Photograph enclosed behind Funeral Notice of R. J. Calder. In this studio portrait, two young men are present. The one on the left is sitting in a chair with fabric draped over it. His left leg is crossed over his left with his left hand resting on his thigh and his right arm resting on the top of the chair. He is wearing a dark three piece suit, large dark print tie and a white collared shirt. His dark hair is parted on the left side. The next gentleman is standing to the right of the seated man. His right arm is touching the back of the seated man while his left hand is placed behind his back. He is wearing a dark three piece suit with the first button of the long coat buttoned. A watch fob can be seen on his vest. He is also wearing a white collared shirt and a dark tie. His hair is parted on the left side. At bottom of matte, photographer's mark: "Rose GALVESTON" Attached to a cardboard substrate.

Mamie Davis George and T.W. "Bud" Davis in studio portrait, hand tinted watercolor. Frame is shadow box style with frame on frame appearance; inner frame dark finish with white floral etching; middle frame of dark gold; outer frame medium wood tone. 1882 Old Object Term: Photograph and Frame

Photograph of Albert Peyton George. George, who is wearing a three piece plaid (thin) suit (top button is buttoned). He is holding his hat in his left hand. His right hand is in an urn that is resting on top of a pillar to George's right. There are vines in front of and draped over the pillar. George has his right leg over his left leg. The photograph is mounted on a cardboard substrate. In black print at bottom of cardboard: "Rose & Schmedling, Galveston."

Photograph of a group of six boys. The boys are identified on the back of the photograph as: "Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, Earl McFarland." Also written "about 1883 Taken." The front row has three boys seated on a trunk; back row has three boys standing.

Photograph of Albert Peyton George. George, who is seated in an upholstered chair, is wearing a dark three piece suit (top button buttoned). George has his right arm across the arm rest of the chair. His left arm is resting on his left thigh. Portrait ends just above the knees. The photograph is mounted on a cardboard substrate. The cardboard has a red trim around the perimeter. Back of portrait in black print: "Louis Rice Photographer Texas." The words are written inside of drawn banners. A camera and paint palette image are drawn between drawings of two women in round frames.

Photograph of Albert Peyton George. In the photograph, George is wearing a military style jacket and short pants. There is a watch chain across his jacket front. A white collar is visible above the top of his jacket. George has a tablet and pencil in his left jacket pocket. George is holding a book under his right arm. His left leg is across his right. He is leaning on a table that is to his left. On the table is a book and a hat. The photograph is mounted on a cardboard substrate. Written on the back of the portrait in pencil: "Albert Peyton George". Also in black print: "D. H. Swartz, Photographer, Columbus, Texas. Copying and Enlarging a Specialty. Dealer in Frames, Albums, Etc. Duplicates can be had cheap. Order soon." To the left of the photographer information is a drawing of a man sitting under a tree and fishing in a body of water, boats in water, buildings in background.

Tintype image of Albert Peyton George. In the photograph, George is wearing a dark military style outfit. A white collar is visible above the neckline of the jacket. A watch chain hangs across the front of the jacket. George has his left hand on a book that is on top of a table to his left. There is a hat and another book on the table. He has a tablet and a pencil in the right pocket of the jacket. The tintype has a paper frame with gold trim.

Studio bust portrait of Albert Peyton George. George, who has his hair parted on the side and combed back, is wearing a dark three piece suit, white shirt, and dark colored bow tie. He has a leaf pin on his left lapel. The photograph is mounted on tan cardboard substrate.

Studio bust portrait of Albert Peyton George. Albert, who has his hair parted on the side and combed back, is wearing a plaid three piece suit, white shirt, and light colored bow tie. The image is faded into an oval and is mounted on a tan cardboard substrate with scalloped gold edging.

Photographic copy of William Kinchen Davis. Davis, who has gray hair, is seated and has his right hand on the crook of a wooden cane with his left hand resting in his lap. Davis has his left leg over his right. He is wearing a dark three piece suit with white shirt and dark tie. A watch fob is visible at his vest. Portrait ends at his knees.

