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Map shows political boundaries, areas of Native American hatibation, cities, towns, ports, rivers, and notable physical features for North America from the Great Lakes and New England in the north to the Sea of California, all of New Spain, the West Indies, and the northwest coast of South America; "Floride" encompassing the [modern-day] southeastern states and the majority of [modern-day] Texas and Oklahoma. Includes text "Remarque" and notes attributing European possession. Relief shown pictorially. Scale not given.

Map shows early eighteenth century North America. Major roads, areas of Native American habitation, large settlements, and political boundaries are indicated. Insets: "Les environs de Quebec," "Veüe de Quebec," and "Les costes de la Louisiane." Relief shown pictorially. Scale not given.

Chart describing the governmental structure of the political entities of the Americas circa 1719 as well as a general overview, including 4 drawings and 1 map. Contents: Instruction généralle -- Conseil de l'Amerique Septentrionalle -- Conseil de Terre Ferme -- Conseil de l'Amerique Meridionalle -- Gouvernement Ecclésiastique -- Pais de l'Amerique appartenant aux autres puissances de l'Europe -- Carte de l'Amerique -- Revenue des Arch. et Eveschez de l'Amerique.

Map shows major settlements and coastal details for North and South America, western portions of Europe and Africa and eastern portions of Asia including New Guinea and a hint of "Nouvelle Hollande" [Australia]; sailing routes of explorers; street and structure details on insets. Includes portraits of explorers, illustrations of indigenous peoples, cultural practices, wildlife, flora, historical notes, and ecclesiastical plot ownerships in Havana and Veracruz. Insets: "Manege et Industrie des Castors," "Chasses aux Castors, Originacs et Ours," [9 explorers portraits with text]. "Pêche des Morues," [Detroit de Gibaltar], [Cap de Bonne Esperance], "Fort du Cap," [Isthmus of Panama], [Port de Acapoulco], [Les environs de l'Embouchure de la Rive. de Missisipi], [Lima], [Mexico City], [Baldive], [La Conception], "Rio de la Plata," [La Havane], [Baya de Rio Janeiro], "Vera," "Cruz,"[Mariana Islands]. Relief shown pictorially. Scale [ca. 1:20,000,000].

Map shows major settlements and coastal details for North and South America, western portions of Europe and Africa and eastern portions of Asia including New Guinea and a hint of "Nouvelle Hollande" [Australia]; sailing routes of explorers; street and structure details on insets. Includes portraits of explorers, illustrations of indigenous peoples, cultural practices, wildlife, flora, historical notes, and ecclesiastical plot ownerships in Havana and Veracruz. Insets: "Manege et Industrie des Castors," "Chasses aux Castors, Originacs et Ours," [9 explorers portraits with text]. "Pêche des Morues," [Detroit de Gibaltar], [Cap de Bonne Esperance], "Fort du Cap," [Isthmus of Panama], [Port de Acapoulco], [Les environs de l'Embouchure de la Rive. de Missisipi], [Lima], [Mexico City], [Baldive], [La Conception], "Rio de la Plata," [La Havane], [Baya de Rio Janeiro], "Vera," "Cruz,"[Mariana Islands]. Relief shown pictorially. Scale [ca. 1:20,000,000].

This item contains volumes 1 and 2 of Clérambault's "Cantates Françoises." The second volume bears the subtitle "Mellées de Simphonies." Volume 1 contains the cantatas "L'amour piqué," "Le jaloux," "Orphée," "Poliphême," "Medée," and "L'amour et Baccus." Volume 2 contains "Alphée et Arethuse," "Leandre et Hero," "La musette," "Pirame et Tisbé," "Pigmalion," and "Le triomphe de la paix." The continuo line is figured.

Pascal Collasse was one of the few opera composers able to secure successful performances in the years following Lully’s death. Collasse then went on to supply the music for the entire opera, Thétis et Pélée, which was premiered at the Paris Opéra on 11 January 1689. Thétis remained popular throughout Collasse’s lifetime, in spite of its rather weak plot. Owing to its success is primarily the music, including a significant storm scene in Act II. This departure from the Lullian tradition is perhaps Collasse’s most significant contribution to the tradition of French opera.

Overall view of the façade from N on redesigned Karlsplatz

Map shows French Louisiana's boundaries extending to the Salinas River in New Spain and across the southeastern portion of North America to include the Florida peninsula as "Presqu'Isle de la Lousiane"; areas of Native American habitation, settlements, villages; military posts, and major roads for La Louisiane and the northeastern portion of Nouvelle Espagne [New Spain]. Includes notes and illustrations of Native Americans, hunting, animals, settlements, ships, and canoes.Relief shown pictorially. Depths shown by soundings. Scale [ca. 1:5,250,000].

