I plan to create a representation of the textures of four distinct states of moving water in three stone sculptures. These structured textural elements are intended to provide compelling visual stimuli that will enhance the viewers' understanding of the sculptures. The dynamic quality of rhythm inherent in the four observable patterns will be conceptually and physically captured on a stone surface.

I proposed to base my thesis work upon an exploration of the ideas of the strength, power, and tenuous quality of metals, using a variety of metals in combination with appropriated and deconstructed forms to create cultural narratives. In this exploration, I addressed the materials of metalsmithing and their traditional use.

The figure within the paintings function not only representations, but as surrogates for the subjects depicted. The artist believes that allegory goes beyond Western civilization. By applying allegories to our moder world, we can add to them rich in subliminal messages and keep them going.

I Investigated the use of unpremeditated and reactionary methods of composing to arrange the landscape and figurative elements in my paintings. Though it may not necessarily be the case, these paintings may appear to have a narrative structure. The media, graphic imagery, and figure/ground relationships have given me a feedback loop, a guide by which I pictorially arranged the remainder of the developing composition. The painting revealed its identity and direction in this way to me. The application of a comic book style was the other consistent form with which I composed.