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Factors Which Motivated Me to Produce as a Working Sculptor
The purpose of this project is to provide a record, much like the ones left to us by Michelangelo and Leonardo da Vinci, of the personal influences which motivated the present artist to function productively as a sculptor for a period of one semester: from September 1, 1975 through December 12, 1975. The methods involved in charting such artistic transpirations consisted of two types: a written diary, daily recorded, which indicated the progress, regression, frustration, inspiration, and perceptions which were experienced by the artist during the three-month period; and a series of personal, emotional self-enquiries.
Date:
December 1977
Creator:
Campbell, John T.
System:
The UNT Digital Library
A One-Person Exhibition: An Investigation of Problems in the Production, Selection, Presentation, and Installation
In this creative project, I investigated the problems of producing, selecting, presenting, and installing a one-person exhibition. I executed a series of 31 drawings, paintings and prints from which 21 pieces for the exhibit were selected. From the body of work executed prior to and during my graduate study, 21 pieces were included based upon the relative quality of the imagery. There were no restrictions with regard to media or size. My goal in this project was to assemble and present a coherent and harmonious exhibit in the North Texas State University art gallery.
Date:
December 1977
Creator:
Hoge, Catherine Nell
System:
The UNT Digital Library
The Baritone Title Roles in the Operas of Verdi
This paper discusses the nature and significance of the baritone title roles in the operas of Giuseppe Verdi. These operas include Nabucco, Macbeth, Rigoletto, Simon Boccanegra, and Falstaff. Jewel William Hobbins explore the evolution of vocal roles and asserts that Verdi highly prized dramatic skill in his performers.
Date:
December 1977
Creator:
Hobbins, Jewel William
System:
The UNT Digital Library
Analysis of the Soprano Arias in the Oratorios of Joseph Haydn
This paper analyzes the soprano arias in three of Franz Joseph Haydn's oratorios, which are Il Ritorno di Tobia, Die Schöpfung, and Die Jahrezeiten. Deborah Thomas analyzes Haydn's oratorio style and attests that development is reflected in the soprano arias.
Date:
December 1977
Creator:
Thomas, Deborah
System:
The UNT Digital Library
The Coplas of Mario Castelnuovo-Tedesco
This paper explores the composition and historical background of Mario Castelnuovo-Tedesco's coplas. Molly J. McCoy discusses the composer's background, style, and influences, before examining each copla in turn.
Date:
December 1977
Creator:
McCoy, Molly J.
System:
The UNT Digital Library
Claude Debussy and the Etude Tradition
This paper discusses etudes and the history of their composition, focusing on the works of Claude Debussy in particular. Richard E. Roberson examines pieces from Douze Etudes Pour Le Piano, Book One, the difficulty of the etudes, and the problems they present.
Date:
December 1977
Creator:
Roberson, Richard E.
System:
The UNT Digital Library
Ravel’s Jeux D’Eau; Masterpiece of Color and Pianism
This paper discuss Maurice Ravel's Jeux d'eau and its accomplishment as one of the first piano solo compositions to reflect impressionistic techniques. Frederika E. Smith traces the history of Ravel's work and the originality of the Impressionism in his work.
Date:
December 1977
Creator:
Smith, Frederika E.
System:
The UNT Digital Library