Chairs, dining, Eastlake. 1 of a set of 8 Eastlake style, includes 1 armchair, 7 side; upholstered in mauve pink velvet with covered button edging; upholstered over top of chair crests in roll form; black walnut, casters on front legs. American c. 1880-1885 Old Object Term: Dining Chairs

Chair, Turkish style. Green velvet upholstery, cut velvet floral trim; placed vertically on outer sides; green fringe around legs; overstuffed with wire frame and walnut legs. American c. 1880 Old Object Term: Turkish-style chairs

Photograph of Albert Peyton George. George, who is seated in an upholstered chair, is wearing a dark three piece suit (top button buttoned). George has his right arm across the arm rest of the chair. His left arm is resting on his left thigh. Portrait ends just above the knees. The photograph is mounted on a cardboard substrate. The cardboard has a red trim around the perimeter. Back of portrait in black print: "Louis Rice Photographer Texas." The words are written inside of drawn banners. A camera and paint palette image are drawn between drawings of two women in round frames.

Photographic copy of William Kinchen Davis. Davis, who has gray hair, is seated and has his right hand on the crook of a wooden cane with his left hand resting in his lap. Davis has his left leg over his right. He is wearing a dark three piece suit with white shirt and dark tie. A watch fob is visible at his vest. Portrait ends at his knees.

Photograph (copy from page of a book) of Mary "Polly" Ryon. In this bust portrait, Ryon is wearing a dark colored dress with shirred bodice, doubled lace collar with ribbon at center, and puffed sleeves. She has her graying hair parted down the center and pulled back into a tight bun. The picture is framed by a thin black line. Photograph was at the bottom of page 1 in the Mamie George photo album.

Photograph of Belle Ryon Davis holding a child. The photograph is cropped by fading at Davis' waist. Davis, who is wearing small wire-rimmed glasses, is dressed in a long sleeved dress with sleeves that puff near the shoulder. Lace of a darker color is seen from shoulder and down side and again at sleeves. The dark color is repeated in two strips on high collar. Her dark hat has dark tulle, ribbon, and flowers with lighter colored flowers to the right. The child is wearing a long white gown with crocheted cap. The back of the photograph bears evidence that it may have been glued into a frame or an album.

Studio portrait of Belle Ryon Davis. In this bust portrait, Davis is wearing a dress with puffed sleeves and ruffled insets above shoulders. There is heavy embroidered stitching at edges of collar and down the center of the dress. Davis' graying hair near forehead is curled and the rest of her dark hair is pulled back into a bun. The photograph is mounted on a tan cardboard substrate with gold trimmed scalloped edging.

Photograph of a group of 47 men, women, and children standing on the steps that lead to the Redondo Hotel in Redondo, California. Balustrade that is part of the building roof at top center of photo. Tropical plant (on covered porch area of main building) to far left of photo. Written in white in bottom left corner: "5L9". Back of photograph in blue type reads: "BALLOON ROUTE EXCURSION Los Angeles The Finest $1.00 Trolley Trip in the World Over the Scenic Lines of the Los Angeles-Pacific Co. [poem enclosed in thin blue line] Away in the merry Southland, Far down where the oranges grow = = In the land of the great busy city, Where the angels were lost long ago, There's a way to forget your troubles, For a day to be brimful of fun, And the jolly Balloon Route Excursion Will show you how it is done. [second stanza] "Not up in the air" he takes you, Though you'd think you had left there For weariness, trouble, sorrow or care Have no place in this car=load of (?) Then away and away he will speed you Through Fairy Land, down to the shore Then back to real life, …

The photograph shows a poorly dressed man sitting on a bench in front of a wooden building. He has a bottle in his left hand. Text below the photo reads: "This is the most famous beggar in Havana - Sam Raco, by name - and he comes from the interior. He has 12 fingers and 11 toes - - count them."

Studio portrait of an unidentified young man. The man is wearing boots, a three piece suit and knee length jacket, light colored shirt, and bow tie. He is posed with his left hand on his left lapel and his right hand in his right jacket pocket. There is a backdrop mural of an interior wall with staircase (right). The photograph is mounted on a black cardboard matte. Written on back in pencil: "3457".

Photograph of a child. In this studio portrait, the child is wearing a white gown with ruffled lace trim. She is wearing a bracelet on her right wrist. The child is sitting in a fabric draped wicker chair. The photograph is mounted on a dark gray cardboard matte. The matte has text below the portrait that reads: "Lorenz Art Gallery Extra Finish [in paint palette drawing] Richmond, Texas".

Studio portrait of a child. The child, who is standing on a wooden "bridge", is wearing a dark colored outfit with plaid trim. The child has dark lace-up boots and is holding a hat in left hand. The photograph is mounted on a brown cardboard substrate with text at bottom that reads: "C. J. Wright, Houston, Texas." The back of the photo has circles with different patterns, drawing of a camera, easel, and paint palette; banner with "CJW" in oval center and banners below this reading "I Have Engaged The Sun To Shine For Me." More text reads "C. J. Wright, Houston, Texas All Negatives Preserved Duplicates may be obtained at any time."

Studio portrait of a child. The child, who is wearing a long sleeved white gown, stockings, and dark shoes, is sitting on a print blanket. The photograph is mounted on a brown cardboard substrate with text at bottom that reads: "C. J. Wright, Houston, Texas." The back of the photo has circles with different patterns, drawing of a camera, easel, and paint palette; banner with "CJW" in oval center and banners below this reading "I Have Engaged The Sun To Shine For Me." More text reads "C. J. Wright, Houston, Texas All Negatives Preserved Duplicates may be obtained at any time."

Studio portrait of a man. The man is wearing a dark three piece suit, white shirt, and dark bow tie. The chain for his watch is seen near the buttons of the vest. The man has dark hair, parted on his left side, and a thick graying mustache. The photograph was trimmed to oval shape and placed on a gray cardboard matte (tan area shows between photo and matte) with oval embossed line around perimeter of photo. Image dimensions are: 4.4 cm x 6.5 cm.