My thesis, Question of Honor, addresses the premise of women's lack of choice in relation to men's honor, and vengeance; concepts that are closely connected to the oppressive world of women in Pakistan. These works deal with concepts of purity and minor transgressions that have an impact on the lives of women in relation to family names and the associative feelings of humiliation linked to men. The subtle nuances of women and their reactions to oppression give a strong emotive content to the work.

Work of art in mx dye and charcoal on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in stitching and applique on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in branches, cotton thread screws, and rope by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcoal on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcoal on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcoal on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in stiching on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcol and tape on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcoal on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in embroidery on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in cut cloth and charcoal by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in stitching and charcol on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in stitching and charcol on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcoal on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcoal on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in mx dye on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in ink on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in embroidery on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcol on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcol and embroidery on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Artist Statement from the MFA Exhibition: "My work expresses personal experiences dealing with race, identity, and social critique. As an African American woman born and raised in Texas, it is common for me to be the only black face in white spaces. Being framed as the "other" has been ingrained in my existence, affecting the way I navigate through life. Throughout my time in graduate school, I have constructed my own framework of identity. Referencing history and its permanent effects on the present, my work explores the internal and external complexities of being a black woman in America today."

When I am weaving I listen to music and notice that my hands and feet fall into a rhythm. This connection reminds me of playing the piano. I took a closer look at weaving drafts; the movement of the threading setup reminded me of the notes on musical scores. This relationship inspired me to see what textures I could achieve by actually weaving the musical notes. The focus of my study is the exploration of the relationships between weaving and music utilizing elements and principles found in both, such as: color, texture, form, repetition, rhythm, and time. Both music and color produce emotional responses and will be taken into consideration within the weavings.

Artist Statement from the MFA Exhibition: "When I left my parents to venture out into the world alone, my white privilege was stripped. While my racial background is not white, I was raised by white parents who had two biological children. Being raised this way afforded me the comfort and ability to pass through life with little to no danger of being hurt, being granted permission to be anywhere I wanted, never shut out because of my color. I still have access to many of those things because I am still my parents' daughter. I am however increasingly aware of the color of skin and how I am perceived in the context of being on my own, a single, bi/asexual artist. I also learned of my membership in a club of other people of color that I didn’t know I belonged, small and yet furiously protective of its members. A language of nods, shrugs, and eye to eye glances are a part of the language of the club, our nonverbal communication that validates our presence in a white world. much of the work this group does involves teaching and explaining why we exist as a unit separate from the world …