The primary objective of this creative project was to create an environmental performance through the use of light as the principal medium. Most of the photographic imagery had been completed. The remaining task involved creating an effective and workable system to integrate the projected imagery with the neon light placements. Each system, illustrated in the figures, attempted to create a different approach in using the light mediums.

In A Narrative Rewritten, I explore two distinct periods of my past. One group of work deals with the emotional effects of trauma I experienced as a child during years of practicing ballet. The other celebrates a pivotal moment of spiritual awakening that gave me the strength to confront internal falsehoods I previously developed. I paint from observation, to engage with my subject and to ground myself in the present moment. In my oil paintings, I paint representationally, while delving in to the spectrum of abstraction. I use imagery symbolically from ballet and boxing to represent a shift from inadequacy to empowerment.

Through this study I intended to analyze and determine the significance of the recurring imagery that emerged as an integral part of my compositions. Furthermore, I attempted to discern the importance and over all the effects of the small scale upon my work and determine how vital is the spontaneity that is used to obtain each composition.

Elder abuse first received national attention in 1980, as the subject of a congressional investigation. Now, 20 years later, establishing successful strategies of identification, subsequent intervention, and prevention of abuse is of paramount importance; but progress toward this goal is hindered by lack of consensus as to the definition of elder abuse, and the use of vague, confusing, and sometimes contradictory terms in its discussion. In this paper, both social research and professional approaches and legal approaches to the definition of elder abuse are surveyed, as are definitions formulated for the National Elder Abuse Incidence Study conducted by the National Center on Elder Abuse. The continuing need for a universal or standard definition is emphasized.

My artistic practice centers around personal history, connection, and identity. I reflect on my experience as a Nigerian who has lived on three continents thus far, and how those experiences have led to the deconstruction, reassembly, and hybridization of my identity. My work pays homage to my tribe of origin, Yoruba, whilst redefining and exploring the hybridity that exists as a result of cross-cultural influences that are prominent in our world today. I incorporate varying objects and materials such as jewelry, sculpture, wood, metal, and fiber. This integration speaks to the multicultural existence of the world I live in the interrelationship between Nigeria and the West.

My thesis, Question of Honor, addresses the premise of women's lack of choice in relation to men's honor, and vengeance; concepts that are closely connected to the oppressive world of women in Pakistan. These works deal with concepts of purity and minor transgressions that have an impact on the lives of women in relation to family names and the associative feelings of humiliation linked to men. The subtle nuances of women and their reactions to oppression give a strong emotive content to the work.

Chapter I describes the purpose of the project, which was to develop a body of work that exhibits my current thought process. The questions presented to myself consisted of the following: 1. How effective was the expression of my ideas socially and politically after the change to the work? 2. Was the minimal approach a tool that contributes or detracts from this effectiveness? 3. Did an increase in scale successfully act as an element of confrontation? Chapter II describes the inspiration behind the making of my work it also discusses problems encountered with an understanding of the viewer concerning imagery. Chapter III summarizes the methodology behind the execution of the new body of work. It also discusses how simplification of imagery works as a solution to my problems.

The questions answered by this investigation are as follows: 1. Which silkscreens and stencils will work in screening flat and three-dimensional objects? 2. Which mediums and coloring agents will survive a glaze firing to produce an acceptable image? 3. How can the image be modified by screening during the different stages of a ceramic piece (wet, green, bisque, glazed)? 4. What glazes and glaze applications will be compatible? 5. Generally, what is the relationship between the image and the object?

Brief Artist Statement by Russell Anderson as part of a 2021 MFA Exhibition, entitled "Modified Aesthetics on an Inner Space” in the Cora Stafford Gallery on the campus of the University of North Texas on March 29-April 9, 2021.

Poster for the 2017 Texas Conference on Digital Libraries. This poster discusses results from an analysis of UNT Electronic Theses and Dissertations citing URLs to items from the UNT Digital Library and The Portal to Texas History.

In the visual arts, I was interested in creating patterns with clay, glass, and metal, utilizing the visual elements (line, color, shape and texture). I arranged, rearranged, and distorted the elements until I obtained a fragmented, yet, unified pattern. My visual ideas were rhythmical (gestural) in nature with or without the direct stimulus of music. Concepts originated in my mind with symbols and sounds simultaneously.

