Photograph of Daniel F. Draper on stone stairs in Brackenridge Park in San Antonio, Texas. The text on the back reads: "Daddy D.F. Draper Brackenridge Park San Antonio Daniel Franklin Draper b. July 9 1896 WWI."

Photograph of D. F. Draper leaning with his right foot on a wall built of stones and a cigarette in his mouth. On the back is writing that states his year of birth.

Photograph of Daniel Franklin Draper and Winnie Pearl Gilreath Draper. There is text on the back that reads: "Mother & Daddy Brackenridge Park... 45 WW1 Photo 3.00...Daniel Franklin Draper..Winnie Pearl Gilreath Draper.. San Antonio."

Photograph of four enlisted soldiers wearing full uniforms, standing at ease in front of a loose stone wall in France. The men are identified as (left to right): Sergeant E. W. Koerth, Sergeant C. C. McKee, Sergeant Joe Herman, and Sergeant U. C. Erwin.

Photograph of Floyd Crow from the abdomen and up. Text on the back reads: "Floyd Arnold 'Jim' Crow 1893 - 1968...joined Baylor Univ. coaching staff 1919...graduate of Stephen A. Douglas Select School Waco...education Texas A&M College...served in World War I".

Photograph of Carter J. Harris, a World War One veteran.

Portrait of a unknown WWI soldier dressed in his uniform. He is shown in this photograph from the abdomen and up.

Portrait of John Draper with his hat tilted and left hand on his tip. This photograph shows him from the thighs and up. Text on the back reads: "John Draper...died WW1...John Draper from Daniel F. Draper estate."

Clara and Frank Maresh dressed in WWI Red Cross and Army uniforms for the funeral of their uncle Frank Maresh's funeral in Sealy, TX Clara is wearing a white dress with white nurse habit on her head. She is holding a white flag with cross on it. Frank is wearing a army uniform and is holding an American flag. Scanned image is of the copy.

Photograph of 111th Engineers marching through downtown Dallas after returning home from France after World War I.

Photograph of two soldiers in uniform, pretending to fight. The one on the left has his fists up, and the other holds one of them in his hand.

Photograph of WW1 veteran Isaac "Ike" Hudson facing the camera. He wears a buttoned high-collared military suit.

Photograph of two soldiers leaning out of the windows of a train traveling through a field. A handwritten note below the photo says "On way to Waco."

Photograph of soldiers setting up a camp of tents in an open field. Text on the photo says "Texas National Guards making camp, Ft. Riley Maneuvers."

Photograph of Fort Crockett in Galveston, Texas and the large group of tents lined up in rows on the left side; on the right side there is an open field possibly used for training and parading. The title of the photograph reads: "Home Again! Our Victory Greetings"

Photograph of a man in a military uniform standing in front of a line of tents, with more soldiers in the background. A note at the bottom of the photo says "Rec'd from Waco."

Photograph of a hospital ward with rows of beds on either side of the long building, and soldiers, some in uniforms and others in gowns, in the middle of the room. A handwritten note on the back of the photo says "Observation Ward, Camp McArthur."

Photograph of Phil Blanchard wearing a military uniform and hat and standing in an open field. The photo was taken at Camp MacArthur in Waco, Texas.

Postcard of a field filled with soldiers doing exercises. A handwritten note on the back of the postcard says "Pa. This is the way we get our muscles hard, just like the old elevator at the mill. You would be surprised how I am hardened up. I feel fine and you bet will be home again soon. Your loving son, Henry."

Photograph of soldiers reclining and sitting on cots at Camp MacArthur, with rows of tents in the background.

Photographs of "The Flying Parliament" by Edwina S. Babcock, held by UNT Special Collections. The book is open to a dedication page, which is a note written in pen handwriting. The name Donald Thomas 1973 is at the top. On the top left side is the word "Poetry" written in pencil. The cover is red with an intricate gold design over most of the page, the title is in the middle of the cover in gold.

Photograph of the cover of "Over Here: War Time Rhymes" by Edgar A. Guest, held by UNT Special Collections. The cover is dark blue with the first part of the title in dark blue inside of a gold banner, the rest of the title and author stamped in gold under it.

Photographs of "Swords and Ploughshares" John Drinkwater, held by UNT Special Collections. The first image shows the title page, with the page to the left of it containing a small list of books by the same author. Image 2, poem on page 48 titled "On the Picture of a Private Soldier Who Had Gained a Victoria Cross", the page next to it contains a poem titled "One Speaks In Germany. In “On the Picture of a Private Soldier Who Had Gained a Victoria Cross,” the author calls upon the theme of photography to apply pressure to its revelatory and documentary status. Photographs are not only signs. They are also indexes—that is, they are created by the conditions they record. This adds authority to their status as objective or unmediated by interpretive bias, but such objectivity is an illusion. The alignment of the documentary photo with objectivity forgets the deceptive nature of physical surfaces, how they might exclude or even repress the deeper conflicts of inner life expressed in a poem. In Drinkwater’s poem, the deceptive nature of physical appearance dialogues with the deceptive nature of accolades for valor and the sense of liberation from horrors of the past. Drinkwater thus …

Photographs of "October and Other Poems" by Robert Bridges, held by UNT Special Collections. The book has an old white cover, framed by a black line and the title printed at the top in black. Image 2, "The West Front" and "To the United States of America." Page 32 contains the title of the first one at the top, and page 33 has the other one at the top followed by the date April 1917.