Video recording of Computational Resource for South Asian Languages' (CoRSAL) 5th Annual Planning Meeting which focused on increasing engagement with CoRSAL through social media.

ChoralFest 2021 performance at the UNT College of Music Winspear Hall.

Video recording featuring guest panelists, Bridget R. Cooks, Ph.D., Omari Souza, and Wesley Taylor, this fourth installment of the 2044 series frames Afrofuturism and futurist thinking as a means for exploring the practices of design and museum curation as well as implications for art/design pedagogy. The panelists explore and discuss how hegemony is perpetuated, sharing the ways in which they decolonize within their curricula and pedagogy, as well as practice anti-racism in their work to reimagine risk or resist classification. While design institutions perpetuate neoliberalist ideals and language and teach under the paradigm of design for consumption, art/design education has the capacity to make a great impact by embracing the power of art and design to imagine alternative futures. The speakers also discuss important issues of cultural ethics, including copyright and appropriation, protections, and speaking up for community.

Brass Band concert performed at the UNT College of Music Winspear Hall.

Symphony Orchestra concert performed at the UNT College of Music Winspear Hall

Wind Ensemble concert performed at the UNT College of Music Winspear Hall.

This one of the most popular songs of Kaihuii. The song was sang by Mr. Thunphulakbou of Samziuram (originally of Ntu village). The first two minutes of the video introduced about the purpose and ethics of the data collection, and also how the data will be archived.

Video recording of Lindsey Witt demonstrating the folding of a quarto she created as a class assignment. Witt is seated in front of two windows with white blinds and a coral colored painted wall. Witt is wearing metal wire frame glasses, a necklace, and a turquoise colored blouse.

This folk song is about the life of the composer, Kaihui of Niamning. According to the singer, this is the first song Kaihuii composed. The singer is originally from Ntu village, then settled in Samjiuram, Peren district, Nagaland.

This is a traditional Liangmai folk song composed by legendary Mangaisang of Nsong village. The current song was sung by Rampi of Nzau village.

This is a traditional Liangmai folk song composed by Pasongbou. The current song was sung by Chahotlokbou of Nzau village.

Lecture presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

The Liangmai folk song is composed by Injinlinnang of Taningjam village and sung by Tekphutlakbou.

This Liangmai folk song is composed by Kenchangyiyang of Taningjam village. The present song was sung by Kenchangyiyang of Taningjam village.

This is a Liangmai traditional song by a legendary composer Hungennang. The current song was sang by Mr. Phenlakbou of Thalon village, Tamenglong district, Manipur.

2021 High School Invitational concert performed at the UNT College of Music Winspear Hall.

This Liangmai traditional folk song was composed by Namsongwi of Nallong village and sung by W. Mathiusongbou of Tudon. The song talks about the love of the composer for his girl.

The song was composed by Lungthonbuibou. According to the singer, the village of the composer is not clearly known, but people say he belongs to either Maguilong or Nkou village. The song is about the composer praising the beauty of a girl. It was sung by W. Mathiusongbou of Tudon village and recorded at Tamei.

This song is about a boy addressing his lover who follows her parents advice and married another, and also about the life achievement of the singer Hinglung of L. Pabram village. The singer is from Chiang village, Tamenglong district Manipur.

Concert Orchestra performance at the UNT College of Music Winspear Hall.

Wind Orchestra concert performed at the UNT College of Music Winspear Hall.

The is an occasional traditional folk song used to address a girl who marries outside her village. It says, at the end of the day, our village is better.

The is an occasional traditional folk song used in time of honoring someone. It says that in higher mansions, there is no lack of wealth and in a deep pond, there is no lack of fish.

This traditional folk song is a lullaby usually sang when a kid is naughty. It says, you cry when you’re hold or placed on your cradle. Tomorrow I will not babysit you.