Content-based image retrieval (CBIR) is the retrieval of images from a collection by means of internal feature measures of the information content of the images. In CBIR systems, text media is usually used only to retrieve exemplar images for further searching by image feature content. This research work describes a new method for integrating multimedia text and image content features to increase the retrieval performance of the system. I am exploring the content-based features of an image extracted from a video to build a storyboard for search retrieval of images. Metadata encoded multimedia features include extracting primitive features like color, shape and text from an image. Histograms are built for all the features extracted and stored in a database. Images are searched based on comparing these histogram values of the extracted image with the stored values. These histogram values are used for extraction of keyframes from a collection of images parsed from a video file. Individual shots of images are extracted from a video clip and run through processes that extract the features and build the histogram values. A keyframe extraction algorithm is run to get the keyframes from the collection of images to build a storyboard of images. In …

Federal and state regulations require that licensed long-term care facilities have policies for every resident-related topic. Long-term care administrators must plan, implement, and evaluate resident care policies that can be easily personalized to the needs of the specific facility's population. Part 1 of this paper is an overview of resident policies, covering admission, physician services, transfers and discharges, nursing services, restraints, abuse and neglect, pharmaceutical services, dietary services, clinical records, therapeutic recreation services, and social services. Part 2 presents the policies themselves, ready for use by Texas long-term care administrators as part of their facility's administrative policy manual.

Brief Artist Statement by Lara Asam as part of a 2021 MFA Exhibition, entitled "Thresholds” in the Cora Stafford Gallery on the campus of the University of North Texas on April 12-22, 2021.

My work has developed to the point where it exists within the grey area between painting and sculpture. These hybrid works necessitate the transition from creating objects to that work singularly to installations of various works that operate as a whole. The purpose of this study is to identify successful methods of making this transition through the use of the computer. The computer should provide new strategies to integrate sculpture and painting into a hybrid form.

This paper discusses the author's selected works, four sculptural pieces cast in bronze and painted with oil paint washes. Cari D. Ashworth explains how the works illustrate challenges faced by the modern woman in today's society, and how the dramatic flair of the pieces produces imagery.

This paper analyzes the music of the Liederkreis, Op. 39 to provide insight into the nature and style of the piece. Robert Farias Austin, Jr. explores the history of the German Lied and the life of the composer, Robert Alexander Schumann.

Companion animals can reduce the elderly person's feelings of isolation and stress, provide tactile stimulation, offer a means of socialization and establish a nonthreatening, nonjudgmental relationship. As an adjunct to treatment, pet therapy may serve to ease the transition from community to nursing home and assist residents in establishing relationships with animals, caregivers, and other residents.

Article exploring phonon dynamics in mechanically exfoliated two-dimensional WSe₂ using temperature-dependent and laser-power-dependent Raman and photoluminescence (PL) spectroscopy. The work reported sheds fundamental insights into the evolution of phonon dynamics in WSe₂ and should help pave the way for designing high-performance electronic, optoelectronic and thermoelectric devices in the future.

This paper explores the musical significance, history, and development of Vincenzo Bellini's four chamber arias. Nancy W. Barfield discusses the life of composer Vincenzo Bellini, his musical style, and the style of the arias themselves.

Artist Statement from the MFA Exhibition: "My work expresses personal experiences dealing with race, identity, and social critique. As an African American woman born and raised in Texas, it is common for me to be the only black face in white spaces. Being framed as the "other" has been ingrained in my existence, affecting the way I navigate through life. Throughout my time in graduate school, I have constructed my own framework of identity. Referencing history and its permanent effects on the present, my work explores the internal and external complexities of being a black woman in America today."

Juan Barroso's artwork depicts Mexican labor and the immigrant experience at the border. With the current political administration enforcing policies that dehumanize and force immigrants into the shadows, recognizing an immigrant’s humanity is vital. As the son of immigrant parents, he pays homage to his people and the dignity of their labor. He mixes 2- dimensional imagery, influenced by personal narratives, with 3-dimensional functional forms. Using a small watercolor brush, he paints his images with thousands of dots in a timeconsuming and labor-intensive process that becomes an act of devotion.

For the problem in lieu of thesis, a series of ten works were created in which a male image replaced the female image; I continued to utilize the same materials, format, and centralized frontal figure. A record of the work was accomplished by maintaining a written and visual journal on progress and outcome. Some research was made into topics related to the work, and the findings from the literature comprise chapter two of the paper. In executing this body of work and researching related topics, I hoped to better understand my conscious and unconscious processes and motivations in creating both the self-portrait series and the new series.

Our problem was to produce art in a collaborative manner. Due to the nature of our problem, we proposed to explore specific aspects of collaborative art and answer these questions: 1. in what ways is the co-artist's input beneficial? 2. How are the artist's skills broadened by working with a fellow artist? 3. What is involved in developing a professional working relationship between male and female artist? 4. What understanding of differences in working styles is acquired? 5. What are the differences reflected in each artist's earlier works as compared to the collaborative pieces?