Graham Barnett was killed in Rankin, Texas, on December 6, 1931. His death brought an end to a storied career, but not an end to the legends that claimed he was a gunman, a hired pistolero on both sides of the border, a Texas Ranger known for questionable shootings in Company B under Captain Fox, a deputy sheriff, a bootlegger, and a possible “fixer” for both law enforcement and outlaw organizations. In real life he was a good cowboy, who provided for his family the best way he could, and who did so by slipping seamlessly between the law enforcement community and the world of illegal liquor traffickers. Stories say he killed unnumbered men on the border, but he stood trial only twice and was acquitted both times. Barnett lived in the twentieth century but carried with him many of the attitudes of old frontier Texas. Among those beliefs was that if there were problems, a man dealt with them directly and forcefully—with a gun. His penchant to settle a score with gunplay brought him into confrontation with Sheriff W. C. Fowler, a former friend, who shot Barnett with the latter’s own submachine gun on loan. One contemporary summed it …

Historical account of musicians in Texas, grouped by region, describing "underappreciated" artists as well as some famous artists. Each chapter provides anecdotes and biographical information about an artist or musical group. Index starts on page 299.

This video is of Jalakeli, a women's Hindu Vaishnav ritual performance of Manipur, India. It was offered, as annual custom dictates, by the Shree Shree Govinda Jiu Jalakeli Pala on Buddha Purnima, the full moon of the Manipuri lunar month of Kalen (9 May 2017) at the Shree Shree Govindajee Temple of the Royal Palace of Manipur.

Presentation on the legacy of Voice of America broadcaster Willis Conover's interaction with and propagation of Hungarian jazz.

Interview with Preetha Ravindranath, a Bharatanatyam dancer from the Nilgiris District of Tamil Nadu, India. Ravindranath discusses her childhood, family background, learning dance, her education, the different schools of traditional dance, effects of the digital age, changes in dance over the years and its teaching, starting a family and its impact on her, and thoughts on Indian identity. Included is a glossary of terms, and in appendix a photo of Ravindranath.