The woman faces the viewer and is in front of a large samovar situated in front of the man seated at the table on which are also a pitcher, coffee cup and saucer, and a glass with a spoon in it. The table is covered with a blue tablecloth.

The composition consists of geometric shapes on a beige ground. While most of the edges are sharp, the white shapes have feathered brushstroke edges. The colors are black, brown, yellow, green, blue, orange, red and white on the tan ground.

A red triangle, three brown and black circles and a sharp spear shape dominate the center of the composition. The background of the painting, upper left and lower right corners, are bright yellow.

This portion of the mural panel shows a detail of one side of the banquet table.

One side of the banquet is visible in this painted mural detail.

The mural located in the Hall of the Agrarian Revolution, level three, north wall, shows five diners and a child crying in front of a scene of men holding baskets of harvest and rifles with straps of ammunition.

This detail of the mural shows the man at the head of the dinner table and the two men in the background with weapons and food baskets.

This detail of the mural shows the three diners at the left edge of the mural and the man at the head of the table.

This mural detail shows two adult diners and the crying child at the right edge of this mural panel.

A group of people surround an elderly man with a long white beard and wearing a funnel on his head. In the background are men wearing straps of ammunition. One man in the foreground sits on a stack of books and another man in the foreground holds a feather quill pen and sits on an elephant sculpture. Some text in Spanish drapes across the top of the mural panel.

The detail of the mural shows the elderly man with the long white beard and the people nearest him.

A close view of one of the women is shown in this mural detail.

A woman seated in a chair holds a book, reading. Light from behind highlights the woman's light hair and her dress. The background is purple, blue, green, and yellow.

None

Better Farming Magazine Vol XLIV No. 2 sent to Y.U. Jones

Better Farming Magazine, June 1921, Chicago, Illinois, sent to S.W. Jones

Capper's Farmer Magazine

Better Farming, June 1921, vol XLIV

The Cattleman volume XVI, Fort Worth, Texas, December 1929.

The Literary Digest December 12, 1925 mailed to Y.U. Jones

Capper's Farmer, January 1923

Print of a scene from the 1892 opera by Ruggero Leoncacallo, Pagliacci. The print shows a woman wearing the clothes of a ballerina, sleeping on a couch. A man dressed as a clown bends down over her as if to give her a kiss. He is holding back curtains with his left hand. The woman has short, blonde hair and wears a white, tutu style dress. The couch she lays upon is blue. The mime's clothing is multicolored, he wears a black hat. Most of his face cannot be seen. A tall, french door can be seen behind them along with a curtain.

Color print of Christian nativity scene. Mary with baby Jesus in manger at center. Three kings with gifts are on the left side. A shepherd with animals is on the right. A bright star shines above Mary. The piece appears to have been clipped from a magazine. The advertising on the back of this image is for Elgin watches, dated 1922.

A collection of human anatomy and architectural sketches, each dated and signed by the artist.