Photocopy of a letter from Julie Abel, the Getty Center, to Lila Crespin and the Regional Institute Grant Directors. Requesting information about possibly locations which to film the Getty Center's mission / programs and to show the visitors the film which will orients the Center's goals. The film will be fifteen minutes long, comprised of three segments that will highlight the important parts of their programs. Enclosed in the letter are details about the three segments and the ideas behind how the filming should take place. Copied on the letter are Leilani Lattin Duke, Val Marmillion and Kathy Talley-Jones.

Photocopy of a letter from Jack Davis and William McCarter, co-directors of North Texas Institute for Educators on the Visual Arts, to M'Lou Bancroft, executive director for the Edward and Betty Marcus Foundation. The letter is in regards to a prior lunch meeting Bancroft had with Davis and McCarter, where they described North Texas Institute for Educators on the Visual Arts and their primary goals. They write their appreciation for Bancroft's guidance as they finalize their proposal to be submitted to the foundation.

Photocopy of a letter from Vicki J. Rosenberg to the Center Grantees and Fiscal Agents about the recent developments in legal issues surrounding Getty Center grant funds. Rosenberg includes information on a new policy that will limit this conflict and lists those who will be effected.

A memo from Harriet Laney to Julie Abel about the budget for the Filemaker Pro Database set up.

Letter regarding the Getty Center's policy change on grant funds for Getty consultants. Such policy was made in light of the legal conflict of funds being distributed to paying staff, evaluators, and long-term consultants as opposed to strictly using the funds for district and regional projects.

An e-mail from Vicki J. Rosenberg to various individuals informing them that Harold Williams have approved a matching grant to the Annenberg challenge grant for the RIG Consortium project.

A document capturing the strategic discussions and considerations surrounding the Getty Match to the Annenberg Grant.