A World War II-era joke in the form of a letter. The correspondence is addressed to Hebbronville Local Board No. 1, from Frank Garcia Castillo, Eagle Pass, Texas, and dated October 19, 1943. The letter begins, "I received your classification card in which you give me 4-F. But I don't like it . . . ." It is typewritten on Selective Service System letterhead.

Plaque with an inscription describing the duties of Women Airforce Service Pilots and particularly the duties of of the WASP who trained to tow gunnery targets at Eagle Pass Army Airfield, known as the "Matilda" project. Listed are the WASP who comprised the Eagle Pass Unit, as well a list of WASP members and friends who contributed to the plaque.

Photocopied text of an excerpt from the Congressional Record containing Senator Barry Goldwater's introduction of bill S. 247 to provide veterans' benefits to the WASPs. Goldwater's remarks are followed by five articles on the WASPs, their service during WWII, and their efforts to obtain veterans' status.

Group photograph of seventeen Women Airforce Service Pilots taken at Eagle Pass Army Airfield. There are two rows of women, one sitting and one standing, and all are wearing their flight duty uniforms. The typewritten label attached to the photograph's top edge repeats the names written on the back.

Postcard from Matilda to Rigdon Edwards discussing information on the Eagle Pass AAF 40th Anniversary Reunion, planned for November 10-13, 1983, in San Antonio, Texas.

Letter from Ola Mildred Rexroat to Mr. Hill discussing a museum's need for a glass case for a WASP uniform and mannequin. An illustration of Fifinella, the WASP mascot, is printed at the top of the letter.

Newspaper clipping with photographs of former WASP, an article about their service in the military, and their recognition as veterans.

Topographic quadrangle map of Botella Creek, Texas, and the surrounding area, showing roads, towns, water bodies, ranches and farms, water tanks, boundaries, and landmarks. Relief shown by contours (interval 20 feet) and spot heights. Scale 1:62,500

Topographic quadrangle map of Chacon Creek in Texas, and the surrounding area, showing populated areas, farms and ranches, boundaries, water bodies, railroads, roads, and landmarks. Relief shown by contours (interval 20 feet) and spot heights. Scale 1:62,500

Topographic quadrangle map of Cline, Texas, and the surrounding area, showing towns, roads and highways, borders between counties, ranches, water bodies, and landmarks. On verso: explanation and history of topographic maps of the U.S. and standard symbols used. Relief shown by contours (interval 20 feet) and spot heights and includes red overprint of road classification. Scale 1:62,500

Topographic quadrangle map of Cometa, Texas, and the surrounding area, showing towns, roads and highways, rivers, creeks, borders, ranches and farms, water tanks, windmills, and landmarks. Relief shown by contours (interval 20 feet) and spot heights and includes red overprint of road classification. Scale 1:62,500

Blue line print of survey map of Maverick County, Texas, showing rivers, creeks, original land grants or surveys, blocks of land, cities, towns, pastures, roads, and railroads. Handwritten notes have been made on the published map in red pencil and appear to denote the addition of roads. Scale [ca. 1:266,666] (6000 varas to 3/4 of an inch).

Map of U.S. Postal Service mail stations and routes in Presidio, Crockett, Kinney, and Maverick Counties and western Mexico, showing the beginning and end of routes, the frequency of the mail delivery (e.g. six times a week), special supply routes, and discontinued offices. The map also includes railroads, major towns, bodies of water, and county lines.

Map of the U.S. Postal Service mail stations and routes in parts of Texas and Mexico, showing the beginnings and endings of routes, the frequency of the mail delivery (e.g. two times a week), special supply routes, and discontinued offices. The map also includes railroads, major towns, and county and country lines.

Copy negative of McMurry College Band member Paul Mathers in a sombrero and wrap, holding a grind organ and toy monkey. He is standing in a room with two signs on the wall behind him.