This study considers the equipment needed for the art rooms of the three junior high schools of Corpus Christi, Texas. It discusses the special problems encountered by the teacher-committee that had to determine the minimum list of tools and other equipment necessary to carry out a well-rounded art program.

The present study explores some of the materials native to the Texas Gulf Coast between Corpus Christi and Beaumont relative to their adaptability to weaving. The problem is three-fold: first, to collect and identify the indigenous materials which might prove suitable for weaving; second, to determine the range of uses which each might serve in a weaving program; and third, to test further each selected specimen by making a sample into a finished woven product.

For several years the author has viewed with interest the various kinds of outdoor signs. College courses in advertising art and advertising procedure, as well as practical experience in the advertising field, have increased his interest in this fascinating business and prodded him on to further investigation. With the desire to extend his knowledge of outdoor advertising and to pass on the body of his research to others who find it useful, the author has undertaken this study.

In a recent study of the geometric analysis of various masterpieces of many periods dating from early Egyptian to contemporary times, the author noted with particular interest the structure of the paintings of the German Renaissance masters. It seemed that the Germans used a simpler geometric plan in their compositions than did the Italian Renaissance painters. The writer was inspired to make further investigation to determine if such a theory were true.

The general purpose of this study is to develop a series of peep shows, or visual models, which will enable the young student to understand what the laws of perspective are, how they were found, and why his drawings will appear to have three dimensions if he follows the rules. The study is based upon a widely accepted idea--that it is much easier for most people to understand and remember a principle when they can actually see how it works. When rules are merely memorized, one is not assisted by reason, which is essential for useful retention.

The problem of this thesis is to determine just what part the museum is playing in the cultural development of Texas. This study presents a detailed investigation of the exhibitions offered by four of Texas' major art museums for the period from 1940-1950. Each of the museums will be discussed separately and then compared so that an over-all picture can be achieved.

This manuscript records an adventure in exploring the inherent possibilities of organic forms for use in the designing of jewelry.

For the average person many opportunities for esthetic enjoyment of useful objects exist if the relationship between beauty and utility is understood. Furniture and other articles of daily use have acquired new and radical changes of design, based on function, which are altering esthetic concepts. This new approach to design is gradually being accepted by manufacturers and producers. Do purchasers appreciate and accept these structural and functional bases of contemporary design? If they do not, wherein does their deficiency lie, and how may it be corrected? This is the problem that the writer has attempted to investigate through this study.

The purpose of this study was to collect and compile data on the principal climatic factors of the Denton area which affect one's personal comfort and health, in order to show how a maximum of these commodities could be secured through manipulation and control of the climate of individual building sites. In the Denton County area the naturally breezy climate of summer, excluding areas near heat-collecting surfaces of pavement and masonry, is not usually uncomfortable out of doors unless one is directly exposed to the sun; but, as a result of improper orientation of houses, indoors one often feels a pressing still heat and a general discomfort. The writer's interest in the field of architecture led to a desire to find out how this condition could be alleviated; therefore, this study was undertaken.

The study was based on a survey of the outer garments and accessories within the wardrobes of twenty professional and business women of this vicinity. A questionnaire was used in order to obtain information concerning the wardrobes. From the results tabulated, the following concusions were reached: (1) the expenditures to provide adequate wardrobes were much more than they should have been; (2) in most cases, the distribution of garments was inadequate to meet the needs for all occasions; (3) the color selections were unrelated; and (4) the number of articles in the majority of the wardrobes was excessive. In light of the findings, the components of what the writer considers an adequate basic wardrobe have been presented and discussed.

The purpose of this study is to show that an awareness of modern architecture is developing in Dallas, Texas. This will be shown by an analysis of several recently constructed residential, civic, and commercial buildings. The contributions of American and European architects who have influenced our contemporary architecture are reviewed to in order to develop a background for this study. This will be shown by an analysis of several recently constructed residential, civic and commercial buildings.

