Map shows detail of the northern coast of Cuba and the atolls and islands to the north and along the Old Bahama Channel. Insets: "Plano del fondeadero que forman los cayos de piedras, mono, monillo, y adyacentes" and "Plano del fondeadero que forman los cayos verde y confites." Relief shown by hachures. Depths shown by soundings. No scale indicated.

Map shows dates and routes of explorers; major cities, political divisions; French Louisiana, Florida still separate from United States; New Britain inclusive of Pacific Northwest; major cities, political divisions for North and South America, West Indies, Pacific islands, and New Zealand. portion of coasts of New Guinea and New Holland [Australia] are incomplete. Includes notes. Relief shown pictorially. Scale [ca. 1:46,000,000].

The painting depicts the Last Supper with yellow streaks of light emanating from Christ's head. The background is dark and the composition mostly yellows and blues.

Letter from Andrew D. Campbell to Littleton Dennis Teackle before their journey back to England. Campbell was from Glasgow, and a classmate of Teackle's at Columbia University.

Letter from Elizabeth Upshur Teackle to her sister Ann Upshur Eyre, undated. The date of this letter is either April or May of 1799 due to context. The letter mentions the long awaited return of the ship Delaware, captained by John E. Sword from Canton. It discusses the wedding of Sarah Corbin Cropper, as well as mentioning Mrs. Vear, Henrietta Teackle, John Teackle, Mrs. John Dennis, Col. Cropper, and Col. Savage.

Letter from Elizabeth Upshur Teackle to her sister Ann Upshur Eyre, written from Philadelphia. She mentions see various friends in town such as Paschall Hollingsworth, Mr. Davis, and Ben Wilcocks, and members of the Teackle family..

Letter from Margaret Campbell to Littleton Dennis Teackle written from the Campbell home in Glasgow on Stockwell Street. The letter discusses Teackle's recent visit with the Campbells in both Glasgow and at their country cottage, mentioning Lilly Campbell, Anna Campbell, and Teackle's sisters Henrietta and Sarah "Sally" Teackle. The letter also mentions Lord Francis Jeffrey, a good friend of the Campbell's.

Correspondence between Santiago de Jesús Sánchez and Manuel de Escandón, Governor of Nuevo Santander. In this correspondence de Jesús Sánchez is asking for a land grant left by a deceased person without an heir.

Map shows six continents and political boundaries. Shows Australia as "N[ouvel]le Holland," and [French] "Louisiane" [territory in North America]. Includes five hemispheric circles explaining gridlines on map. Prime meridian: Paris. Scale not given.

Domenico Cimarosa’s Il matrimonio segreto premiered at the Burgtheater in Vienna on 7 February 1792, just two months after Mozart’s death. It received immediate accolades, particularly from Emperor Leopold II, and the opera was performed a second time that day for a private audience that included the Holy Roman ruler. Il matrimonio segreto enjoyed a successful run that lasted almost a hundred years, with revised versions appearing in the second half of the nineteenth century; in 1933, the work was performed at the Library of Congress. Although the harmonic language is largely diatonic, Cimarosa’s beautiful melodies and exciting rhythms complement Bertati’s direct text. The opera presents the predicament of the secretly married couple without resorting to stock plot conventions such as characters in disguise, conveying the dramatic naturalness and simplicity promoted by Rousseau. The inventive orchestration, which includes clarinets, was another aspect of the opera that was praised by some (while Schumann appreciated the orchestration, Berlioz was unimpressed).

Message from Santiago de Jesús Sánchez to José Jesús de la Garza, captain of the militia, informing him of an individual breaking the law. According to the message the man, from Lampasos, is selling liquor and setting up games; de Jesús Sánchez asks whether the law should be enforced. de la Garza responds by saying the liquor should be destroyed and the man, Alexandro Escalera, be thrown in jail.

This volume includes six piano sonatas, three sets of theme and variations, one fantasia, and one capricio [sic] with incipits for all pieces.

This volume includes the piano parts for six piano trios (called "sonatas" on the title page) with incipits.

This volume includes eight piano sonatas, preceded by pages featuring a portrait of the composer, a letter of dedication from the composers to the consumers of this item, and incipits of all eight sonatas.

This volume includes the piano parts for six piano sonatas and one arietta (for solo piano) and the piano parts to a trio for piano, flute, and 'cello. Incipits are included for all pieces.

Though the cover of this volume is in French, the title page gives the same information in German. This latter language also receives pride of place in the text underlay: Most songs are solely in German but, when lyrics are given in two languages, German is immediately below the musical staves with either Italian or French in italics below the German. Songs use one to three voices with the voice part sometimes integrated into the top staff of the piano part with text underlay indicating when to sing. Several songs are set for three-part Männerchor or four-part chorus with piano accompaniment. In strophic settings, only the first stanza of poetry appears in the score; the rest are included as addenda at the end of the piece. The volume concludes with a table of contents given the name and first line of each song in all languages used for each entry.

This volume includes the piano parts for five piano trios (called "sonatas" on the title page) with incipits.

This volume includes the piano parts for five piano trios (called "sonatas" on the title page) with incipits.

This volume includes the piano parts for six piano trios (called "sonatas" on the title page) with incipits.

This volume contains fifteen sacred and secular songs for one to four voices with piano accompaniment. Contrary to the title page, the titles of each song are given either in German or German and Italian. When both languages are present in the text underlay, the Italian text sits directly below the staves with German below the Italian. Most songs either give "Singstimme" or a voice part for the vocal staves; some give names of characters, possibly indicating a theatrical or semi-dramatic performance context. Songs for one voice tend to be strophic while part songs are through-composed. Authors such as Gellert, Metastasio, and Shakespeare figure among the authors (most anonymous) of the texts. As with the other binlingual pieces in this volume, the scene "Arianna a Naxos" is set in Italian and German. The interaction of the soprano voice and piano accompaniment as well as the structural alternation between arioso/aria and recitative reveals this piece to be a solo cantata. The volume concludes with a four-page catalog of all of Breitkopf und Härtel's publications in Leipzig complete with price in thalers for each piece and a table of contents. The positioning of the Inhalt at the end of the volume reflects …

This volume contains the piano parts to eight piano sonatas - five accompanied by violin and 'cello, three accompanied by violin - all with incipits.

This volume contains twelves piano sonatas with incipits for each piece.

This volume contains the piano parts for eight piano sonatas (some accompanied either by violin or violin and 'cello) and one adagio. Incipits are present for all pieces.

Official document from Manuel Garza and others to Captain Don Jose de Jesus Garza in which the Conde de Sierra Gorda approves the request by Garza for three pieces of land assigned in the General Visita. Garza is able to gain land for himself, his brother, and his son-in-law, Pablo Martínez.