This is an abstract for a presentation that was given at the American Musicological Society Southwest Chapter's Spring Conference on April 11th, 2015. The presentation was given alongside a poster display. This abstract highlights Serge Jaroff's Don Cossack Choir, which was founded at a Turkish concentration camp in 1921, and went on to perform around the world. This abstract gives details on the history of the choir and the type of concerts that Jaroff gave. In addition, it explains the lack of scholarly attention that Jaroff and his choir have received.

This presentation details a "collaborative project among community college librarians in the San Francisco Bay Area to develop and field-test an information competency assessment instrument. This competency assessment instrument would "assess community college students' proficiency with information competency skills. This presentation was given as part of the Music Library Association Conference on February 23, 2006.

This paper documents the history of the University of North Texas Music Library from the perspective of librarian Donna Arnold. It covers the stories and contributions of the librarians and staff who have served the UNT music library since its inception in 1940 until present-day.

This is a personal narrative about the impact of ever-evolving technology used in libraries, particularly music libraries. The author - a librarian - highlights the strengths of using different types of technologies in libraries and also problems that they could cause. The author urges caution when considering the adaptation of particular technologies.

Presentation script for a talk given at the Texas Chapter of the Music Library Association's (TMLA) annual fall meeting held in 2022. The presentation focuses on the speaker's exhaustive research into Serge Jaroff's Choir of Don Cossack Refugees and how it has helped her serve her patrons better.

This presentation focuses on the Répertoire International de Littérature Musicale (RILM) search interface. RILM is an online music bibliography. Through screenshots of the interface and instructions, the presentation highlights different features of RILM's database and how to get the most accurate results based on your search topic. This presentation was given at the Music Library Association Conference on February 12, 2004,

This article discusses the history of the Don Cossack Choir which was established and conducted by Serge Jaroff while in a Turkish internment camp in 1920. Once liberated, they concertized throughout the non-Soviet world and enjoyed long-term success. However, the choir has received little scholarly attention, much of it in Dutch and Russian research.

This narrative gives details on Serge Jaroff's Don Cossack Choir, which first began in a Turkish concentration camp in 1921. The author highlights the how the choir's music has personally affected her, while also giving details about the history of the choir and how the group went on to tour around the world. This document also gives the information that the University of North Texas Music Library maintains two rare Jaroff scores.

This poster displays information about Serge Jaroff’s Don Cossack Choir, which was founded at a Turkish concentration camp in 1921, but went on to perform around the world. The poster highlights information about Serge Jaroff, his choir, and their fans. The poster was presented at the American Musicological Society Southwest Chapter's Spring Conference on April 11, 2015.

This narrative centers on the start of the Texas chapter of the Music Library Association. The author gives the history and events that led up to the creation of the chapter, highlighting individuals that played a large role. This document played a part in a presentation given on behalf of the Oral History Committee at the national meeting of the Music Library Association in Dallas, Texas in 2012.

This article concerns the artistry and career of Basile Bolotine, 1895-1981, a beloved countertenor soloist in Serge Jaroff's Don Cossack Choir. It was a world-famous a cappella Russian emigre ensemble that toured extensively all over the non-Soviet world for nearly sixty years. Bolotine had a long tenure with them, and through his recorded legacy, his music is still cherished. However, his name has remained largely unknown. This essay introduces him by name to those who have and have not yet experienced his music.

This presentation is about the Online Reference Help Desk utilized by the University of North Texas. It includes information on the history of the service and how it works, as well as facts about the Help Desk's performance since origination. This presentation was given at the Music Library Association Conference on February 13, 2003.

This presentation provides an overview of how statistical analyses may be used to examine patterns of performance marks and notational styles, using nineteenth-century piano sonatas.

The presentation discusses the value and importance of preserving piano rolls.

Presentation given as part of the session "Music encoding use-cases in US libraries: aims, pedagogy, and workflows" at the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held virtually on July 26-30, 2021.

Notes to accompany a presentation given as part of the session "Music encoding use-cases in US libraries: aims, pedagogy, and workflows" at the International Association of Music Libraries, Archives and Documentation Centres (IAML) Congress held virtually on July 26-30, 2021.

Presentation on the contents and historical context of the Rhodes Baker Collection at the University of North Texas Music Library. It was presented at the 55th Annual Association for Recorded Sound Collections (ARSC) Conference held virtually May 12-15, 2021.

Notes accompanying a presentation on the contents and historical context of the Rhodes Baker Collection at the University of North Texas Music Library. It was presented at the 55th Annual Association for Recorded Sound Collections (ARSC) Conference held virtually May 12-15, 2021.

This book chapter presents the Charles Lloyd Quartet’s performance at the 1967 Tallinn Jazz Festival, which broke the “stagecraft” of prior jazz diplomacy with the Soviet Union, and proceeded despite numerous official attempts to derail it, as a case study in the effectiveness of Willis Conover’s approach over the twelve years since his Voice of America program began in 1955.

Presentation for the 2017 UNT Open Access Symposium. This presentation provides an overview of a workshop on using OpenRefine to make sense of data, standardize, correct, and rearrange data elements, automate tedious editing, and prepare data for export to other platforms for a variety of uses.

Presentation on the Crazy Water radio broadcasts in the UNT Music Library. This presentation was selected for the 2020 Best of Chapters presentations at the Music Library Association conference in Norfolk, VA held on February 26-March 1, 2020.

Notes accompanying a presentation on the Crazy Water radio broadcasts in the UNT Music Library. This presentation was selected for the 2020 Best of Chapters presentations at the Music Library Association conference in Norfolk, VA held on February 26-March 1, 2020.

Presentation for the 2017 Music OCLC Users Group (MOUG) during the Music Library Association National Convention. This presentation discusses how to expedite the cataloging of similar items using Connexion Client, MarcEdit, and Microsoft Access.

Presentation for the Music OCLC Users Group (MOUG) 2018 Conference. This presentation describes the process of ingesting College of Music Recordings at UNT Libraries.