Notes for a presentation on the historical context of Willis Conover's long-running jazz program, Music USA, on the Voice of America, for the conference Music and the Nation III: Music in Postwar Transitions at the Université de Montréal held on October 18-20, 2018 in Montreal, Canada.

This article concerns the artistry and career of Basile Bolotine, 1895-1981, a beloved countertenor soloist in Serge Jaroff's Don Cossack Choir. It was a world-famous a cappella Russian emigre ensemble that toured extensively all over the non-Soviet world for nearly sixty years. Bolotine had a long tenure with them, and through his recorded legacy, his music is still cherished. However, his name has remained largely unknown. This essay introduces him by name to those who have and have not yet experienced his music.

This book chapter presents the Charles Lloyd Quartet’s performance at the 1967 Tallinn Jazz Festival, which broke the “stagecraft” of prior jazz diplomacy with the Soviet Union, and proceeded despite numerous official attempts to derail it, as a case study in the effectiveness of Willis Conover’s approach over the twelve years since his Voice of America program began in 1955.

This document holds supplemental images/figures for David Huff's article, "Preservation Strategies for Sound Recordings."

This paper documents the history of the University of North Texas Music Library from the perspective of librarian Donna Arnold. It covers the stories and contributions of the librarians and staff who have served the UNT music library since its inception in 1940 until present-day.

Presentation script for a talk given at the Texas Chapter of the Music Library Association's (TMLA) annual fall meeting held in 2022. The presentation focuses on the speaker's exhaustive research into Serge Jaroff's Choir of Don Cossack Refugees and how it has helped her serve her patrons better.

Report asserts that The Soundbox was designed as a public space within the Music Library where UNT community members can engage with various types of music technology to learn and create. The overall goal was to utilize Music Library space for public use in a way that increases engagement.

Report states that the aim of the Music Library Picture Show demonstration was to learn about how event programming affects student attitudes about the library and to position the library as a viable "third place" for UNT students and visiting high school students. The project members promoted the events with the assistance of UNT Libraries Communications and Marketing which includes posters, small flyers, lawn signs, etc. Their results discuss the outcome of various events put on by the library, and how users felt about the events.