Photocopy of a letter from Nancy Reynolds, Project Coordinator of North Texas Institute for Educators on the Visual Arts, to Pat Smith Hopper. Discussing Hopper's efforts in discipline-based art education and cultural diversity having gone over Hopper's thematic unit on "Art and Literature on Native American Sioux Culture." Reynolds invites Hopper to attend a NTIEVA seminar being held in Houston believing Hopper will find the information interesting and will consider joining their program.

Photocopy of a letter from Bill McCarter, co-director of North Texas Institute for Educators on the Visual Arts, to Thomas A. Hatfield, Executive Director for The National Art Education Association. In regards to an observation letter Hatfield has sent North Texas Institute for Educators on the Visual Arts. Hatfield has commented on the lesson summary on the newsletter that he found helpful and McCarter writes that it was their coordinator and editor Nancy Reynolds and she'll be pleased with his insights in response.

Photocopy of a letter from Beth Reese Means, Curator of Education for the Art Museum of South Texas, to Bill McCarter, co-director of North Texas Institute for Educators on the Visual Arts and NTIEVA Members. In regards to the Summer Institute in Corpus Christi and that Means has had great pleasure in working with the teams. AMST is hoping to continue and expand their relationship with NTIEVA and they'll be in contact again soon.

Photocopy of a letter from Vicki Rosenberg, the Getty Center, to Jack Davis and Bill McCarter, co-directors of NTIEVA, in regards to their fiscal year of 1995, FY95, funding for North Texas Institute for Educators on the Visual Arts. Rosenberg states that the funding has been sent to Harold Williams, president of the J. Paul Getty Trust, for review yet being unaware of his schedule she cannot give them a specific notification date of the funding approvals or deny. Rosenberg thanks Davis and McCarter for the informative progress report and has made a series of comments and questions that she would like answered and returned no later than September 1, 1994.

Photocopy of a letter template from Sharon Warwick, Chair of the Elementary Division of the Texas Art Education Association, to her colleagues. Warwick is seeking help to formulate new ideas and ways to put together a UIL Picture Memory Contest for the elementary students. Enclosed in the letter is a list that Warwick asks her colleagues to fill out with further suggestions and to send them back to her before the school year.

Photocopies of evaluations and comments for the National Museum of American Art, Smithsonian Institution: An Introduction to Latino Art and Culture, dated June 26 - 28, 1996. The evaluations are rating the quality of the workshop by answering the questions of material, information, topics and other objectives that the exhibit provided. In a letter to Carol Wyrick, July 15, 1996, Bill McCarter apologies for withholding the evaluations but NTIEVA wanted to record the general comments made about the Institute. Some of the comments read as written, "I enjoyed the workshop and learned a lot." "Those of us who teach the younger students found the drawing studies to be of little relevance to the level of production appreciated [by] our students." Other comments continue with the enthusiasm of the quality of materials and the presentations, as well as offer suggestions or provide concerns about the related subject.

Photocopy of a summary letter from Bill McCarter, co-director of North Texas Institute for Educators on the Visual Arts, to Bill Cormack, Janice Wiggins and Chris Thomason. Regarding a meeting that fell on June 22, 1995, notably, the participation of Dallas ISD in future activities with the Institute. McCarter starts the letter with the proposal of a new time frame for the Institute activities, and mentions how the meeting brought up the ideas of having all-day Saturday sessions. However, McCarter expresses his concern that some teachers from the Dallas ISD might be unable to attend all-day Saturday sessions, and how important it is that they will attend all the meetings because of how complex the Institute is. Included in the letter is an observation from Chad Woolery, stating that due to budget and time that Dallas would be unable to continue participation with NTIEVA as a consortium member. McCarter addresses that they have had issues with Dallas since they began to participate.

