The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes.

Article on an ab initio study of sulfinic acid and related species.

Article discussing artificial intelligence, libraries, and information retrieval.

Waves depicted in greens and blues within and without several framing devices of shades of gray and edged in brown.

Review of the book "Many Lives, Many Masters" by psychiatrist Brian L. Weiss about past life therapy.

The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture.

Article on direct evidence for the amorphous silicon phase in visible photoluminescent porous silicon.

Article on kinetics studies of the reactions of atomic chlorine and bromine with trimethylsilane and an ab initio investigation.

Report for the International Data Series on selected data on mixtures. This report includes data on excess volumes of some binary mixtures containing chlorobenzene.

Report for the International Data Series on selected data on mixtures. This report includes data on excess volumes of some binary mixtures containing dibutyl ether.

Article on excitation versus emission spectra as a means to examine selective fluorescence quenching agents.

Article on high-valent transition-metal alkylidene complexes and the effect of ligand and substituent modification.

Article on kinetic studies of the reactions of atomic chlorine and bromine with silane.

Layer of organza over silk with depictions of birds in flight and wave shapes create depth in this hanging artwork.

Article discussing an ab initio study of methane activation by group IVB imido complexes.

Article isolating a gene encoding cytosolic bate peroxidase (ApxI) from pea (Pisum sativum L.) and determining its nucleotide sequence.

Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames.

Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting.

Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting.

Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items.

Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The word replicate in rubber letters, lab cages are seen beneath one of the murals depicting a man's face stretched out and distorted.

Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag.

Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows one of the murals with the "Stretchman" with rubber letters beneath spelling replicate. Above the letters are many lab cages. On the table in front of the mural is a microscope.

Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible.