Presentation for the 2016 Annual Meeting of the International Society for Landscape, Place, and Material Culture. This presentation contains a brief overview of musical works about caverns.

Presentation for the 2017 UNT Open Access Symposium. This presentation provides an overview of a workshop on using OpenRefine to make sense of data, standardize, correct, and rearrange data elements, automate tedious editing, and prepare data for export to other platforms for a variety of uses.

Presentation given as part of the session "Cataloging, Preservation, and Discovery of Radio Content in Music Libraries and Archives" at the 2018 Music Library Association conference in Portland, Oregon.

Notes to accompany a presentation on the life and career of Willis Conover for the Willis Conover Centennial Symposium held virtually on December 11, 2020.

Notes to accompany a presentation on the friendship and collaboration between Willis Conover and Duke Ellington for the 26th International Duke Ellington Study Group Conference. Due to the Covid pandemic, this conference was cancelled early in the morning before it was set to begin.

Notes accompanying a presentation on the contents and historical context of the Rhodes Baker Collection at the University of North Texas Music Library. It was presented at the 55th Annual Association for Recorded Sound Collections (ARSC) Conference held virtually May 12-15, 2021.

Presentation on Voice of America broadcaster Willis Conover's long association with Polish jazz, given at the meeting of the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held in Kraków, Poland July 14-19, 2019.

Presentation for a workshop on OpenRefine for the Music OCLC Users Group meeting in Norfolk, VA held on February 25-26, 2020.

Notes accompanying a presentation on the interviews present in the John Gilliland Collection, and how they can inform rock music historiography. It was presented at the joint Texas Chapter of the Music Library Association and the Southwest Chapter of the American Musicology Society meeting held on September 24-26, 2020.

Notes for a presentation on the historical context of Willis Conover's long-running jazz program, Music USA, on the Voice of America, for the conference Music and the Nation III: Music in Postwar Transitions at the Université de Montréal held on October 18-20, 2018 in Montreal, Canada.

This paper was originally presented by Carl Rahkonen at the Society for Electro-Acoustic Music in the United States (SEAMUS) Conference on April 3, 2008 in Salt Lake City, Utah. This paper includes details about Vladimir Ussachevsky, a pioneer in the proliferation of electronic music. It also contains biographical information about Ussachevsky, as well as his archival materials. The author attempts to prove that Ussachevsky used Chinese Timbres as the basis for his electronic music.

This presentation describes the use of The Portal to Texas History in the classroom through a lesson plan creating a journey through Spanish Missions in Texas.

This narrative gives details on Serge Jaroff's Don Cossack Choir, which first began in a Turkish concentration camp in 1921. The author highlights the how the choir's music has personally affected her, while also giving details about the history of the choir and how the group went on to tour around the world. This document also gives the information that the University of North Texas Music Library maintains two rare Jaroff scores.

This is an abstract for a presentation that was given at the American Musicological Society Southwest Chapter's Spring Conference on April 11th, 2015. The presentation was given alongside a poster display. This abstract highlights Serge Jaroff's Don Cossack Choir, which was founded at a Turkish concentration camp in 1921, and went on to perform around the world. This abstract gives details on the history of the choir and the type of concerts that Jaroff gave. In addition, it explains the lack of scholarly attention that Jaroff and his choir have received.

This article discusses the history of the Don Cossack Choir which was established and conducted by Serge Jaroff while in a Turkish internment camp in 1920. Once liberated, they concertized throughout the non-Soviet world and enjoyed long-term success. However, the choir has received little scholarly attention, much of it in Dutch and Russian research.

This is a slideshow that focuses on different places that writers can publish their work. It highlights how you can find ways to publish work in unexpected places. This presentation was given at the Music Library Association Conference in Atlanta from February 26th - March 2nd of 2014.

This article focuses on Dika Newlin (1923-2006), an eccentric individual who was a musical prodigy in her early life and deemed a teenaged protégé of Arnold Schoenberg. Dika took an interest in punk rock later in life, and even joined a punk rock band. The author seeks to understand Dika's transition from protégé to punk rocker by describing some of her various phases as scholar, pianist, composer, and militant iconoclast. This paper was presented at the Music Library Association Conference in Denton, TX, on October 3, 2014.

This narrative centers on the start of the Texas chapter of the Music Library Association. The author gives the history and events that led up to the creation of the chapter, highlighting individuals that played a large role. This document played a part in a presentation given on behalf of the Oral History Committee at the national meeting of the Music Library Association in Dallas, Texas in 2012.

This presentation details a "collaborative project among community college librarians in the San Francisco Bay Area to develop and field-test an information competency assessment instrument. This competency assessment instrument would "assess community college students' proficiency with information competency skills. This presentation was given as part of the Music Library Association Conference on February 23, 2006.

This paper documents the history of the University of North Texas Music Library from the perspective of librarian Donna Arnold. It covers the stories and contributions of the librarians and staff who have served the UNT music library since its inception in 1940 until present-day.

Notes to accompany a presentation on the history of the Star Spangled Banner for the Denton (Benjamin Lyon) chapter of the Daughters of the American Revolution on September 6, 2019.

Presentation on the life and career of Willis Conover for the Willis Conover Centennial Symposium held virtually on December 11, 2020.

Presentation on the friendship and collaboration between Willis Conover and Duke Ellington for the 26th International Duke Ellington Study Group Conference. Due to the Covid pandemic, this conference was cancelled early in the morning before it was set to begin.

Presentation given as part of the session "Music encoding use-cases in US libraries: aims, pedagogy, and workflows" at the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held virtually on July 26-30, 2021.