None

Total view from front of accumulation of cans. From the Contemporary Period.

"Act of Openings" is a stereo composition made with Moog analog synthesis modules. Composed in 1968, its duration is 17'27. The score of the composition is a dense and modulated sound characterized by carefully controlled phase relationships. All the rhythmic and harmonic elements of the piece derive energy from a long, brilliant sound. Each part of the room is another glimpse of this sound, as a set of flowers form a bouquet. "Act of Openings" received the 2nd Prize at the 1969 Dartmouth International Electronic Music Competition.

The concentric blues, green, and yellow are centered on the square canvas around a small white circle.

None

Recording of Christian Clozier's En avant la zizique.

None

None

A wicker basket with a red ribbon tied to the handle holds three eggs and a small white feather nestled on top of a piece of white fabric. The basket rests on a brick surface.

Recording of Gabriel 's Batucadas. This is a piece entirely composed with electronic sounds. It is an elaboration based on pulsations that occur at different speeds leaning towards density accumulation. Static, shrill and strongly aggressive material that overflows the interrupted background of pulsations. The work was composed in 1973, during the last year of existence of the Laboratory of the Latin-American Center of High Music Studies of the Torcuato Di Tella Institute.

None

The abstract painting is composed of wavy, diagonal lines in hues of green, red, blue, yellow, orange, gold, black, brown and purple painted on canvas.

None

None

Recording of Bohdan Mazurek's Bozzetti.

Recording of Lucien Goethals Cadenza. This composition is part of a work for orchestra and electroacoustic music. It is a solo for tape recorder, placed in the middle of the work. The basic material is electronic sounds and concert sounds (instrumental sounds). The overall shape is the result of superimposing a large number of fairly simple sound layers.

None

Recording of Lucien Goethals' Cellotape. The electroacoustic part of this work was produced in three versions: one-track, two-track, and four-track tapes. It is meant to be played with two performers, a cellist and pianist who become responsible for the synchronicity of the piece. The piece premiered in Brussels with cellist, Herman Sabbe and pianist, Pierre Bartholomé.

Discover for me this fabulous world of electro-acoustics; this world that allows us to accurately retain the slightest gesture, to multiply the sound sources to infinity, to put things and distant sounds side by side and thus to create magical worlds of unheard-of expressiveness. Rainer Boesch

Recording of Rainer Riehn's Chants de Maldoror.

Recording of Jon Appleton's Chef d'oeuvre.

Recording of Jon Appleton's Chef-d’œuvre.

Mixed Media Painting of charcoal, watercolor, gouache, ink and oil slick on paper. Black erratic mark making throughout the plane.

None