Photograph of The Dalai Lama after a banquet for the Thanks-Giving Foundation. He is smiling at the camera and standing next to a statue with his hands on both sides of the statue's plaque. The portion of the statue that is visible resembles a person's leg with pants and boots on. There are various items on display in the background as well as two men that can be seen looking in the direction of the plaque.

Photograph of Peter Stewart and George H. W. Bush having a discussion in the White House. Bush and Stewart are sitting facing each other and Bush appears to be speaking to Stewart. The words "Official Photograph, The White House, Washington" are stamped on the back of the photograph.

Photograph of a sketch depicting the "tree of life" which has visible roots below the ground, and six branches with round bunches of leaves -- meant to resemble the "tangled skein of life" -- and a serpent wrapped around the trunk. Additionally, there are images among the branches including the sun and moon at the top as well as birds; at the base of the tree, there are unidentified animals on either side of the trunk. This sketch was a possible design for one of the etched windows to be included in the chapel at Thanks-Giving Square.

Photocopy of a draft sketch of a dove in flight, surrounded by on oval ring of spirals and points radiating outward. This was a draft version for an etched window, titled "The Spirit of Thanksgiving" to be hung in the chapel at Thanks-Giving Square.

Photograph of an aerial east side view of a Thanks-Giving Square model. The model shows the monuments of the Thanks-Giving Square, with the Chapel of Thanksgiving and a waterfall in the foreground. It also depicts some of the landscaping elements of the Square, such as walkways, greenery, and waterfalls. There are various model cars, trees, and tall buildings placed around the model.

Photograph of an aerial view of John Hutton and a group of people visiting his studio. Hutton is standing on the far right of the photograph and a group of about 13 people are standing to his left observing different parts of the studio. In the bottom right of the photograph, there is a table with miscellaneous objects and art supplies scattered across it. In the background, there is a bookshelf with various artwork by Hutton displayed on top and a shelf with engraved glass artwork displayed on top.

Photograph of an aerial view of a model of the Thanks-Giving Square. The model shows the triangular block the Square is located on and has various model cars, trees, and buildings placed around it. The monuments of the Thanks-Giving Square are also shown on the model, with the Court of All Nations toward the bottom and the Chapel of Thanksgiving toward the top. The model also shows some of the landscaping elements of the Square, such as walkways, greenery, and waterfalls.

Photograph of an aerial view of a model of the Thanks-Giving Square. The model shows the triangular block the Square is located on and has various model cars, trees, and buildings placed around it. The monuments of the Thanks-Giving Square can be seen in the model, with the Court of All Nations toward the bottom and the Chapel of Thanksgiving toward the top. The model also depicts some of the landscaping elements of the Square, such as walkways, greenery, and waterfalls.

Photograph of an aerial west side view of a model of the Thanks-Giving Square. The photograph shows the monuments of the Thanks-Giving Square, with the Court of All Nations in the foreground and the Chapel of Thanksgiving in the background. It also displays some of the landscaping elements of the Square, such as walkways, greenery, and waterfalls. There are various model trees and cars placed on the streets and sidewalks around the Square and tall buildings in the background.

Photograph of a group of attendees of the Thanks-Giving Square Tree Planting Ceremony standing on a sidewalk. In the background there are various buildings, cars on the street, and a tree on the sidewalk that will be planted during the ceremony.

Photograph of a glass panel engraved by John Hutton. The design engraved on the glass is titled "The Spirit of Thanksgiving" and depicts a dove with it's wings spread out, as if in flight, and a design that resembles a wreath around it. John Hutton's signature is also engraved on the bottom right corner of the glass. A hand is partially visible in the top left corner holding up the glass.

Photograph of a glass panel with a paper dove pattern placed in the center. A large window is visible in the background.

Photograph of John Hutton and two men with a large glass panel he engraved. Hutton is looking at the camera and sitting in front of the panel while holding a tool while the two men are standing next to him and looking at the panel. The design on the panel is titled "The Spirit of Thanksgiving," and depicts a dove with it's wings spread out, as if in flight, and a design that resembles a wreath around it.

Photograph of John Hutton and two men visiting his studio. Hutton is standing in front of a large glass panel with some equipment and appears to be demonstrating how he engraves the glass. There is one glass panel in front of him and another on his right side which have designs that resemble angels engraved on them. A man is kneeling down behind Hutton to photograph him; another man is partially visible on the right side of the photograph standing behind the photographer and observing Hutton.

Photograph of John Hutton and a group of people visiting his studio. Hutton is s standing in a corner of his studio while holding up a large glass and appears to be talking about it. A group of about 10 men and women are standing in his studio and observing him. Various engravings and sketches by Hutton can be seen on the walls and shelves behind Hutton. A piano is sitting in the corner where Hutton is standing, and there is a bookshelf on the wall in the background.

Photograph of John Hutton speaking to a group of visitors in his studio. Hutton is standing on the left of the photograph as four visitors are sitting and listening to him. A large, metal, cylindrical object with a long pipe attached to the top is sitting between Hutton and his visitors. In the background to the left, there are multiple engraved glass panels and a table with various items scattered across it; to the right there are miscellaneous art supplies and equipment.

Photograph of John Hutton with a group of visitors in his studio. John Hutton is standing to the far left of the photograph and about six visitors are standing next to him while looking to left.

Photograph of John Hutton and a man and woman who are visiting his studio. Hutton is standing on the left and speaking to the visitors. Behind Hutton there are large engraved glass panels that are held in place by wooden frames. One of the glass panels appears to have a design that resembles an angel engraved on it. In the foreground a table is visible with miscellaneous objects on it, and in the background wooden frames and a ladder are visible.

Photograph of John Hutton and a man, woman, and child visiting his studio. The man is standing to the left of the photograph and smiling at the camera. Hutton is standing next to the man, looking to the right. The woman is standing next to Hutton, holding the young girl in her arms while they both smile at the camera. In the background, some of Hutton's art projects and supplies are visible.

Photograph of John Hutton next to a small glass panel he engraved. The design engraved on the glass panel is called "The Spirit of Thanksgiving", and depicts a dove with it's wings spread out and a design that resembles a wreath around it. The glass panel is held in place by white planks that hold the top and bottom borders of the panel.

Photograph of John Hutton, his wife Marigold, and their baby. Hutton is wearing a pink shirt and brown pants and his wife is wearing a red shirt with a black and yellow pattern. Hutton stands next to his wife as she holds their baby. In the background there is various greenery and a wooden fence.

Photograph of a model of the Chapel of Thanksgiving located in the Thanks-Giving Square in Dallas, Texas. The model shows the white, cylinder-shaped chapel with a small body of water on one side and a bridge over the water leading to the entrance. There are various figurines of people scattered around the model, a car figurine on the street to the right of the chapel, and a group of model trees at the start of the bridge in the bottom left of the photograph.

Photograph of Nancy Reagan at Thanks-Giving Square's dedication of Norman Rockwell's "Golden Rule" to the United Nations. The artwork is partially visible behind Reagan as she is standing at a podium and speaking into a microphone. The artwork is a glass mosaic and depicts men, women, and children of different backgrounds and says, "Do Unto Others As You Would Have Them Do Unto You".

Photograph of a painting of the Glory Window in the Chapel of Thanksgiving designed by Gabriel Loire. The painting shows multi-colored rectangles that resemble stained glass panels to be installed in the ceiling of the chapel. The rectangular panels form a spiral shape leading to a circular stained glass window in the center of the spiral. The painting represents the view of the ceiling from the interior of the chapel.