Clutch style purse of size 18 beads in paisley pattern in shades of pink, blue, peach, black and opal white. Wide brass lift lock closure includes 5 shapes of size 16 beads with repeating patterns. Lined in cream colored satin with two pockets. Finger loop of same on back side of purse at top. Maker's label on inside of purse: "Made in France / Exclusively by / Florentine"

Woman's suit consisting of three pieces, a coat, blouse, and skirt. Coat and skirt are made of navy blue wool. The coat has a center front opening, and long sleeves which end just above wrist. The skirt is slightly below mid-calf length. The blouse is made of rust-colored chiffon with rounded neck, and is decorated with beading and embroidery.

Dress of rose pink rayon and silk, with ivory silk Peter Pan collar and with cut-out stitched trim. 24 silver ball buttons on left side, and geometric triple-tiered ruffles with drop-waist and self-fabric belt with silver buckle. Long, straight sleeves with ivory satin cuffs with stitched trim; single snap closure.

Evening coat of black and gold brocade in a large scale tropical motif. The wrap-style coat has a shawl collar of red fox fur with kimono style sleeves trimmed in fox. The coat is fully lined in gold silk velvet.

Evening coat of gold metallic brocade in a floral motif with multicolored rectangles. Cocoon-style, with white fox collar, the full-length barrel sleeves with matching fur trimmed cuffs. The coat has a single button closure, and pink silk satin lining. Label: "Hattie Moss / Walnut at Seventeenth / Philadelphia"

Handbag. Rectangular silver art deco openwork frame set with tiny marcasites and circular cabochon black stones (onyx?). Bag is of black silk velvet. Handle of black silk velvet with two silver rings set with marcasites. Lined with dusty pink ribbed silk, and containing a small rectangular mirror. Marked on frame: "MD" in a square; Diamond shaped mark with an M over a K; and an illegible shield-shaped punch.

Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and …

Pair of gloves. Ivory kid leather gloves with brown and gray embroidery. Hands have inside seaming; 3 darts on top; darts highlighted by rows of gray chain-stitching with ivory dots woven in; wrists have sewn on cuffs; cuffs feature strip of pale off white leather; embellished with geometric and circle embroidery in brown thread; snap under wrist creates keyhole underneath as well. Stamped inside in purple ink: "Made in Belgium / Real Kid".

Gloves of light off white kid leather with brown piping. Hands have 3 darts outlined with brown thread on top; wrist portion extends almost to elbow; triangular inserts of same leather with tiny circles punched out lays over brown leather create full trumpet shaped wrist opening; vent at bottom wrist near hand with 2 pearl button closures. Stamped inside of left glove: "Made in Saxony"; "9468"; "V T ES / 1445"; "ARIS" (logo within arch); "US PAT / AUG 22 '27" Stamped inside of right glove: "6"; "US PAT / SEPT 19'22"' "3126 / 8"; "9468"

The woman faces the viewer and is in front of a large samovar situated in front of the man seated at the table on which are also a pitcher, coffee cup and saucer, and a glass with a spoon in it. The table is covered with a blue tablecloth.

The composition consists of geometric shapes on a beige ground. While most of the edges are sharp, the white shapes have feathered brushstroke edges. The colors are black, brown, yellow, green, blue, orange, red and white on the tan ground.

A red triangle, three brown and black circles and a sharp spear shape dominate the center of the composition. The background of the painting, upper left and lower right corners, are bright yellow.

The view is of the northeast corner exterior wall with the juxtaposition of the white travertine plinth and the highly patterned and bookended blue green marble.

The view is a close detail of the exterior wall showing the highly figured marble.

The view is of the entry, the travertine plinth and the marble exterior wall.

The reflecting pool is in the foreground with the pavilion in the background on an angle. The view shows the glass walls and possibility of looking through the building and beyond.

The view is over the reflecting pool toward the pavilion. The plinth is visible in the foreground.

The view is through the glass to the sculpture, Dawn, by Georg Kolbe, situated in the reflecting pool. The highly figured marble is visible behind the standing statue.

This portion of the mural panel shows a detail of one side of the banquet table.

One side of the banquet is visible in this painted mural detail.

The mural located in the Hall of the Agrarian Revolution, level three, north wall, shows five diners and a child crying in front of a scene of men holding baskets of harvest and rifles with straps of ammunition.

This detail of the mural shows the man at the head of the dinner table and the two men in the background with weapons and food baskets.

This detail of the mural shows the three diners at the left edge of the mural and the man at the head of the table.

This mural detail shows two adult diners and the crying child at the right edge of this mural panel.