Photograph of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.

Photograph of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.

Photograph of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.

Photograph of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.

Photograph of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.

Photograph of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.

Photograph of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a label with information about a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.

Photograph of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.

Evaluating the impact of learning from climate data, in addition to bridge data, on the performance of concrete deck condition rating prediction is critical for identifying the right data needed to enhance bridge maintenance decision making. Few studies have considered such an evaluation and utilized a small size of samples that prevent revealing the knowledge hidden within the big size of data. Although, such evaluation over big data seems quite necessary, class imbalance problem makes it challenging. To alleviate such a problem, five states, including Alabama, Iowa, New York, Pennsylvania, and South Carolina, were selected as the case study. Not only are the states located in three different climatically consistent regions defined by the National Ocean and Atmospheric Administration (NOAA), but also their concrete deck conditions ratings are somewhat balanced. To conduct the evaluation, this research developed the bridge data set pertaining to 56,288 bridges across the afore-mentioned states through employing the GIS technology. The bridge data set contains bridge data derived from National Bridge Inventory (NBI), and climate data derived from Parameter-elevation Relationships on Independent Slopes Model (PRISM) climate maps and NOAA. Then, two machine learning algorithms, including random forest and GBM, were trained - with and without climate …

Interview with Adrienne Griffen, the Executive Director of the Maternal Mental Health Leadership Alliance from Arlington, Virginia. Griffen discusses her family, time as an intelligence officer in the United States Navy, education, her own experience with postpartum depression, becoming an advocate, Postpartum Support International, other leaders and organizations in her field, postpartum psychosis, statistics, and treatments.

Interview with Jabina Coleman, a reproductive psychotherapist and certified lactation consultant from Philadelphia, Pennsylvania. Coleman discusses her involvement in supporting maternal health, from running Life House Lactation & Perinatal Services to founding groups like Breastfeeding Awareness and Empowerment, the Perinatal Mental Health and Alliance for People of Color, and the Maternal Wellness Village in Philadelphia. Coleman discusses her own pregnancy, postpartum depression, education, and motivation to become an advocate in her field.

The National Museum of the Pacific War presents an interview with Rose Dern. Dern enlisted in the WAVES and went to Madison Wisconsin to train in communications. After training, Dern was stationed close to home at Floyd Bennett Field in New York City. She then went to a communications station on Maui. Dern was discharged when the war ended.

The National Museum of the Pacific War presents an interview with Jack Hensel. Hensel was drafted into the Navy in June 1943. He trained as an aerial gunner and was eventually assigned to a crew aboard an Avenger. In early 1945, he went aboard USS Franklin (CV-13). In March, when the Franklin was attacked, Hensel was blown overboard and eventually made it onto a raft before being rescued by USS Hickox (DD-673). He went to a hospital at Ulithi to recover from burns before heading back to the US. He was undergoing more training when the war ended.

Report summarizing the recommendations of The Naming Commission's findings regarding military academies in the United States as mandated by the National Defense Authorization Act for Fiscal Year 2021, which mandates the removal of names, symbols, displays, monuments and paraphernalia that honor or commemorate the Confederate States of America. "Part II of the Naming Commission 's Final Report .... addresses assets on the United States Military Academy (USMA) at West Point and the United States Naval Academy (USNA) at Annapolis." [Executive Summary, Page 2]

Evening dress of fine white netting with all-over three-dimensional machine embroidered floral and butterfly motifs in variety of colors (orange, white, pink, blue, yellow), most motifs measuring 2-3 inches in diameter, narrow straps, plunging v-neckline, natural waistline, a-line, full length, center back exposed zipper, fully lined in white with wide band of crinoline, boning in bodice. Label: Alice and Olivia by Stacy Bendet Made in India 6 (retail label still attached)

The National Museum of the Pacific War presents an interview with Jack Hensel. Hensel was drafted into the Navy in June 1943. He trained as an aerial gunner and was eventually assigned to a crew aboard an Avenger. In early 1945, he went aboard USS Franklin (CV-13). In March, when the Franklin was attacked, Hensel was blown overboard and eventually made it onto a raft before being rescued by USS Hickox (DD-673). He went to a hospital at Ulithi to recover from burns before heading back to the US. He was undergoing more training when the war ended.

The National Museum of the Pacific War presents an interview with Jack Hensel. Hensel was drafted into the Navy in June 1943. He trained as an aerial gunner and was eventually assigned to a crew aboard an Avenger. In early 1945, he went aboard USS Franklin (CV-13). In March, when the Franklin was attacked, Hensel was blown overboard and eventually made it onto a raft before being rescued by USS Hickox (DD-673). He went to a hospital at Ulithi to recover from burns before heading back to the US. He was undergoing more training when the war ended.

Video of the Metropolitan Museum of Art exhibition "In America: An Anthology of Fashion," in Gallery 735, an installation designed by Tom Ford highlighting the seminal international fashion event, the 1973 Battle of Versailles. The photo shows a label with information about a variety of garments from that year, including a white chiffon and feather evening dress by Hubert de Givenchy, on loan to the Met from the Texas Fashion Collection, part of the UNT College of Visual Arts and Design.