Image of oil and vinegar set as seen in exhibition From Here to There: Practice, Form, and Meaning, May 22 through August 4, 2012.

The sculptural object is created from layers of paper. This piece was included in the exhibition From Here to There: Practice, Form, and Meaning, May 22 - August 4, 2012.

Image of drawing which consists of many concentric circles drawn on a cream color paper.

Image of drawing of concentric circles drawn on a cream color paper.

Image of artwork which consists of concentric loosely drawn circles centered on the cream colored rectangular paper. Across the circles are many parallel straight lines creating a loose circle as well.

Image of drawing that consists of many concentric circles centered on a rectangular cream color paper.

Image of drawing consisting of many concentric circles drawn in graphite and centered on cream color rectangular piece of paper. Some marks cross the circles in a loose fashion creating a soft texture.

This painting depicts one of the annexes that remain on the property. A fire long ago destroyed the building's interior, but the brick remains. The low-chroma painting features ink washes. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

The necklace is in the form of a plumb bob. The finial is shaped like a house.

The necklace is in the form of a plumb bob. The finial is shaped like a house. This view shows the entire length of the necklace.

The necklace is in the form of a plumb bob.

The necklace is in the form of a plumb bob. This view of the necklace shows the entire length.

This low-chroma ink wash painting shows the banister and railing of a staircase leading down from the western porch that fades into the distance. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

Poster for a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" which was the 4th annual D. Jack Davis Endowed Lecture in Arts Education. The poster includes a photograph of Darts with children at a playground as well as details about the lecture, held at UNT on the Square on Wednesday March 9, 2011, and logos for UNT and the College of Visual Arts + Design.

Poster advertising a symposium titled "The Politics of Taste in Eighteenth and Nineteenth-Century Latin America" held at Meadows Museum, Southern Methodist University in Dallas Texas, September 17, 2010. The poster includes an illustration of a colonial-era gentleman and a map of Central and South America. Text on the right side of the poster describes the topic of the symposium, lists the speakers, and gives details about the time and location.

This low-chroma ink wash painting depicts a power outlet on the floor, almost buried in the ruin surrounding it. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

Recording of a lecture presented by Dr. David Darts titled "The Makers of Things: Art Education and Freedom in the Digital Age of Digital DIY" at UNT on the Square in Denton, Texas as the 4th annual D. Jack Davis Endowed Lecture in Arts Education.

Bill Richardson, Governor of New Mexico, stands next to President Barack Obama. Both men are looking downward but smiling. The digital painting is a creative depiction of an AP photograph by Alex Brandon. Text below the image states, "Richardson gives endorsement to Obama." Included on top of the photo depiction are several loosely digitally painted colorful geometric shapes, an orange square, a green square, a pink rectangle and miscellaneous other loose yellow, red and turquoise marks. In the white margin at the bottom of the image of the men is a small inset image that depicts a highway overpass, a billboard and a car on the road with two dialogue bubbles.

Image of the silver and alligator hide ring shows the double loop with one end of the silver piercing the alligator skin.

This silver ring consists of a flat portion covered in alligator skin. A thin silver band then extends and narrows above the hand before curving back to the skin piercing it.

This low-chroma ink wash painting shows the upper portion of a back entrance that primarily focuses on the roof, particularly the fallen decorative windows that were once perched on top of it. There are dead vines growing rampantly through the windows, roof, and doorway. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

This low-chroma ink wash painting depicts a room containing a large machine and switch mounted on the wall. The artist was selected by the Union Art Gallery Committee to have a one-person exhibition in the Union Gallery. This painting was exhibited in the Union Gallery, Union Building, from August 27 until September 13, 2012.

The brooch is in the shape of a round soffit vent.

In this photographic montage, a group of men, most missing portions of their limbs, heads or bodies are engaged. In the foreground, a young boy looks on. The work consists of collage and sculpture which creates a tableaux that is then photographed. This photograph was included in the Photo III class exhibition, Lightwell Gallery, September 2012, in the Art Building on the University of North Texas campus.