Studio portrait of Jennie Jones (Wessendorff). Jennie is the great granddaughter of Henry Jones. In this bust portrait, Jennie is wearing a white dress with puffed sleeves and tulle stand-up collar. She has a chain with a round pendant and ear drop earrings. She has a floral corsage pinned to her left shoulder. Jennie has her dark hair pulled back with a white ribbon. The photograph is mounted on a black cardboard substrate. The cardboard has scallop trim. Written on back of photograph in pencil: "For Brother".

Photograph of Josey (Dagnell) Ryon, wife of James E. (Jim) Ryon. In this bust studio portrait, Ryon is wearing a dark colored dress with shirred bodice and ruffled edging that extends from bodice and caps over full sleeves. Ryon has a Victoria chain with attached pin (attached at collar with chain extending down bodice). A ruffled trim is visible just above the banded collar. Ryon's dark hair is pulled back and into a bun. The photograph is mounted on a tan cardboard substrate. Text at bottom of cardboard reads: "Blue Gallery, Conner, McKinney, Fine Photos,". Written above photographer text in blue ink: "(Jim Ryon) Josey, Ryon. (Dallas)".

Photograph of a group of ten men (one man standing to left and partial view of man to right are not part of the focal group). Six of the men in the front row are seated on a rock ledge sidewalk that leads to a building (doors in right background). Four men are standing in the back row. The photograph may be of a group of veterans (possibly from the Mier Expedition?) or members of the Veterans Legion of Honor who have gathered together for a reunion. William Kinchen is, from left to right, the third man in the bottom row. He is wearing a dark three piece suit and has his hands folded across the top of his cane. He is holding his hat in his left hand. He has his right leg crossed over his left leg. The image is an oval and is on a cardboard substrate. On back of photo in pencil: "WKD/ph 3:2" Image dimensions are: 18.4 cm x 12.3 cm.

Photograph (copy from page of a book) of Mary "Polly" Ryon. In this bust portrait, Ryon is wearing a dark colored dress with shirred bodice, doubled lace collar with ribbon at center, and puffed sleeves. She has her graying hair parted down the center and pulled back into a tight bun. The picture is framed by a thin black line. Photograph was at the bottom of page 1 in the Mamie George photo album.

Photographic copy of a painting of Mamie Davis and Thomas Walter Davis. The original paintings were separate portraits of the two children and were later put together to form one image. Mamie, who has her dark hair parted down the center and pulled back, is wearing a below knee length long sleeved dress with large rounded lace collar. Lace trim is seen at sleeves and v- shaped inset in the tier effect near bottom hemline and then again as part of under skirting. The bottom tier of skirt is pleated. Three buttons trim the "v" at the tiered hemline. Mamie is wearing ear drop earrings and a chain and pendant. She is holding a round hoop in her right hand and she has her left hand on the back of the chair (in which Thomas is seated). She has her left ankle crossed over her right. Thomas is seated in an upholstered chair (with tasseled bottom and armrest). Thomas is wearing a dark short pant suit, striped stockings, and dark lace-up boots. He has his left arm on the chair armrest.

Photograph of the 1887 class of the Richmond Public School. The students are lined up in six rows in front of the wooden school building. They are identified as: Back row: 1. Fanny Lamar 2. Mary Preister 3. ? 4. Mattie Bell 5. Reg. Dyer 6. ? 7. Cecil Dyer 8. ? 9. ? 10. Albert George 11. Bassett BlakelySecond row: 1. Minnie Preister 2. ? 3. Bell Dyer 4. Julia Norwood 5. ? Norwood 6. Professor Norwood 7. Tony Wessendorff 8. John Baker 9. ? 10. George BakerThird row: 1. Bessie McCloy 2. Lillie Winston 3. ? 4. Nina Bell 5. Kate Eckman 6. Heard Dyer 7. ? 8. ? Fourth row: 1. Lizzie McGee 2. Pearl Winston 3. Jennie Jones 4. Annie Somerville 5. Lyda Baker 6. Bertie Winston 7. Lola Jones 8. Alex Davis 9. Charlie Andrews 10. Will Robinson Fifth row: 1. Maybell Davis 2. Winnie McGee 3. Lillie Rambolt 4. Mamie Davis 5. Minnie Waffles 6. Allie Ogilby 7. Freddie Kochan 8. Earl McFarlane 9. Bush Pleasants 10. Len McFarlane 11. ?The photograph is mounted on a tan cardboard substrate.

