Degree Discipline

States

Support Structure 3 (Detail)

Works of art on Image transfer onto concrete, mixed media by artist Kaitlin West as part of a 2022 MFA exhibition, entitled Constructed Self in the the Cora Stafford Gallery South, 1201 W Mulberry St, Denton, TX 76201, from April 6 to 9, 2022.
Date: 2022
Creator: West, Kaitlin
Object Type: Artwork
System: The UNT Digital Library
Tied Somewhere in Between (open access)

Tied Somewhere in Between

Works of art on image transfer onto concrete, ratchet straps by artist Kaitlin West.
Date: 2021
Creator: West, Kaitlin
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Tied Somewhere in Between #1 (open access)

Tied Somewhere in Between #1

Works of art on image transfer onto concrete, ratchet straps by artist Kaitlin West.
Date: 2021
Creator: West, Kaitlin
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Tangible Struggle (open access)

Tangible Struggle

The focus of my graduate work was to find my own voice through my continued efforts in woodcarving. I proposed to produce six to eight wood carved sculptures for my thesis that would be dealing with a juxtaposition of struggle expressively portrayed by the figure between two-dimensional and three-dimensional worlds. I used these works to express my emotions about myself, and my interactions with others in a form of nonverbal communication with the viewer. The result of this process did lead me to find my own voice and with this voice I expressed three-dimensionally, not only my own struggles, but also those that many other women have experienced as well.
Date: May 2003
Creator: Whelan, Shawn
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Surfacing the Void (open access)

Surfacing the Void

Surfacing the Void is an exploration of surface design in relationship to the topic of voids. For the purpose of this paper, two types of void were addressed: shelters and hulls. The theme behind the sculptural works dealt with negative spaces as an analogy for the voids in people's lives. The goal was to find a way for the surfaces to elicit an emotional response from the viewer that correlates to the impression of either shelter or hull. Keeping this in mind, each experiment was approached with how to best represent the meaning of void being manifested. Imagery was applied during different states of the clay: wet, dry, and fired. Methods of exploration included texturing, drawing, stenciling, stamping, incising, decoupage and covering the surfaces with textiles.
Date: May 2002
Creator: Williamson, Melanie L.
Object Type: Thesis or Dissertation
System: The UNT Digital Library