An analysis of stage band rhythmic pattern provide a basis of interpretation which will aid directors of stage bands in understanding this musical idiom.

This study focusses on stage band intonation. The purpose of the unison study, for example, is to develop in the student a sensitivity for pitch placement and also make him conscious of the sounds around him.

German Chorales is a great resource of church music in use today. This study investigate the Seventeen German Protestant Chorales. The researcher hoped that the important work of reviving the invaluable source of inspiration and sacred song will continue and grow.

Thesis examines the life of prolific composer Sergei Prokofiev and his work for the motion picture Alexander Nevsky. Gary Langford analyzes Prokofiev's use of the brass section in his compositions for the film.

Darius Milhaud was born on September 4, 1892, to a Jewish family in Aix-en-Provence in the South of France. This study provide analysis of Darius Milhaud's work, entitled La Creation Du Monde.

This study described various Trombone methods and specifically analysed the eight methods developed at the Paris Conservatory of Music, which considered to be an outstanding methods for most of the good trombone literature of today.

This study closely explores the Chorale Kyrie, Gott Vater in Ewigkeit and its Use in Bach's Clavierubung. The effect is one of gentilness and intimacy that conceal a wealth of inner emotion.

This paper discusses the origin of literary and musical ballads and focuses on analysis and interpretation of the four Chopin ballades. Jill Beth Street also discusses how to perform these ballades based off of this interpretation.

This paper analyzes the piano compositions of Sergei Prokofieff and identifies four elements evident in the literature: classicism, innovation, toccata, and lyricism. Elisabeth Euwer Roberts traces the history of his works and the evidence of these elements in them.

This paper analyzes composer Paul Hindemith's Sonata for Double Bass and Piano and provides conclusions about how to interpret the movements in performance as well as the compositional techniques used by Hindemith to create them.

This paper compares various editions of Carl Maria Von Weber's Grand Duo Concertant, Op. 48, with the composer's original autograph score. Catherine E. Wood discusses how well these editions retained the composer's intentions, and which edition is the most accurate.

This paper discusses the pianist problems in the fifth sonata created by Alexander Nikolayevich Scriabin and provides historical background to the works of the composer before analyzing his work.

This paper discusses the historical roots, placement, shape, and materials and methods in the construction of the contemporary organ case. James W. Kibbie explores the acoustical considerations of its design and how these are reflected in the finished product.

This paper analyzes the piano and organ versions of the Prelude and Fugue on B-A-C-H composed by Franz Liszt and provides a style comparison of the two. Jerry Glynn Smith also provides context for Liszt's work with the organ.

This paper evaluates the style of American composer Aaron Copland's Piano Variations. Philip Carey Jones discusses its position as a unique piece in twentieth-century piano literature and compares his work to that of other composers.

This paper explores the new extensions of clarinet technique in four published works, discussing the percussive effects, melodic effects, and multiple sounds that can be produced through these extensions. David R. Widder also explores the history of innovational solo clarinet works.

This paper provides historical background for the creation of Jacques Ibert's Concertino da camera for alto saxophone and eleven instruments and analyzes its three movements. As one of the first works written for the saxophone, James Garland Riggs explains the importance of the piece.

This paper explores the impact of the organ reform movement on the construction of organs in Texas. E. Dean Beasley also explores the possibilities of further reform for the instrument.

Igor Stravinsky is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. This study analyzed how Stravinsky absorbed the bassoon's solo and ensemble functions which he inherited and later significantly extended the scope of these functions by adapting them to his individual needs. The study concluded that Stravinsky's compositions are and will remain important landmarks in the history of bassoon literature.

This paper explores the history of the bassoon and its construction. Bob A. Sparks analyzes its evolution over time, from the versions created in France and Germany to the bassoon of the twentieth century.

This paper highlights aspects of unity in Ludwig van Beethoven's Piano Sonata Op. 81A. Jannis M. Peterson provides historical background to the work, identifies the problem of unity, and analyzes the piece.

Thesis analyzes the concepts of ultra-rationality and anti-rationality as pre-compositional techniques and then compares and contrasts the two. John W. Petersen discusses the development and use of the two techniques and their impact on the history of music.

This paper provides a survey and analysis of eight method books for the bass trombone. Robert G. Hurst describes each of these titles with detail and explores the methods discussed in the texts, as well as the history and construction of the bass trombone.

This paper discusses how German composer Georg Böhm was influenced by French classical organ music, and how this style is reflected in Böhm's chorale partita Auf Meinen Lieben Gott.