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Degree Department
Division of Instrumental Studies
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Division of Keyboard Studies
9
Division of Vocal Studies
5
Division of Jazz Studies
3
Division of Conducting and Ensembles
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Division of Instrumental Studies
21
Division of Keyboard Studies
9
Division of Vocal Studies
5
Division of Jazz Studies
3
Division of Conducting and Ensembles
2
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An Analytical Perspective of the Developing Aesthetic Concepts in Sergey Prokofiev's Choses en soi, Op. 45
An Assessment of Extant Euphonium Methodologies for Developing and Performing in the Upper Register
Comparison of the Méthode Pour La Guitare by Fernando Sor with the Méthode Complète Pour La Guitare Par Ferdinand Sor, Rédigée Et Augmentée De Nombreux Exemples Et Leçons Suivis D'une Notice Sur La 7e Corde by Napoléon Coste
The Influence of Chinese Instruments on the Violin: A Practice Guide of Three Violin Techniques
A Guide to Suitable Bass Solo Vocal Repertoire by J. S. Bach for Collegiate Baritone
Extended String Techniques and Special Effects in Arnold Schoenberg's String Quartet No. 1 and Its Significance in Chamber Music Literature
Building an Effective Piano Technique while Avoiding Injury: A Comparison of the Exercises in Alfred Cortot's "Rational Principles of Pianoforte Technique" and Carl Tausig's "Daily Studies for the Pianoforte"
An Argument in Favor of the Saxhorn Basse (French Tuba) in the Modern Symphony Orchestra
Unorthodox Pianism and Its Unexpected Consequences: A Performance Guide to Leo Ornstein's Seventeen Waltzes
The Use of Classic Musical Theatre Repertoire for Training Bel Canto Techniques in the Undergraduate Baritone Voice
The Use of Multiple Stops in Works for Solo Violin by Johann Paul Von Westhoff (1656-1705) and Its Relationship to German Polyphonic Writing for a Single Instrument
The West Point Band's Wind Commissioning Project in Celebration of the Bicentennial of the United States Military Academy
A Comprehensive Performance Guide for the Use of Advanced Technology in Euphonium Repertoire with Electronic Media through Analyses of Works by D. Edward Davis, Neal Corwell, and Lucy Pankhurst
Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor Opus 16
Rediscovering James Robert Gillette's Vistas
Selected Orchestral Excerpts for Bass Clarinet with Piano Reduction
Selected Works by Female Composers of the Nineteenth and Twentieth Centuries for Advanced Suzuki Violin Students
A Selective Lineage of Mexican Bassoonists
Simplification and Octavation in Double Bass Performance: An Overview of Historical and Contemporary Practices
Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton
Spanish Diction in Latin American Art Song: Variant Lyric Pronunciations of (s), (ll), and (y)
A Motivic Analysis and Performance Practices of "Akrodha" (1998) by Kevin Volans, including Comparative Analyses of "She Who Sleeps with a Small Blanket" (1985) and "Asanga" (1997)
Motivic and Voice-Leading Coherence in the Improvisations of Saxophonist Chris Cheek
The Mozart Flute: Old and New Transcriptions of KV. 10-15
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