Program for Regents Faculty Lecture by Dr. Timothy Jackson, Associate Professor of Music Theory, College of Music on "The 'New Teaching' 1928-1935 and 2001-: the Reinhard Oppel Memorial Collection at UNT and Schenkerian Analysis in the New Millennium." Program includes a WebCT Demonstration by Jennifer Sadoff, doctoral student, teaching fellow, and winner of the Toulouse Doctoral Fellowship and scholarships from the Jewish Federations of Chicago and Dallas. Other participants include Melissa Hall, piano, and Heejung Kang, performing Liebeslied ("Love Song") by Oppel, Schliesse mir die Augen Beide ("Close Both My Eyes") by Paul Kletzki, Über ein Stündlein ("In a Short While") by Oppel, Fugue by Hans Weisse for Heinrich Schenker, and Klavierstuck ("Piano Piece") Op. 4, No. 1 by Heinrich Schenker.

Handwritten sketch for Movement II (a cappella chorus) of Osterhymnae. Full score sketch in Box B, Folder 1, Item 1 of this collection.

Schenkerian analysis of a prelude by J.S. Bach. No BWV catalog number is given.

A list of fourteen performances of Oppel's works.

Typed statement regarding Emilie Mayer.

Oppel's analysis of J.S. Bach's "Die Kunst der Fuge" (The Art of the Fugue). Each leaf of the notebook contains handwriting on recto side only.

"Presentation of the musical content according to the manuscript, taking into account the performances and literature." 73 pages of text.

Page of single staff lines in different keys of phrases in different musical styles, ostensibly from or emulating the eighteenth century.

Typewritten list of Oppel's works: one list for vocal ensemble music; another, for piano music.

Autograph sketch of a cappella SATB choral work

Autograph score of an alternate version of the piece in Box B, Folder 3, Item 9 in this collection. This item has many penciled marginalia.

Handwritten sketch (piano/vocal score) for Movements III - VIII of Osterhymnae. Full score sketch in Box B, Folder 1, Item 1 in this collection.

"Fräulein Lulu Andreesen gewidmet."

Handwritten list of Oppel's works.

Three songs for two voices (soprano and alto) with piano accompaniment. 1. Tanzlied (O.J. Bierbaum); 2. Halte still (Adolf Bartels); 3. Keen Greff is so breet (Klaus Groth).

Envelope containing Oppel's doctoral diploma.

Envelope containing original correspondence between Franz Liszt and Carl Loewe.

Handwritten key to the symbols used in Oppel's analysis of J.S. Bach's "Die Kunst der Fuge" as seen in Box A, Folder 13, Item 1 in this collection.

Fair copy score of a fantasia in the form of a fugue for organ.

Autograph sketch for the first movement of a piece for string quartet with many dynamics written in red pencil.

Autograph sketch of song in Box B, Folder 4, Item 1 in this collection

Autograph score of Italian art song for flute or violin, alto, and piano.

Blank analysis chart resembling that used in Box A, Folder 7, Item 2 in this collection.

Envelope addressed to Oppel with harmonic analysis on reverse.