Photograph enclosed behind Funeral Notice of R. J. Calder. In this studio portrait, two young men are present. The one on the left is sitting in a chair with fabric draped over it. His left leg is crossed over his left with his left hand resting on his thigh and his right arm resting on the top of the chair. He is wearing a dark three piece suit, large dark print tie and a white collared shirt. His dark hair is parted on the left side. The next gentleman is standing to the right of the seated man. His right arm is touching the back of the seated man while his left hand is placed behind his back. He is wearing a dark three piece suit with the first button of the long coat buttoned. A watch fob can be seen on his vest. He is also wearing a white collared shirt and a dark tie. His hair is parted on the left side. At bottom of matte, photographer's mark: "Rose GALVESTON" Attached to a cardboard substrate.

Announcement of funeral for R .J. Calder. It reads: "Funeral Notice. The friends and acquaintances of R. J. Calder, Are respecfully (sic) invited to attend his funeral from his residence, to=morrow Aug. 29th, at Nine o'clock, a.m. Interment at the Cemetery Richmond, August 28th, 1885."

Three ribbons pinned together. They are identical in the image of the Texas flag. First one states: "ANNUAL REUNION TEXAS VETERANS BELTON, 1883." Second and third one state: "Annual Reunion TEXAS VETERANS Waco, 1882." Old Object Term: Commemorative ribbon

Mamie Davis George and T.W. "Bud" Davis in studio portrait, hand tinted watercolor. Frame is shadow box style with frame on frame appearance; inner frame dark finish with white floral etching; middle frame of dark gold; outer frame medium wood tone. 1882 Old Object Term: Photograph and Frame

Chairs, dining, Eastlake. 1 of a set of 8 Eastlake style, includes 1 armchair, 7 side; upholstered in mauve pink velvet with covered button edging; upholstered over top of chair crests in roll form; black walnut, casters on front legs. American c. 1880-1885 Old Object Term: Dining Chairs

Chair, Turkish style. Green velvet upholstery, cut velvet floral trim; placed vertically on outer sides; green fringe around legs; overstuffed with wire frame and walnut legs. American c. 1880 Old Object Term: Turkish-style chairs

Chairs, side, Eastlake. Hall chair with gold-beige velvet upholstery; braid trim; Walnut; capstan round front legs, back legs square plain. American c. 1885 Old Object Term: Chair, Hall Pair

Photograph of Albert Peyton George. George, who is wearing a three piece plaid (thin) suit (top button is buttoned). He is holding his hat in his left hand. His right hand is in an urn that is resting on top of a pillar to George's right. There are vines in front of and draped over the pillar. George has his right leg over his left leg. The photograph is mounted on a cardboard substrate. In black print at bottom of cardboard: "Rose & Schmedling, Galveston."

Photograph of a group of six boys. The boys are identified on the back of the photograph as: "Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, Earl McFarland." Also written "about 1883 Taken." The front row has three boys seated on a trunk; back row has three boys standing.

Photograph of Albert Peyton George. George, who is seated in an upholstered chair, is wearing a dark three piece suit (top button buttoned). George has his right arm across the arm rest of the chair. His left arm is resting on his left thigh. Portrait ends just above the knees. The photograph is mounted on a cardboard substrate. The cardboard has a red trim around the perimeter. Back of portrait in black print: "Louis Rice Photographer Texas." The words are written inside of drawn banners. A camera and paint palette image are drawn between drawings of two women in round frames.

Photograph of Albert Peyton George. In the photograph, George is wearing a military style jacket and short pants. There is a watch chain across his jacket front. A white collar is visible above the top of his jacket. George has a tablet and pencil in his left jacket pocket. George is holding a book under his right arm. His left leg is across his right. He is leaning on a table that is to his left. On the table is a book and a hat. The photograph is mounted on a cardboard substrate. Written on the back of the portrait in pencil: "Albert Peyton George". Also in black print: "D. H. Swartz, Photographer, Columbus, Texas. Copying and Enlarging a Specialty. Dealer in Frames, Albums, Etc. Duplicates can be had cheap. Order soon." To the left of the photographer information is a drawing of a man sitting under a tree and fishing in a body of water, boats in water, buildings in background.

Tintype image of Albert Peyton George. In the photograph, George is wearing a dark military style outfit. A white collar is visible above the neckline of the jacket. A watch chain hangs across the front of the jacket. George has his left hand on a book that is on top of a table to his left. There is a hat and another book on the table. He has a tablet and a pencil in the right pocket of the jacket. The tintype has a paper frame with gold trim.

Studio bust portrait of Albert Peyton George. George, who has his hair parted on the side and combed back, is wearing a dark three piece suit, white shirt, and dark colored bow tie. He has a leaf pin on his left lapel. The photograph is mounted on tan cardboard substrate.

Studio bust portrait of Albert Peyton George. Albert, who has his hair parted on the side and combed back, is wearing a plaid three piece suit, white shirt, and light colored bow tie. The image is faded into an oval and is mounted on a tan cardboard substrate with scalloped gold edging.

