This poster displays information about Serge Jaroff’s Don Cossack Choir, which was founded at a Turkish concentration camp in 1921, but went on to perform around the world. The poster highlights information about Serge Jaroff, his choir, and their fans. The poster was presented at the American Musicological Society Southwest Chapter's Spring Conference on April 11, 2015.

This paper was originally presented by Carl Rahkonen at the Society for Electro-Acoustic Music in the United States (SEAMUS) Conference on April 3, 2008 in Salt Lake City, Utah. This paper includes details about Vladimir Ussachevsky, a pioneer in the proliferation of electronic music. It also contains biographical information about Ussachevsky, as well as his archival materials. The author attempts to prove that Ussachevsky used Chinese Timbres as the basis for his electronic music.

This narrative gives details on Serge Jaroff's Don Cossack Choir, which first began in a Turkish concentration camp in 1921. The author highlights the how the choir's music has personally affected her, while also giving details about the history of the choir and how the group went on to tour around the world. This document also gives the information that the University of North Texas Music Library maintains two rare Jaroff scores.

This is an abstract for a presentation that was given at the American Musicological Society Southwest Chapter's Spring Conference on April 11th, 2015. The presentation was given alongside a poster display. This abstract highlights Serge Jaroff's Don Cossack Choir, which was founded at a Turkish concentration camp in 1921, and went on to perform around the world. This abstract gives details on the history of the choir and the type of concerts that Jaroff gave. In addition, it explains the lack of scholarly attention that Jaroff and his choir have received.

This is a slideshow that focuses on different places that writers can publish their work. It highlights how you can find ways to publish work in unexpected places. This presentation was given at the Music Library Association Conference in Atlanta from February 26th - March 2nd of 2014.

This article focuses on Dika Newlin (1923-2006), an eccentric individual who was a musical prodigy in her early life and deemed a teenaged protégé of Arnold Schoenberg. Dika took an interest in punk rock later in life, and even joined a punk rock band. The author seeks to understand Dika's transition from protégé to punk rocker by describing some of her various phases as scholar, pianist, composer, and militant iconoclast. This paper was presented at the Music Library Association Conference in Denton, TX, on October 3, 2014.

This narrative centers on the start of the Texas chapter of the Music Library Association. The author gives the history and events that led up to the creation of the chapter, highlighting individuals that played a large role. This document played a part in a presentation given on behalf of the Oral History Committee at the national meeting of the Music Library Association in Dallas, Texas in 2012.

This presentation details a "collaborative project among community college librarians in the San Francisco Bay Area to develop and field-test an information competency assessment instrument. This competency assessment instrument would "assess community college students' proficiency with information competency skills. This presentation was given as part of the Music Library Association Conference on February 23, 2006.