Work of art in archival inkjet prints (64 prints each 4 x 6 inches) by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art in stoneware, underglaze, acrylic, resin by artist Teresa Larrabee as part of her 2019 MFA Portfolio.

Slacks of viscose blend in pink, orange and maroon geometric pattern. Continental pockets at front sides; double welt pockets at back sides. Slightly flared legs. Fly zipper closure with hook & bar on waistband. Designer label: ETRO 46

Work of art in charcoal on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art of Dyed paper and pen by artist Jordan Black as part of a 2020 MFA Exhibition, entitled "Heeding the Underbelly"

Work of art in oil on panel by artist Kelsey Shurbet as part of a 2020 MFA Exhibition, entitled "Counting Seconds".

"Talon" evening dress of polyester-silk jacquard. Digital weaving and pattern scaling to replicate natural patterns in feathers. Sleeveless with wide, slightly squared neckline; midi length. Side slit pockets. Lined in black silk. Center back zipper closure.

Work of art of Dyed paper and pen by artist Jordan Black as part of a 2020 MFA Exhibition, entitled "Heeding the Underbelly"

Work of art in archival inkjet print by artist Megan A. DeSoto as part of a 2019 MFA Exhibition, entitled "Beauty Remains, Object Portraiture"

Work of art in charcol on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in charcol and embroidery on cloth by artist Taylor Barnes as part of a 2019 MFA Exhibition, entitled "Who's Next?"

Work of art in archival inkjet print by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

Work of art video by artist Kendra Smith as part of a 2019 MFA Exhibition, entitled "The Walk".

This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.

Artist Statement for the MFA Exhibition "Observing the Absurd" as shown at the Cora Stafford Gallery in Denton, Texas.

Photographs from the MFA Exhibition "Observing the Absurd" as shown at the Cora Stafford Gallery in Denton, Texas.

Video from the MFA Exhibition "Observing the Absurd" as shown at the Cora Stafford Gallery in Denton, Texas.

Structured dress in Marimekko "Noppa" (dice) print of black rectangles on white background. Attached belt of black leather with snap closure. Zipper closure under left armscye. Designer label: Junya Watanabe / Comme des Garçon Textile designer label: Marimekko

This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.

Work of art by artist Sarah Janke as part of a Creative Problems course with visiting professor Gabrielle Duggan. Submitted as part of her MFA portfolio.

Skirt of black polyester-silk brocade with a variety of fantastical animals and botanical motifs (dog, unicorn, boar or pig, quail, porcupine) woven in through supplemental weft threads; no waistband (likely sits at natural waist), constructed of four panels with deep darts at waistline, center back black invisible zipper, lined, Hong Kong seams, labels: Oscar de la Renta, F18, 6.

Cocktail dress of black silk with black polyester appliqués in feline motif. Maxi length with 14" tier at hemline; elbow length sleeves. Deep, open neckline to waist. Elastic waist with triangular cutouts. Wrap around back closure. Lined in beige crepe.

A) T-shirt of white cotton jersey. Front is printed in orange, black and orange metallic design of Warhol "Flowers". Short sleeves; crew neck. Back neckline embroidered: "Andy Warhol, Flowers, 1964". Size "L". B) Jeans of white cotton denim in black screen print outlining Warhol "Flowers" design. Size "29".

Man’s pant ensemble of brushed cotton tan khaki with woven Iranian paisley inspired accents.