'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is concluding the dance with praise to the father, mother, son, and daughter, as well as the feast, the auspicious day, and to the people gathered for the dance ritual.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is concluding the dance with praise to the father, mother, son, and daughter, as well as the feast, the auspicious day, and to the people gathered for the dance ritual.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he describes the warriors, male and female, who accompanied king Gäser Gyelpo. This recording was done in the early hours of the day during a light rainfall.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he describes the warriors, male and female, who accompanied king Gäser Gyelpo. This recording was done in the early hours of the day during a light rainfall.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, the dancers praise the assembly of the monk at the monastery for their service and the serpent world for granting jewels.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, the dancers praise the assembly of the monk at the monastery for their service and the serpent world for granting jewels.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is sings about the mythical king Ling, known as Gäser Gyelpo. Ling is travelling eastward to Hör, a mythical demonic kingdom.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he is sings about the mythical king Ling, known as Gäser Gyelpo. Ling is travelling eastward to Hör, a mythical demonic kingdom.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he describes how the mythical king of Ling, originally from Lhasa, got married to Shäcang Dema of the Ling.

'Arpo' is a generic term for the naked dance ritual practiced in Chema village, Trashiyangtse, Bhutan. Mr. Karma Wangdi is well-known for his efforts to sustain these rituals in Chema village. In this recording, he describes how the mythical king of Ling, originally from Lhasa, got married to Shäcang Dema of the Ling.

Gurma, the song of feasts, is sung by monks, nuns, and lay practitioners in veneration of their masters. This song was composed by His Holiness Dudjom Jigdral Yeshe Dorje, a 20th-century Buddhist master born in Pemako in the frontier region of Tibet. The song enchanted the people's request towards the tutelage deities and the local duties for the construction of a monastery. It includes a student's heartfelt request to the master to forever bestow his blessing upon them. The song is significant in the Dakpa community of Thragom village because many lay practitioners, including women, are into the Tröma (wrathful practice) of Mache Trhoma Namo (Black Wrathful Mother).

Group performance of Bon rituals to appease Tshong Tshongma, the most sacred mountain in Eastern Bhutan, which is accessible only for four months per year due to local customs and myths. At over 4000m, Tshong Tshongma is a very important deity, especially to the people in its vicinity. In this recording, a group of around 30 visitors, including children, performs rituals to appease Tshong Tshongma including serving meals, offering locally-fermented wine, bowing, and praying for the well-being of all sentient beings.

Mrs. Humchung is one of the oldest people living in Thragom village. She describes an annual pilgrimage to Tawang, saying this was most celebrated among the older generation of Dakpa in Thragom, Bamchang, Rinzentangpang, Dukti, and Namdhi villages. The event was seen as a way to connect back with relatives across the India-Bhutan border. They usually went to witness Tawang Torgya, a three days mask dance festival. It took around three days by foot to reach Tawang in Arunachal Pradesh, India when road links were not yet there across the border.

Mrs. Humchung is one of the oldest people living in Thragom village. She describes when she went to see His Holiness Dalai Lama in the 1980s. The says that, during that visit, she, her husband, and fellow villagers spent around one month waiting for His Holiness Dalai Lama. They were hosted by a relative of her husband. She also went into the field to help her host with farming, collecting firewood, making alcohol, and constructing the house. She explains that, that this time, it was common for relatives in these two countries to host each other for these visits.

Mrs. Humchung is one of the oldest people living in Thragom village. She describes her pilgrimage to Buddha Gaya, a Buddhist temple in Bihar, India. First, she walked to Trashigang, in the middle of Trashigang Dzong courtyard. From Trashigang she took a truck. She says that almost all the elders in her village went together and almost all of them died, except for 6 of them. It took them a week to reach Buddha Gaya. They took their rations and cooked using firewood. The glaring difference she discusses is that now, there is no fencing around the Bodhi tree. They were allowed to get inside the Mahabodhi temple without any trouble. They did inner circulation on the second floor of Mahabodhi temple, which is impossible now.

Mrs. Humchung is one of the oldest people living in Thragom village. She describes her pilgrimage to Buddha Gaya, a Buddhist temple in Bihar, India. They stayed in the way in the open fields on their way to Buddha Gaya by truck. Others took Ngultrum 700 for their trip to Buddha Gaya. From Trashigang district, they took a Bhutanese truck through Rangiya, Hasimara, and Siliguri on the way.

Mr. Koncho Tshering discusses his family's migration to Bhutan. His parents and his mother's two relatives migrated to Bhutan from the Tawang district in Arunachal Pradesh, India. He says the main reason for this was the heavy tax in Tawang at the time. He says their parents have to take plank towards Tshona (Tibet) every year, and also pay taxes to Tawang Monastery. After migrating to Bhutan, they stayed in Thragom village.

Mrs. Humchung is one of the oldest people living in Thragom village. She describes a visit to the Dalai Lama. She says the first visit to see His Holiness in Tawang was quite long. They stayed around a month and a half in Tawang at a relative's house. While waiting for His Holiness, they helped in their fields, took care of house chores, and got wood from the forest.

Tashi Dorji introduces himself and describes a childhood accident where he lost his mother, brother, and family home to a major fire. Somehow, Tashi survived. After this, he became known as 'Kon Tshering' in the village because 'Kon' means a rare thing or substance.

Residents of Rolam village are cultivating this paddy in Mazhing, near Rolam village after a long absence of rain during the peak season of monsoon. Water for irrigation is allocated based on a lottery system. Conversations among the villagers and children can be heard in the background.

Recording of people carrying paddy seedlings to their respective paddy fields in Rolam village in the Trashi Yangtse District of Bhutan. There is a shortage of water, so it is distributed equally amongst the paddy fields based on a lottery system. For this reason, some paddy fields are left without water, while others have plenty of water for rice plantation.

View of rice paddies in Mazhing, near Rolam village going toward Thragom village. It is known as Mazhing 'main', because it is the main paddy for Rolam village.

View of rice paddies from Rolam Mazhing toward Thragom village. It is known as Mazhing 'main', meaning it is the main paddy for Rolam village. Conversations among the villagers and children can be heard in the background.