Map shows south eastern portion of the North America continent including Lake Erie in the north east, a portion of Virginia to the east, the Florida peninsula, the Mississippi River to "les Illinois," the Gulf of Mexico, and portions of Cuba and the Bahamas, "Nouvelle Espagne" [New Spain] and "Nouveau Mexique" [New Mexico]; areas of Native American habitation, major roads or trails, and settlements. Includes notes and population statistics. Relief shown pictorially. Depths shown by soundings. Scale not given.

It is upon this set of three Italianate cantatas - "Martillo," "Thyrsis and Neptune" and "Amymone" that Hayden's reputation mainly rests. The second and third works include unspecified obbligato instruments. Content is printed only on the recto of each leaf. The bass line contains no figuration.

Map shows the prevailing directions of the trade winds; five continents and a portion of "Nova Hollandia" [Australia], major cities, and exploration routes. Includes text, two celestial insets, two insets of solstices, two panoramic views, and illustrations. Relief shown pictorially. Scale [ca. 1:75,000,000].

Map shows major settlements and areas of Native American habitation, political boundaries for French Canada, French Louisiana, the British colonies, New Spain, and the West Indies. Includes historical notes and illustrations of ships, sea battles, mining activity and indigenous peoples. Relief shown pictorially. Scale [ca. 1:1,000,000].

Map shows settlements, physical features, political divisions in North and South America and the West Indies; a portion of the coasts of Europe and Africa; islands in the Atlantic and Pacific Oceans, and settlements. Includes notes, dates of discovery, and illustrations. Relief shown pictorially. Scale not given.

Map shows early eighteenth century coastal details, settlements, and physical features in the French Antilles and neighboring Lesser Antilles islands. Relief shown pictorially. Scale not given.

Map shows the major cities, political divisions, and physical features from the top of the world. Includes notes. Polar projection extending to equator. Relief shown pictorially. Scale varies.

Isis, which premiered January 5, 1677, at St. Germain-en-Laye, was the fifth of Jean-Baptiste Lully's tragédies lyriques written with librettist Philippe Quinault. The plot is loosely adapted from one of the episodes in Ovid's Metamorphoses. In many of its essentials, the plot of Isis resembles that of Lully's previous opera, Atys. In Isis, the nymph Io, daughter of the river Inachus, is promised in marriage to Hierax, just as the nymph Sangaride, daughter of the river Sangar, was promised to Celoenus. Like Sangaride, Io is pursued by another love and yields to this love in spite of her feelings of guilt. Like Sangaride, Io has a goddess as a rival and is vulnerable to her jealousy. Lully's contemporaries interpreted this story as representing the volatile situation between two of the King's mistresses. The subsequent scandale of the premiere ended the collaboration between Lully and Quinault for a time, and led to the dismissal of a number of members of Lully's artistic circle.

Thesée, which premiered at the court theater at St. Germain-en-laye on January 11, 1675, was Jean-Baptiste Lully's third tragédie lyrique created in collaboration with librettist Philippe Quinault. As in most of his libretti for Lully, Quinault combines a plot based on a classical source (an episode from Ovid's Metamorphoses) with references to contemporary events. The Prologue alludes to Louis XIV's personal leadership in the military engagements in the Alsace (along the French/German border). The juxtaposition of Venus' entreaties for pleasure with Mars' call to arms reflects a period of unease during which the French armies were in retreat from the armies of the Elector of Brandenburg. This resulted in the unique joining of songs of love with songs of war and victory.

Map shows settlements, areas of Native American habitation, and notable physical features from the lower portion of North America to the northwestern corner of South America. Relief shown pictorially. Scale [ca. 1:19,000,000].

Map shows settlements, areas of Native American habitation, and notable physical features from the lower portion of North America to the northwestern corner of South America. Relief shown pictorially. Scale [ca. 1:19,000,000].

Map shows Western settlements and areas of Native American habitation from the lower half of North America to the northwestern corner of South America. Relief shown pictorially. Scale not given.

Map shows early eighteenth century major roads, major cities, forts, and Native American settlements near the southeastern coast of North America. Includes text about historical events. Insets: "The cataract of Niagara," "A draught of ye town and harbour of Charles-town," "A map of the principal part of North America," "A map of the improved part of Carolina with the settlements &c.," and [South part of Carolina and the east part of Florida]. Relief shown pictorially. Depths shown by soundings. Scale [ca. 1:3,000,000].

Map shows trade winds and monsoons with Australia as New Holland coast joined to N. Guinea and the east coast un-mapped; explorers routes in the North Atlantic, political boundaries, and ocean currents. Includes explanation, scale of English leagues, and text notes. Insets: "This chart is to shew ye degrees of the variation of ye compass as they were observed in ye year of 1700 in ye Atlantick and Indian Ocean" and "The North Pole." Relief shown pictorially. Scale [ca. 1:34,000,000].