Page in autograph album reads: "To Mamie Remember me when far far off where the wood chuck dies with the whooping cough Yours truly Alex K. Jones".

Page in autograph album reads: "To darling Mamie =My prayer= May choicest blessings crown thy head A"around [sic] thee beauteous robes be spread M"ay [sic] never sorrows gloomy pall. I"n [sic] all thy life - like a dark shadow fall E"ver [sic] guard her Father from starless skies D"o [sic] grant she may grow in beauty as old Time flies A"ye [sic] give a life all peace - or strength to bear with Fale V"erify [sic] every promise - of her present state I" pray for sunshine on her days and years S"avions [sic]! Save her, from storms and tears. Lovingly subscribed C.M. Reading Home- April 16, 1886".

Photographic copy of William Kinchen Davis. Davis, who has gray hair, is seated and has his right hand on the crook of a wooden cane with his left hand resting in his lap. Davis has his left leg over his right. He is wearing a dark three piece suit with white shirt and dark tie. A watch fob is visible at his vest. Portrait ends at his knees.

Studio portrait of Jennie Jones (Wessendorff). Jennie is the great granddaughter of Henry Jones. In this bust portrait, Jennie is wearing a white dress with puffed sleeves and tulle stand-up collar. She has a chain with a round pendant and ear drop earrings. She has a floral corsage pinned to her left shoulder. Jennie has her dark hair pulled back with a white ribbon. The photograph is mounted on a black cardboard substrate. The cardboard has scallop trim. Written on back of photograph in pencil: "For Brother".

Photograph of Josey (Dagnell) Ryon, wife of James E. (Jim) Ryon. In this bust studio portrait, Ryon is wearing a dark colored dress with shirred bodice and ruffled edging that extends from bodice and caps over full sleeves. Ryon has a Victoria chain with attached pin (attached at collar with chain extending down bodice). A ruffled trim is visible just above the banded collar. Ryon's dark hair is pulled back and into a bun. The photograph is mounted on a tan cardboard substrate. Text at bottom of cardboard reads: "Blue Gallery, Conner, McKinney, Fine Photos,". Written above photographer text in blue ink: "(Jim Ryon) Josey, Ryon. (Dallas)".

Photograph of a group of ten men (one man standing to left and partial view of man to right are not part of the focal group). Six of the men in the front row are seated on a rock ledge sidewalk that leads to a building (doors in right background). Four men are standing in the back row. The photograph may be of a group of veterans (possibly from the Mier Expedition?) or members of the Veterans Legion of Honor who have gathered together for a reunion. William Kinchen is, from left to right, the third man in the bottom row. He is wearing a dark three piece suit and has his hands folded across the top of his cane. He is holding his hat in his left hand. He has his right leg crossed over his left leg. The image is an oval and is on a cardboard substrate. On back of photo in pencil: "WKD/ph 3:2" Image dimensions are: 18.4 cm x 12.3 cm.

Page written in autograph album. It states: "To Mamie Davis Peace be around, thee, wherever thou p__est; May life be for thee, one summer's day, And all that thous wishest, and all that thou lovest come smiling around thy sunny way! If sorrow e'er this calm should breath, May even thy tears pass off so lightly; Like spring-showers they'll only make The smiles that follow - shine more brightly. May time, who sheds his blright [sic] o'er all, And dayly dooms some joy to death, O'er thee, let years so gently fall, They shall not crush one joy beneath! As half in shad and half in sun This world along its path advances May that side the sun's ____ Be all that e'er shall meet thy glances Zemma Schley Richmond Mar 6th 1889".

Photograph (copy from page of a book) of Mary "Polly" Ryon. In this bust portrait, Ryon is wearing a dark colored dress with shirred bodice, doubled lace collar with ribbon at center, and puffed sleeves. She has her graying hair parted down the center and pulled back into a tight bun. The picture is framed by a thin black line. Photograph was at the bottom of page 1 in the Mamie George photo album.

Page in autograph album reads: "Mamie. May your life be of pleasure of Peace and of love untill [sic] the Angels shall whisper Mamie Your home is above! Your True Friend Gertrude Earnest January 25, 1887".

Photographic copy of a painting of Mamie Davis and Thomas Walter Davis. The original paintings were separate portraits of the two children and were later put together to form one image. Mamie, who has her dark hair parted down the center and pulled back, is wearing a below knee length long sleeved dress with large rounded lace collar. Lace trim is seen at sleeves and v- shaped inset in the tier effect near bottom hemline and then again as part of under skirting. The bottom tier of skirt is pleated. Three buttons trim the "v" at the tiered hemline. Mamie is wearing ear drop earrings and a chain and pendant. She is holding a round hoop in her right hand and she has her left hand on the back of the chair (in which Thomas is seated). She has her left ankle crossed over her right. Thomas is seated in an upholstered chair (with tasseled bottom and armrest). Thomas is wearing a dark short pant suit, striped stockings, and dark lace-up boots. He has his left arm on the chair armrest.