This is a conversation between Taj Nisa (a 49-year old female) and Nargis Bibi (a 40-year old female) about their eye surgery when they both get operated.

This is a conversation between Taj Nisa (a 49-year old female) and Nargis Bibi (a 40-year old female) about their eye surgery when they both get operated.

This is a discussion between Taj Nisa (a 49-year old female) and Saleh Noor (a 50-year old female). Taj Nisa talks about the likes and dislikes in her life.

This is a discussion between Taj Nisa (a 49-year old female) and Saleh Noor (a 50-year old female). Taj Nisa talks about the likes and dislikes in her life.

This is a description about various cooking tools, various dishes that Boros like to eat. Dialect: Standard Boro

Handwritten notes on Dimasa phonology (tone, pitch, syllable structure) with special focus on vowel quality and final glottal stops. Includes word lists of kinship terms, body parts, natural world, animals, household items, numerals, agriculture, and transitive verbs of motion.

Tyler Utt discussing the verb paradigm of 'give' /pii-I, piik-II/ with Sumshot Khular.

In preparation for a syllable tapping experiment and to improve understanding and readability of verbs with prefixes, participants Angam Shankhil, Steney Leivon Lamkang, and Suungnem Bungshen read over the syllable tapping prompt transcript. The writing system was new to them, especially the way prefixes are written. The three participants discussed how to read the words.

Recording of a short, impromptu dancing lesson of Lamkang traditional dance.

A performance of a hymn in Lamkang Inn Laa by Lamkang students studying in Hyderabad.

Photograph of young Lamkang speakers commenting on a Lamkang narrative with Melissa Robinson and Jane Lorenzen in the computational linguistics conference room at IIIT-Hyderabad.

Photograph of Jane Lorenzen with Lamkang Naga speakers in Hyderabad. The group is reviewing a word list.

Recording of Dina Shankhil telling her version of The Pear Story.

Recording of Dina Shankhil Lamkang telling her version of the Pear Story.

Recording of a retelling of the Pear Story as narrated by Jessie from Hyderabad.

Recording of Jessie Sankhil telling her version of the Pear Story.

Recording of Ningtamla Jangvei telling her version of the Pear Story. Recorded in Hyderabad.

Recording of a telling of the Pear Story done at the Indian Institute of Information Technology with young Lamkang speakers in the diaspora.

Photograph of Prafulla Basumatary discussing interlinear glossing with Dhruv Langthasa.

This song is about the beauty of the village. It says that the village is better than any foreign land. The singer appeals to the villagers who have gone out of the village to return to the village.

This song laments that things have changed in the village after the singer's beloved (Mungimai) is married off to a foreign man. He sings, 'The sun ray has changed in my village. My land is no longer like the old days. The sound of pigeon has changed. My heartfelt regret is that I could not protect Mungimai.'

This is a song of Guithuanang of Tharon village. This song was composed as a conversation between two lovers expressing beauty, desire, and love for each other.

This is a song of expressing love between a man and woman. The man says, 'For the one I love I could bring the biggest bull. I can work the whole mountain. What do you say? My fair lady'. The woman responds, 'Oh bachelor! Stop teasing. Do not do as you wish. Do not mention about a bull You don’t have to pay anything. I will come for free'.

This is a song of Khamping, a legendary composer. This song talks about his failed relationship with a village damsel. His lover was given in marriage to a rich man of neighboring village by her parents.