Photocopy of a letter from Cassandra Broadus to Rhonda Sherrill, teacher at Sam Houston Elementary School. Broadus congratulates Sherrill on her students presentation, "Living Paintings." Broadus requests video, photos or other documentation of that evening for North Texas Institute for Educators on the Visual Arts newsletters and brochures. Broadus ends the letter saying she hopes to see Sherrill at the 1991 Summer Institute.

A memo from W. Dwaine Greer and Stevie Mack, co-directors of Improving Visual Arts Education, to the IVAE Academic Consultants and Consultant Practitioners. The memo is in regards to the limited number of Multicultural Art Prints Series I (Maps I) published by the Getty Center for Education in the Arts and Crystal Productions currently available to the consultants for a reduced price. Included in the memo is the notification of the reduction in prince for the Multicultural Art Prints, "African-American Art" and "Pacific Asian Art" and a order form.

A stub from the Office of Research and Academic Grants of North Texas State University, it has been marked in compliance with Jack Davis's request.

A newspaper clipping featuring an article on Kay and Ben Fortson. Kay Carter Forston is president of the private nonprofit foundation that funds and governs the Kimbell, along with her husband independent oilman Ben J. Fortson being the vice president and chief financial officer. During the Kimbell Art Museum's opening in October 1972, they were worried they didn't have enough definitive artwork to fill the museum.

A memo from W. Dwaine Greer and Stevie Mack, co-directors of IVAE, Improving Visual Arts Education a project from the Getty Center for Education in the Arts, to the IVAE consultants. The memo is in regards to an update on the IVAE program and how the Getty Center will decided to using the upcoming year to review the IVAE project and to think through options for dissemination and therefore there will be no renewal raining in Los Angeles this summer for IVAE consultant.

Photocopy of a letter from Thomas N. Hubbard to William McCarter about a manuscript written by Barbara Ivy. Hubbard writes that he cannot publish it at this time and will return it to Ivy.

A response letter from the Robert Wood Johnson Foundation, clarifying the foundations expansion of including organizations into their grantsmanship funding. The response letter goes into details about what the Johnson Foundation looks for when they review the proposals sent to them and have included general points that the organization must meet to even been considered by the Johnson Foundation. The foundation goes on to continue that even if the proposal has merit the foundation does not have the means to fund every program but will assist in finding funding from another source.