Photograph of Mamie Davis as a child. In this studio portrait, Mamie is wearing a below knee length long sleeved dress with large rounded lace collar. Lace trim is seen at sleeves and "v" shaped inset in the tier effect near bottom hemline and then again as part of under skirting. The bottom tier of skirt is pleated. Three buttons trim the "v" at the tiered hemline. She has on striped stockings and lace up ankle boots. Mamie is wearing ear drop earrings and a chain and pendant. She is holding a round hoop in her right hand and a riding crop in her left hand. There is a straw hat decorated with flowers and ribbons on the floor at Mamie's feet. Mamie's dark hair is parted down the center and pulled back. Mamie is resting her left elbow on a cement ledge in the background (with cupid image on column). Painting of foliage as backdrop. Photograph is mounted on a tan cardboard substrate. Written on back of photograph in pencil: "Mamie Davis George" and in blue ink: "father H. HP Davis Mother Susan Ryon Davis Richmond, Texas." Photograph was given to the George Foundation by the Fort Bend Museum.

Bust portrait of Mary Moore "Polly" Ryon taken by Justus Zahn, Galveston, Texas. Ryon's graying hair is parted down the center and is pulled back into a bun at the nape of her neck. She is wearing a dark dress that is shirred down the front. The high necked collar has two tiers of dark lace and is accented with a wide ribbon tied at center. The portrait is mounted on a tan cardboard substrate with gold trim around the edges. Back of photograph in pencil: "15911".

Bust photograph (appears to be painted image) of J.H.P. Davis. He is wearing a dark coat, dark tie and a white shirt. His dark hair is parted on his left side. He has a mustache and short hairs under his lower lip. He is glancing to the left. Attached to a cardboard substrate. Looks as if it used to be in an oval frame.

Studio photograph of a boy. The boy is identified as Bud Davis as written at bottom of image in blue ink. Davis is sitting in an upholstered chair that has tassels at the bottom and on the armrest. Bud is wearing dark colored short pants, jacket, vest, and white shirt. He has dark stockings with stripes at bottom and ankle boots. Davis is resting his right arm on the chair's armrest and his left hand is on his left thigh. The photograph is mounted on a tan cardboard substrate with pink backing.

Photograph of Thomas Walter (Bud) Davis. In the portrait that ends above the knees, Davis is wearing a dark three piece suit with white shirt and light colored tie. He is holding a riding crop (?) in his hands. His right elbow is leaning on a large stone (?). Tree backdrop in left background; tropical plant leaves to the right. The photograph is mounted on a cardboard substrate that is slightly scalloped around the gold edging. Written on back of photo in pencil: "Bud Davis". Written on back in blue ink: "Thomas Walter Davis father J. H P Davis Richmond Texas died with TB 1922". This photograph was given to the George Foundation by the Fort Bend Museum in 1982.

Photograph of Belle Ryon Davis holding a child. The photograph is cropped by fading at Davis' waist. Davis, who is wearing small wire-rimmed glasses, is dressed in a long sleeved dress with sleeves that puff near the shoulder. Lace of a darker color is seen from shoulder and down side and again at sleeves. The dark color is repeated in two strips on high collar. Her dark hat has dark tulle, ribbon, and flowers with lighter colored flowers to the right. The child is wearing a long white gown with crocheted cap. The back of the photograph bears evidence that it may have been glued into a frame or an album.

Studio portrait of Belle Ryon Davis. In this bust portrait, Davis is wearing a dress with puffed sleeves and ruffled insets above shoulders. There is heavy embroidered stitching at edges of collar and down the center of the dress. Davis' graying hair near forehead is curled and the rest of her dark hair is pulled back into a bun. The photograph is mounted on a tan cardboard substrate with gold trimmed scalloped edging.

Photograph of Thomas Walter "Bud" Davis as a child. (Born in 1879). Davis is seated in an upholstered chair (tassels on bottom and armrest) with his left leg tucked under him. He has his left arm on the armrest of the chair. Davis is wearing a dark jacket and short pants, striped stockings and dark lace-up boots. The photograph is mounted on a tan cardboard substrate.