Handout from the 2019 Equity and Diversity Conference. This handout contains prompts to identify and address the perceptions, biases, and barriers that prevent women of color from authentically expressing themselves.

Handout from the 2019 Equity and Diversity Conference. This handout includes an activity to identify resources available to achieve educational goals.

Handout from the 2019 Equity and Diversity Conference. This handout examines the promotion and tenure process and presents ways to incorporate equity into the process.

Photographs from the MFA Exhibition "Draw Me Near" as shown at the Cora Stafford Gallery.

Artist Statement for the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement for the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement for the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement for the BFA Fibers Senior Exhibition "No Major No Rules."

Artist Statement for the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Artist Statement from the Bachelor's of Fine Arts degree Fibers Senior Exhibition

Document proposal for a panel discussion at the Multidisciplinary Information Research Symposium (MIRS-2019). There are five panelists listed with brief descriptions of their topics including the current landscape shaping the future of information, language and power in a global and digital world, partnership, interdiciplinarity, new challenges, as well as new opportunities for LIS research.

Index to a business ledger documenting records for a millinery shop in downtown Denton, Texas during 1905. It includes a list of business expenses and accounts, as well as clients by name, with the page number(s) where the information appears in the ledger.

A document that collects the notes taken by John Anderson, the chapter secretary, during the monthly meeting of the TXSSAR Arlington Chapter (#7).

A document that records the meeting minutes from the January 12 meeting of the Arlington Chapter of TXSSAR. Sections are given to each formal portion of the meeting's proceedings and smaller notes are included beneath the larger headers.

A document listing out the appropriate attire for TXSSAR members in need of proper uniforms for re-enactments and other events. James Townsends is the main person to contact for a coat and other sources for the proper supplies and clothing are listed at the end.

A document that collects the notes taken by John Anderson, the chapter secretary, during the monthly meeting of the TXSSAR Arlington Chapter (#7).

A document that records the meeting minutes from the February 9 meeting of the Arlington Chapter of TXSSAR. Sections are given to each formal portion of the meeting's proceedings and smaller notes are included beneath the larger headers.

Transcript of Judge Jack Hampton's comments to the Associated Press following his ruling in a recent murder case against Richard Lee Bednarski. Bednarski was given 30 years rather than a life sentence by Hampton, based on Hampton's own opinions. The victims were two young gay men and Bednarski had no prior offenses. Also included in the document is another comment that was given by Hampton to a 'Dallas Times Herald' reporter.

Transcript of an interview with Zilpha Etta Scott Dockery about her life published in the Dallas Morning News on January 17, 1902. Dockery had the distinction of living in three centuries (the 18th, 19th, and 20th). Transcriber Mike Anglin, Dockery's great-great-great grandson, has provided footnotes with more information about the subjects mentioned.

Artist Statement from the MFA Exhibition: "In my recent work, I have expanded upon the deconstruction, reconstruction, and reflection that has informed my artistic process for many years. My working method involves using remnants from previous works; they reappear in their original form or are reworked, aged destroyed, or recreated from different materials. My Process allows me to illustrate the passage of time as older work takes on new forms in a renewed context. New connections begin to surface as my paintings and accompanying objects are layered into a work about the passage of time as well as other passages; a migratory mentality know to all who live away from home."

Artist Statement from the MFA Exhibition: "My work about place attachment and the physical markers within the landscape that I consider home - Minnesota. I am interested in space and place and where those two things intersect. Using a limited color palette, metalsmithing and enameling techniques, texture, drawing, and photographs, I imbue my work with the memories of the landscape. My work is about experiencing space and is meant to bring pause -a moment of quiet and calm.."

Artist Statement from the MFA Exhibition: "I create figurative sculptures that explore the anxieties and rituals of acceptance. These sculptures embody ambiguous, self-referential narratives that act as a resolution between myself and my anxieties. My work is primarily ceramic because clay is an extremely intuitive medium, allowing me to explore the figure from both an emotional aesthetic and an anatomical scrutiny. I am also interested in multiplicity and its visual relation to habits and rituals. Repetition can be a very calming activity, but it can cause adverse effects as well. I am interested in that fine line between compulsive and compulsory."

Artist Statement from the MFA Exhibition: "In my artwork I explore my concept of home in relation to my memories growing up in the border cities of Juarez, Chihuahua and El Paso, Texas. Being a young immigrant, the only constants in my life were my sense of home and the common landscape on both sides of the border. In order to create a connection of that time and place, I investigate materials that are symbolic to my Mexican heritage and my life in the United States through the combination of traditional handwork and digital fabrication. I utilize various materials such as clay and corn husks, unifying them through the formal elements of value, line, and shape. My work becomes abstracted to symbolize the passage of time and the way in which our memories are imperfect representations of events."

Artist Statement from the MFA Exhibition: "My work merges craft and queer iconography to reflect on my journey of is covering identity in the absence of a positive sexual role model. It has resulted in a body of work that is heavy with sex-toy imagery, and explores multiple disciplines including quilting, soft sculpture, crochet, and printmaking. Through this exploration of material, I humorously combine wholesome and taboo imagery in order to reclaim and confront sexual commodity, an industry that is heavily dominated by male pleasure. While questioning my own constructed identity, I use humor as a defense mechanism to ease into the conversation of Queer identity and the Queer female gaze."