"Binger Men's Singing Society and Women's Chorus. Choir Director & Music Director: Josef Knettel. Program order of the ceremony in the Bingen city hall on the 10th of October, 1954 at 10: 15 am, on the ocassion of the 50th anniversary of the directorship of Music Director Josf Knettel." Program includes "Der Erfolg" by Knettel.

"Festival book to celebrate the 125th anniversary of the Bad Kreuznach Concert Society, 1830-1955." Knettel pictured on p. 5 as Choir Director of the Konzertgesellschaft since 1908 and listed, on p. 7, as director of a performance of Beethoven's Missa Solemnis on Sunday, the 30th of October 1955, at 4:00 pm.

Compositions for solo organ

Composition for solo piano

Sheet music for "I Shall Walk Proudly;" the poem was written by Arthur Sampley and the music is by Gerhardt Dorn. The lyrics say "I shall/ walk proudly through these lonely/ ways because I once walked proudly by your side/ not even death can rob me of the bride whose beauty/ made man love and woman praise. I wear with pride the/ splendor that you shed upon my days./ So walks a warrior's steed behind the pall and so the aide behind the/ nation's head and so the bridesmaid to the wedding strain,/ and so I walk, who, having lost my all,/ go with the valiant bearing of the dead and wear, like her, the/ smile above the pain."

Sheet music for "The Visitor," for tenor voice. The poem is written by Arthur Sampley and the music is by George Minter. The lyrics concern a dream wherein a man encounters the boy he once was - interested in freedom, truth, love, and fame instead of the heavenly.

This is a holograph score of Don Gillis "The Encore Concerto for Piano and Orchestra." Gillis's dedicated this his first piano concerto to his friend Joseph Kahn. The entire score is in loose white onionskin pages and black ink. It is part of the UNT Music Library's Don Gillis Special Collection, which can be accessed at <http://www.library.unt.edu/music/special-collections/gillis/the-don-gillis-collection-1>. Page 96A is an alternative re-orchestrated version that replaces the essentially chordal accompaniment presented in p.96.