This volume includes six piano sonatas, three sets of theme and variations, one fantasia, and one capricio [sic] with incipits for all pieces.

This volume includes the piano parts for six piano trios (called "sonatas" on the title page) with incipits.

This volume includes eight piano sonatas, preceded by pages featuring a portrait of the composer, a letter of dedication from the composers to the consumers of this item, and incipits of all eight sonatas.

This volume includes the piano parts for six piano sonatas and one arietta (for solo piano) and the piano parts to a trio for piano, flute, and 'cello. Incipits are included for all pieces.

Though the cover of this volume is in French, the title page gives the same information in German. This latter language also receives pride of place in the text underlay: Most songs are solely in German but, when lyrics are given in two languages, German is immediately below the musical staves with either Italian or French in italics below the German. Songs use one to three voices with the voice part sometimes integrated into the top staff of the piano part with text underlay indicating when to sing. Several songs are set for three-part Männerchor or four-part chorus with piano accompaniment. In strophic settings, only the first stanza of poetry appears in the score; the rest are included as addenda at the end of the piece. The volume concludes with a table of contents given the name and first line of each song in all languages used for each entry.

This volume includes the piano parts for five piano trios (called "sonatas" on the title page) with incipits.

This volume includes the piano parts for five piano trios (called "sonatas" on the title page) with incipits.

This volume includes the piano parts for six piano trios (called "sonatas" on the title page) with incipits.

This volume contains fifteen sacred and secular songs for one to four voices with piano accompaniment. Contrary to the title page, the titles of each song are given either in German or German and Italian. When both languages are present in the text underlay, the Italian text sits directly below the staves with German below the Italian. Most songs either give "Singstimme" or a voice part for the vocal staves; some give names of characters, possibly indicating a theatrical or semi-dramatic performance context. Songs for one voice tend to be strophic while part songs are through-composed. Authors such as Gellert, Metastasio, and Shakespeare figure among the authors (most anonymous) of the texts. As with the other binlingual pieces in this volume, the scene "Arianna a Naxos" is set in Italian and German. The interaction of the soprano voice and piano accompaniment as well as the structural alternation between arioso/aria and recitative reveals this piece to be a solo cantata. The volume concludes with a four-page catalog of all of Breitkopf und Härtel's publications in Leipzig complete with price in thalers for each piece and a table of contents. The positioning of the Inhalt at the end of the volume reflects …

This volume contains the piano parts to eight piano sonatas - five accompanied by violin and 'cello, three accompanied by violin - all with incipits.

This volume contains twelves piano sonatas with incipits for each piece.

This volume contains the piano parts for eight piano sonatas (some accompanied either by violin or violin and 'cello) and one adagio. Incipits are present for all pieces.

Correspondence from Spanish officials to Governor Antonio Cordero regarding an unpaid loan due to Jose Menchaca not paid by Cayetano de la Garza who died in 1795. According to the communications, his son José Jesús de la Garza is made responsible for the debt and promises to pay.

Official document from Manuel Garza and others to Captain Don Jose de Jesus Garza in which the Conde de Sierra Gorda approves the request by Garza for three pieces of land assigned in the General Visita. Garza is able to gain land for himself, his brother, and his son-in-law, Pablo Martínez.

Official record from José Jesús de la Garza to the Governor of Nuevo Santander stating that José Martín Morales has sold his portion of land grant #40 in la Villa de Burgos to Julio Jose Quintana for 25 pesos in order to settle a debt. The document is severely torn on the right side of the paper and has small holes throughout the interior.

Map shows late eighteenth century Ohio roads, Native American settlements, military posts, township grid, river rapids and portage, the "Virginia Donation," "Indian Boundary Line," "Army Lands," and Northwest Indian War battle sites [note on map - "Indians defeated Augt. 20, 1794"]. Includes notes on points of interest. Relief shown by hachures and spot heights. Scale [ca. 1:2,110,000].

Order from José de Jesús de la Garza in La Villa de San Augusin de Laredo, saying to keep criminals penned up and under control.

Orders from José González saying to get materials to build a jail, and that everyone must contribute in the construction.

Message from José González to to all citizens of Laredo saying that the killing of cattle is forbidden. The document itself has numerous stains dotted all throughout the pages.

Orders from the Conde de la Sierra Gorda to officials in six villages within Nuevo Santander. The Conde requests each officials to create a census list.

Orders sent to five villas, Reynosa, Camargo, Mier, Revilla, and Laredo, from the Intendent to collect taxes and send the money. The smaller document says that this is for the year 1791, and lists out the months of January, March, June, November, and December.

Ordinances from José González, Justicia Mayor of Laredo, listed out over four pages. Ordinances include: no alcohol sold or brought in; no illegal games; one must report when leaving town; all outsiders must report upon entering; no butchering animals without permission; permission must be granted for dances, etc.

A raking view of the facade and one corner is shown in this view. Shallow balconies run the course of the building on the second floor as well as above each first floor opening. Each top floor window is topped by a sculptural pediment.

Score for Giovanni Paisiello's opera Partitione della Nina, osia, La pazza per amore. A handwritten page in French is pasted onto one of the front end pages; there is no title page or other such identifying information. Listed as 1.78 in the Robinson thematic catalog, it premiered on June 25, 1789 at the Belvedere, S. Leucio (Caserta).