Serial/Series Title
Decade
16 Matching Results
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16
Sacred Set Number 1: Clarinet 1 in B-flat Part
First (1st) clarinet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Violin 2 Part
Second (2nd) violin part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Cornets in B-flat Part
Cornet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Horns in F Part
Horns in F part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Oboe Part
Oboe part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Organ Part
Organ part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Bassoon Part
Bassoon part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Cello Part
Cello part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Flute Part
Flute part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Clarinet 2 in B-flat Part
Second (2nd) clarinet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Bass Part
Bass part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Piano Part
Piano part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Timpani (F & C; F & Bb) Part
Timpani (F & C; F & Bb) part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Trombone Part
Trombone part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Viola Part
Viola part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library
Sacred Set Number 1: Violin 1 Part
First (1st) violin part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."
Date:
1917
Creator:
Luz, Ernst
System:
The UNT Digital Library