Photocopy of a letter from Nancy Reynolds, project coordinator of North Texas Institute for Educators on the Visual Arts, to Beverly Fletcher, Art Supervisor of Fort Worth ISD. In regards a meeting Bill McCarter and Reynolds had where they evaluated Fletcher and her secondary teachers in promoting and the implementation of discipline-based art education, DBAE. The rest of the letter goes into details about materials and supplies Fletcher needs to obtain for her teachers, along with handbook materials Reynolds has provided for Fletcher.

Photocopy of a letter from Bill McCarter and Nancy Walkup Reynolds, North Texas Institute for Educators on the Visual Arts, to Leilani Lattin Duke, Director of the Getty Center. In regards to a brief description of their curriculum and their lesson units. The letter goes into greater details about the curriculum units and the intended desire of what NTIEVA program wants to accomplish. Copied on the letter are, Jack Davis, Sally McRorie, Jim Hutchen, Julie Abel and Blanche Rubin.

A Texas Commission on the Arts award summary for the North Texas Institute for Educators on the Visual Arts, University of North Texas. The pages have been printed out from the TCA webpage as they were filled out by members of NTIVEA.

Photocopy of a letter from Sharon Moore, Trust Associate, Personal Trust Administration at NCNB Texas, to Jack Davis co-director of North Texas Institute for Educators on the Visual Arts. The letter mentions photographs that Davis has submitted for the Annual Charitable Report, Moore writes not all photographs could be used but thanks for his cooperation.

A financial data report for the Crystelle Waggoner Charitable Trust. The financial report details their assets by the year starting from 1984 to 1988 and the support grant they have awarded for that following year. In addition information, no deadline, has been circled.

A financial data report from the Anne Burnett and Charles D. Tandy Foundation for the tax year starting from 1984 to 1988. The data is tallied by how much assets the museum had at the end of the year and the amount they've awarded in grants.

A financial data report on the Helen Gertrude Sparks Charitable Trust. The financial report lists the foundations assets by year starting from 1984 to 1988 and list the supporting grants they have awarded for the years as well. In the additional information, no deadlines, has been circled.

An application filled out by North Texas Institute for Educators on the Visual Arts to apply for a Texas Commission on the Arts grant. The following pages are filled out with sensitive information on the North Texas Institute for Educators on the Visual Arts organization as they request support for the period of September 1, 1999 to August 1, 2000.

A financial data report for the Helen Irwin Littauer Educational Trust. The financial report lists the foundations assets by the years from 1984 to 1988 and the supporting grant they awarded for that year as well. In the additional information, deadline: must be submitted annually, has been underlined.

Invoices from the North Texas Institute for Educators on the Visual Arts for supplies from Sax Arts and Craft. The invoice is for the purchase of twenty-five 50 pages of 9"x12" artist sketch pads and three packages of drawing pencils for a total of ninety-one dollars and fifty-eight cents.

Invoices from the North Texas Institute for Educators on the Visual Arts for supplies from Safe-T Products, Inc. The invoice is for the purchase of safe-t compasses and twelve inch rulers for a total of fifty-three dollars and thirty cents.

A financial data report on the Mary Potishman Lard Trust Agency. The financial report defines their assets from the 1984 year to the 1988 year along with the grant they have awarded for that year.

A financial data report for the Bass Foundation. The Bass Foundation awards grants to recipients as listed at the top, such are arts and higher education. The financial report lists the foundations assets from the 1984 year to the 1988 year and the grants awarded for that year.

A financial data report for Katrine Menzing Deakins Charitable Trust. The financial report goes into details about the foundations assets for the years 1984 to 1988 and the supporting grants that were award for that year. In additional information, deadline: June 30, has been circled.

An article in the Fort Worth Star-Telegram about the upcoming collections and events at the Amon Carter Museum in Fort Worth. It is titled Little Journeys and has information about tours and group visits.

A letter from Harriet Laney to Marilyn Martin about the revised budget for the grant received from TCA. Included is the contact information for Laney.

A letter from Corlis Hunt to Harriet Laney about the payment of 64.57 to Ollie Theisen for the Summer Institute.