Man's "Aloha" sports jacket of black cotton with collar and inserted front panels of hibiscus flower printed cotton. "Y-3" logo incorporated into hibiscus floral printed fabric. Single breasted with notched lapel. Long suit sleeves with hibiscus print fabric on top of right sleeve. Patch pockets at sides match fabric of corresponding front panel; vertical zippered pocket at seams of front panels. Center back vent is machine embroidered with Y-3 logo. Partially lined in black net.

Structured dress in Marimekko "Noppa" (dice) print of black rectangles on white background. Attached belt of black leather with snap closure. Zipper closure under left armscye. Designer label: Junya Watanabe / Comme des Garçon Textile designer label: Marimekko

The Divine Coming of the Light is a memoir-in-essays that covers an experience, from 2007 to 2010, when I lived in Kosuge Village (population 900), nestled in the mountains of central Japan. I was the only foreigner there. My memoir uses these three years as a frame to investigate how landscape affects identity. The book profiles who I was before Japan (an evangelical and then wilderness guide), why I became obsessed with mountains, and the fall-out from mountain obsession to a humanistic outlook. The path my narrator takes is one of a mountain hike. I was born in tabletop-flat West Texas to conservative, Christian parents in the second most Republican county by votes in America. At 19, I made my first backpacking trip to the San Juan Mountains of western Colorado and was awed by their outer-planetary-like massiveness. However, two friends and I became lost in the wilderness for three days without cell phones. During this time, an obsession possessed me as we found our way back through the peaks to safety, a realization that I could die out there, yes, but amid previously unknown splendor. I developed an addiction to mountains that weakened my religious faith. Like the Romantic …

Given the diversity found in today's Japanese culture and the size of the country's population, it is easy to see why the understanding of Japanese wind band repertoire must be multi-faceted. Alongside Western elements, many Japanese composers have intentionally sought to maintain their cultural identity through the addition of Japanese musical elements or concepts. These added elements provide a historical and cultural context from which to frame a composition or, in some cases, a composer's compositional output. The employment of these elements serve as a means to categorize the Japanese wind band repertoire. In his studies on cultural identities found in Japanese music, Gordon Matthews suggests there are three genres found within Japanese culture. He explains these as "senses of 'Japaneseness' among Japanese musicians." They include Fence, Flavor, and Phantasm. Bringing a new perspective to the idea of Japanese influence, I trace the implementation of these facets of Japanese music through the wind band music of Japanese composers. I demonstrate that Japanese wind band genres are the result of a combination of Japanese musical elements and Western influence and argue that the varying levels of this combination, balanced with historical and cultural context, create three distinct genres within the Japanese …

This report discusses announced plans for bilateral negotiations for a trade agreement between the United States and Japan.

This report discusses issues regarding U.S.-Japan economic relations. Japan is a significant partner of the United States in a number of foreign policy areas, particularly in U.S. security priorities, which range from hedging against Chinese military modernization to countering threats from North Korea.

The wind bands in Japan are considered by many scholars and wind band conductors to be among some of the finest ensembles in today's wind ensemble medium. The literature and repertoire of Japanese ensembles have evolved from orchestral transcriptions, patriotic music, and military marches to original compositions by European, American, and Japanese composers. British conductor Timothy Reynish states that Japanese wind band music has looked traditionally towards the United States and occasionally United Kingdom for inspiration and repertoire. This phenomenon can be attributed to the many collegiate American and the few English wind band conductors who traveled to Japan as guest conductors, and in some cases, became residents of Japan. The focus of this study is to closely examine this significant impact of American collegiate wind band conductors, their influence on Japanese programming and how that programming has affected the collegiate repertoire. This study includes surveys of repertoire, concert programs, discographies of recordings, and interviews with prominent American conductors currently conducting in Japan. This research documents the impact that American wind band conductors have had on the programming of Japanese wind bands and how their influence have altered the collegiate repertoire. Evidence of this impact is documented by Toshio Akiyama, …

This article is a short biography of journalist Cheryl Hall describing her childhood -- including a period of time soon after World War II when her family lived in Japan -- as well as her education and hightlights from her career. Hall also talks about her perspectives and advice regarding the journalism field, and her plans for the future.

Interview with Cheryl Hall discussing her career writing for the Dallas Morning News and her perspectives on the field of journalism. Hall also talks about her childhood and family, as well as her educational background.