Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: the Doors, Monkees, Buffalo Springfield, Mothers of Invention and more.

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: the Doors, Monkees, Buffalo Springfield, Mothers of Invention and more.

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: Beatles, Stones, and a good many stars of the Monterey International Pop Music Festival.

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: Donovan, the Bee Gees, Moody Blues, Procul Harum and the Who.

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: James Brown, the Temptations, Diana Ross, Stevie Wonder, Otis Redding, Aretha Franklin and others.

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: Elvis, Beatles, Dylan, Mick Jagger, Supremes, Kingston Trio & others.

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: James Brown, the Temptations, Diana Ross, Stevie Wonder, Otis Redding, Aretha Franklin and others.

Part A of the second cassette of a condensed version of John Gilliland’s 1940s Big Band Chronicles, originally produced in the early 1970s. This segment emphasizes the time of the Second World War, with musical excerpts and commentary from performers and other music industry figures. Excerpted selections include "Skylark," "All or Nothing At All," "Pistol Packin' Mama," and "Don't Get Around Much Anymore."

The twentieth program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the years 1947 and 1948, with discussion of Disney movies and their songs, nostalgia, and the American Federation of Musicians (AFM) recording ban of 1948.

The ninth program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the year 1943, with discussion of wartime movies.

The eighth program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the years 1942 and 1943, with discussion of Frank Sinatra, and the Rodgers and Hammerstein musical Oklahoma.

Part A of the first cassette of a condensed version of John Gilliland’s 1940s Big Band Chronicles, originally produced in the early 1970s. This segment emphasizes the pre-war years through the early years of the Second World War, with musical excerpts and commentary from performers and other music industry figures. Excerpted selections include "The Last Time I Saw Paris," "I'm Dreaming of a White Christmas," "Don't Get Around Much Anymore," and "I'll Walk Alone."

The twenty-second program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the years 1948 and 1949, with discussion of politics, travel-related songs, and the end of the AFM recording ban.

The nineteenth program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the year 1947, with discussion of the challenges that contributed to the decline of the big bands.

Part B of the fourth cassette of a condensed version of John Gilliland’s 1940s Big Band Chronicles, originally produced in the early 1970s. This segment emphasizes the late 1940s, with musical excerpts and commentary from performers and other music industry figures. Excerpted selections include "I've Got My Love to Keep Me Warm," "Ghost Riders in the Sky," the Spike Jones Orchestra's rendition of "My Old Flame," and "Ev'ry Time We Say Goodbye."

The first program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program introduces the first half of the 1940s, with discussion of wartime culture, celebrity participation in the war effort, and the Golden Age of Radio.

Part B of the third cassette of a condensed version of John Gilliland’s 1940s Big Band Chronicles, originally produced in the early 1970s. This segment emphasizes the years immediately following the Second World War, with musical excerpts and commentary from performers and other music industry figures. Excerpted selections include "Rumors Are Flying," "Sioux City Sue," "That's My Desire," and "Puttin' on the Ritz."

The second program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the year 1940, with discussion of the "sweet" bands and the influence of Bing Crosby.

The seventeenth program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the years 1946 and 1947, with discussion of the beginnings of the Cold War, and the prevalence of nostalgia in popular culture.

Part B of the first cassette of a condensed version of John Gilliland’s 1940s Big Band Chronicles, originally produced in the early 1970s. This segment emphasizes the pre-war years through the early years of the Second World War, with musical excerpts and commentary from performers and other music industry figures. Excerpted selections include "It's Always You," "Stardust," "Blues in the Night," and "Don't Sit Under the Apple Tree."

The seventh program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program continues the previous program's emphasis on the year 1942, with discussion of the songs of Johnny Mercer, Capitol Records, and mass migration connected to the war effort.

The tenth program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program highlights the year 1944, with continued discussion of wartime culture.

The third program in John Gilliland’s 24-program series on popular music and culture in the 1940s, produced following the success of his extensive Pop Chronicles series on the 1950s and 1960s. This program continues to highlight songs from 1940 (and slightly before and after), with discussion of vocalists, and the impending war.

Part B of the second cassette of a condensed version of John Gilliland’s 1940s Big Band Chronicles, originally produced in the early 1970s. This segment emphasizes the time of the Second World War, with musical excerpts and commentary from performers and other music industry figures. Excerpted selections include "Poinciana," "You Always Hurt the One You Love," "The St. Louis Blues March," and "There, I've Said It Again."