This study is a report of the results of an investigation into the extent to which native materials were used in the antebellum buildings of Harrison County, Texas; the way in which they were used; and the aesthetic implications of their use. It was hoped that this research might fill a gap in the art and architectural history of Texas, since nothing has been written on this specific subject except a few articles and unpublished papers dealing with certain houses individually or with log construction in general.

In this study the public-school buildings of Denton are examined for evidences of modern architectural design. Chapter I serves as an introduction. Chapter II presents a history of the Denton Public Schools. Chapter III presents standards for evaluating modern school architecture. Features of existing school buildings, built earlier than 1964, which, in character, exemplify modern architectural design are described in Chapter IV. The three school buildings built since 1946 and the one under construction are described in detail and evaluated according to the standards given. Representative photostatic reproduction and photographs illustrate the text. In Chapter V a summary of the study is given and conclusions are presented.

This study, "Surface Textures of Unglazed Pottery," will record and evaluate a series of experiments performed that can be achieved on unglazed ceramic ware....The problem will be limited to experiments using a red clay from Horatio, Arkansas, a buff clay from Trenton, New Jersey, and a tan clay from Athens, Texas. The specimens will be fired at the temperature of 1643 degrees Fahrenheit...Experiments performed with the three clays will fall into three categories: (1) textures resulting from introduction of foreign matter into the clay (2) textures resulting from surface treatments of green ware and (3) textures resulting from surface treatments of bisque-fired ware. The experiments will be described and the fired clay specimens -- tiles 2"x2"x1/4" will be evaluated according to esthetic and practical standards.

The purpose of this study is to analyze trailer homes being produced in the United States in 1953 in order to determine how they might be made more livable and functional.

This study is concerned with the development of a basic art program to meet the special needs of the Latin-American senior-high-school student.

This thesis discusses the theory that the production of many art tools and materials in the school or home laboratory is feasible, and that it would not only reduce the cost of a school art program but also enrich it.

In this research, the author has undertaken to investigate what relationship, if any, exists between academic achievement of the child in the upper-elementary grades and his achievement in both or either, of the two- and three-dimensional arts.

This study was undertaken to help determine by geometric analysis whether the two paintings, one attributed to the fourteenth century Sienese artist, Ugolino da Siena, and the other to the fifteenth century Sienese artist, Sano di Pietro, were painted by these artists.

The problem of this study examines two questions which were posed. First, would color preferences of children in the N.W. Harllee School of the Dallas Independent School District be the same as those found in other studies of color preferences of elementary school children? Second, would there be differences in choices made by low academic aptitude groups and high academic aptitude groups? In an attempt to answer these questions, a series of tests was devised and administered to children grades IV through VII.

The writer, who, as an art student, has a special interest in the visual qualities of motion picture art, has undertaken to investigate the extent to which the visual aspect of art was outstanding in motion pictures receiving awards during the years 1951 through 1954. As a result of this investigation he hopes to reach some valid conclusions concerning the chronological and geographical distribution of visually excellent pictures during the period and to consider the consequences of those trends which can be identified.

This paper presents the thesis that a major emphasis on craft activities in the creative art program for early adolescence is indicated as an aid in the adjustment of the child to the more mature status in which he finds himself. As a test, during the school years 1955-56 and 1956-57, children in grades six and seven at the W. W. Bushman School in the Dallas Independent School District, Dallas, Texas, participated in various projects in crafts as part of the course of study in art, which also included drawing and painting. A description and evaluation of these problems are the subject of this paper.

Since most adults generally evaluate children's creative expression by adult standards, view it as meaningless, and frequently present children with hackneyed forms of visual "art"--such as stencil patterns, or color books in which the children are encouraged to copy adult drawings--the purpose of this study is to develop legitimate standards which the adult observer may use in judging children's paintings and to explain these standards through analyses of children's paintings selected from Grades I through III.

The purpose of this study of Richard Neutra's houses is three-fold: 1. To analyze the spatial treatment of the interiors. 2. To analyze the spatial treatment of the exteriors. 3. To determine the spatial relationship of the interiors to exteriors and find out how it was achieved.