony Orchestra is a multi-sectional one-movement composition with an aleatory section that has been partially serialized. The piece begins with a five-tone motif on tape which is developed by the orchestra as an introduction to Section I. The principal theme is developed by the strings and brought it to a climax. This climax is immediately interpolated by the five-tone motif slightly altered. At this point the thematic material is mutated and the orchestra goes through a harmonic texture change. The quartal harmonic treatment develops a cluster of tones that resolve into other clusters and the process is repeated to the accelerando of Section II.

The purpose of this study is to collect, analyze, and interpret physical and pricing data pertaining to the elemental market structure for grain sorghums in Texas. For comparative purposes, a criterion is established in Chapter IV to evaluate the data obtained. The objective is to deter mine whether the physical and pricing aspects of the Texas grain sorghum market structure conforms to theoretical structural patterns. If there are deviations from the theoretical pattern, explanations will be sought. No attempt will be made in Chapter II, "Physical Structure", and Chapter III, "Pricing Structure", to evaluate the data given, but only to report the functioning characteristics of these aspects.

"The major problem that motivated this study is the fact the Negro in Houston, 1969 does not have any real political power although the potential for such power exists. The major purpose of this study is to seek answers to the following questions. First does the Houston Negro have any real political potential under the present system; if he does, what can he do with it? Second, why are there such wide gaps between the number of Negroes who are eligible to vote and the number that registered to vote and between those who registered and those who actually voted in Houston? The third question is in what election has the Houston Negro demonstrated his greatest political interest and why? And finally, is the politics of Houston based on race or economics?" -- leaf v.

Polymetrics is a one-movement work for symphonic wind ensemble, of approximately 8 minutes' duration. The instrumentation includes thirty woodwinds, thirteen brasses, and ten percussionists. The pitch organization is based on two hexachords that encompass all twelve pitch classes.

This thesis is a woodwind quartet in three movements. The instrumentation is traditional: flute, oboe, Bb clarinet, and bassoon. The clarinet is in concert pitch to reveal more clearly the tonal organization of the work.

The purpose of this investigation is to trace briefly the development of opera in Germany during and after the Thirty Year's War as a background for the understanding of the milieu in which Keiser's Pregunda was created, and to study in detail this work as a representative of contemporary North German opera.

"SINFONIETTA" is constructed on a free usage of the traditional Sonata-form. It has an introduction; an Exposition, with two principal themes; a Development, in which both principal themes are used; and a Recapitulation, in which both principal themes are combined.

Sinfonietta is a one-movement piece for full symphony orchestra. The work contains five themes, three of which are the more important. The remaining two are subordinate because they are shorter, and not as fully developed as the A themes. A diagram of the form of the piece is shown on the following page as Figure 1. The duration of the work is approximately 14 minutes.

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Sound Study is a composition for large symphony orchestra in the twelve-tone idiom. It is a one-movement, monothematic piece in a large ternary form. The main body of the work is preceded by a long introduction which includes statements of the single thematic idea. The A section of the piece is scherzo-like in character and in a moderate 6/8 tempo. The theme is announced and receives a variety of treatment in this section. The B section is an extensive development of thematic material and utilizes a reverberation effect to be discussed below. A brief return of the A section brings the piece to a close.

The "String Quartet" is constructed upon the form of a theme and seven variations. It is the principal purpose of the theme to provide a unifying musical idea, and the variations to provide a continuous line of development of that idea The characteristics of simplicity and directness in the construction of the theme, not unusual in the variation form, furnish the source materials for extensive development that progresses in levels of complexity in each variation. A return to the theme, again with simplicity and directness, completes the unifying musical idea of the composition.