Photograph of a moment during the tour. View seems to be of the screens of television monitors, showing views of a man speaking into a microphone.

Photograph of a performance venue. Two men can be seen standing in foreground, one holding a microphone and reading from a paper, the other looking. Behind is a building with a balcony, filled with audience members.

Photograph of a mandolin band. A group of mandolin players can be seen standing outside, wearing capes, while others watch. In the background can be seen a bus.

Photograph of a performance during the tour. Several members of the band can be seen from the back, in an interior setting which may be a cathedral, with several large stained glass windows seen in background. Conductor is tentatively identified as Leon Breeden.

Photograph of a performance in Mexico, as seen from backstage. Various members of the band are seen standing and playing onstage, with audience visible in the distance. Taken from a low point of view.

Photograph of a performance in Mexico, as seen from audience. Members of the band can be seen standing while one gives a trumpet solo. The man onstage conducting is tentatively identified as Leon Breeden.

Photograph of ruins visited by the band members during the tour.

Photograph of the view from the plane's window, showing clouds and a piece of the wing-tip.

Photograph of San Miguel de Allende in Guanajuato, Mexico, as seen from a hillside. various buildings can be seen, including the Gothic spires of La Parroquia de San Miguel Arcángel church and the dome of Inmaculada Concepcion Church. In the far distance can be seen hills/mountains. This is one of a series of photographs taken during the One O’Clock Lab Band’s tour to Mexico, January 26 to February 21, 1967. The United States Department of State sponsored the tour, and the band traveled as representatives of the United States. Directed by Leon Breeden, the 20 member band and their guests vocalist Carol Lurie and pianist-organist Linda De Leon, toured for 26 days, giving 19 scheduled concerts and two impromptu shows at venues throughout Mexico.

Photograph of El Castillo, a step-pyramid in the center of the Chichen Itza archaeological site located in the Mexican state of Yucatán. Several people can be seen walking up the steps of El Castillo and resting at the top. A small sign with "Castillo" is visible in the lower right of the image.

Photograph of a performance during the tour. Members of the band can be seen onstage, with five standing at left playing saxophones, and Leon Breeden watching from the right.

Photograph of a performance in Mexico. Some of the members of the band can be seated onstage, wearing dark suits, playing.

Photograph of a building on the campus of the Universidad del Sudeste (now the Universidad Autónoma de Campeche), showing a modernist building of roughtly circular form with stair-stepped terraces.

Photograph of the back of several members of a band, seated, with music stands, looking out to a room with several people seated at tables or standing. Likely one of the early venues of the tour. The man with glasses in middle back is tentatively identified as Leon Breeden.

Photograph of a young man seated on a stool, with bench holding plates of food and a bottle in foreground and a drum set visible further back. Believed to be one of the early venues of the tour.

Photograph of the Tarver family posing together on a small dock in front of a body of water with coolers and fishing rods. The parents are standing at the back -- Mary Jane at left and Wendell at right, with his hands on his hips -- and the children are grouped together (left to right) John Arthur, Carol Lynn, Byron Lee, and Lawrence Alden. The siblings are holdings strings of fish that they caught and the boys on the ends are also holding fishing poles.

Photograph of Wendell Tarver (left), his wife (right), and children -- from left to right, Carol Lynn, John Arthur, Byron Lee, and Lawrence Alden -- posing in a group on steps. They are wearing formal clothing with coats and ares standing next to the side of a building (at right), and there appears to be playground equipment behind them at left.

Cotton necktie with regiment print in red, gray-green and blue with black diagonal accenting.

Photograph of the Benito Juarez Hemicycle in Zocalo, Mexico City's main square.