Conference program for Legacies: 500 Years of Printed Music. The conference was held on October 25-28, 2001 at the University of North Texas.

Conference program for Legacies: 500 Years of Printed Music. The conference was held on October 25-28, 2001 at the University of North Texas.

Paper exploring the composers and events that contributed to the creation of the Columbia-Princeton Electronic Music Center.

Paper on the factors that affected of alternative popular music in Recife, Brazil. The contrasts between the discourses of bands, producers, and patrons reflect larger tensions in the Recife alternative music scene, which in turn point towards ruptures in the relationship between mainstream and alternative cultural production in Brazil.

This paper explains how alternative music communicates a contemporary regional identity in Northeast Brazil, is affected by cultural politics, and circulates within the musical market, in order to show how the perceived demands of globalization, such as the need to consume the products of the global entertainment industry, intersect with the dynamics of a regional music community. It was presented at the 46th Annual Meeting of the Society for Ethnomusicology held in Detroit, Michigan on October 25-28, 2001.

This essay explores the author's perspective of Mangue Beat and popular culture. The discussion of popular culture focuses on the musical aspects of popular culture, especially those he experienced during his time living in Recife, Brazil from 1990-91. It includes a translation into Brazilian Portuguese by André Curiati de Paula Bueno.

This paper focuses on music trends in Recife, Brazil in 2000-01. It explores how alternative music communicates a contemporary regional identity in Northeast Brazil, is affected by cultural politics, and circulates within the musical market, in order to show how the perceived demands of globalization, such as the need to consume the products of the global entertainment industry, intersect with the dynamics of a regional music community. It was presented at the first Associação Brasileira de Etnomusicologia conference held in Recife in November 2002.

This study describes the state of the charanga, a Latin popular music ensemble, in New York in 1987–1988. After sketching the historical background of the ensemble, I will present and analyze data derived from primary fieldwork with Orquesta Broadway and secondary work with La Orquesta Típica Novel and Charanga América in the domains of musical style, performance context, and tradition.

This article discusses Schenker's attitude toward sequences alongside the atittudes of Schenkerian theorists, as well as the author's own thoughts about sequences, and uses examples from the first movement of Mozart's Piano Sonata in F and the development section of Scarlatti's Sonata in E major.

This article discusses the discovery of an archive of ancient music near San Rafael and Santa Ana de Velasco.

This article examines the musical institutions of the Jesuit reductions of Guarani.

This article examines the invention of the Jesuit Music of Chiquitos.

This article contains an excerpt from The Legend of Henriette Renié by Odette de Montesquiou, edited by Jaymee Haefner, translated by Robert Kilpatrick and published by AuthorHouse.

This article discusses the need for harpists to be properly balanced when playing.

This article discusses the influence of musician earplugs on musical stimuli.

This article discusses strategies to improve sight-reading musical works.

This article discusses time management strategies for practice sessions.

This article discusses strategies memorizing music.

This article discusses the use of white space between notes to enhance a harpist's technical skills.

This article discusses how exercise can mitigate stage fright.

This article discusses strategies to reinvigorate repertoire standards.

This article discusses strategies for developing focus during a performance.

This article discusses strategies for harpists to improve their tone.

This article discusses different styles for playing arpeggiated chords.