Transcript of an interview with Zilpha Etta Scott Dockery about her life published in the Dallas Morning News on January 17, 1902. Dockery had the distinction of living in three centuries (the 18th, 19th, and 20th). Transcriber Mike Anglin, Dockery's great-great-great grandson, has provided footnotes with more information about the subjects mentioned.

Photograph of the 1996 TGRA Grand Marshal sash from the Nancy Franklin Collection. The sash is made from a maroon velvet and has been embrodiered with white thread.

An audio recording Annette Lawrence created of an interview with her conducted by Jerome Weeks of KERA radio at the Greater Denton Arts Council's (GDAC) Patterson-Appleton Arts Center on November 15, 2019. The interview was conducted as part of KERA's State of the Arts series and was open to a public audience. Lawrence and Weeks are introduced by GDAC executive director Georgina Ngozi and questions are taken from the audience following the interview. During the interview, Weeks and Lawrence discuss Lawrence's work, particularly her show More Time which was on view at the Patterson-Appleton Arts Center at the time of the interview and installation work she has done for other venues including Coin Toss, a permanent installation at the Dallas Cowboys Stadium. Other topics discussed include the influence of the Brooklyn Bridge on Lawrences work, the everyday materials like string she uses in her sculptural work, journalling and recording time, the use of data in her work, representations and erasures of African-American experiences in art and literature. Audience questions addressed topics of plans to digitize Lawrence's work, her process in creating her work, and the influence of the lunar calendar and menstrual cycles, erasure as a concept, and music on …