In early 2013 same-sex marriage was legal in only ten states and the District of Columbia. That year the Supreme Court’s decision in United States v. Windsor appeared to open the door to marriage equality. In Texas, Mark Phariss and Vic Holmes, together for sixteen years and deeply in love, wondered why no one had stepped across the threshold to challenge their state’s 2005 constitutional amendment prohibiting same-sex marriage. They agreed to join a lawsuit being put together by Akin Gump Strauss Hauer & Feld LLD. Two years later—after tense battles in the Federal District Court for the Western District of Texas and in the Fifth Circuit Court of Appeals, after sitting through oral arguments at the Supreme Court of the United States in Obergefell v. Hodges—they won the right to marry deep in the heart of Texas. But the road they traveled was never easy. Accidental Activists is the deeply moving story of two men who struggled to achieve the dignity of which Justice Anthony Kennedy spoke in a series of Supreme Court decisions that recognized the “personhood,” the essential humanity of gays and lesbians. Author David Collins tells Mark and Vic’s story in the context of legal and …

Series of fictional stories and commentaries about sports in the United States and how they affect individuals and communities.

This case study examines some perspectives on the recording industry, particularly as it relates to musicians navigating the new landscape heavily impacted by digital service providers. The study begins with an investigation of digital streaming models and continues by surveying traditional record labels in light of advancements in the digital realm. The reader then encounters the company ArtistShare, which offers recording artists a chance to cultivate relationships with a close circle of patrons, in contrast to the global, less personalized reach of streaming media. The case concludes with consideration of what the industry presents to a performer committed to a musical niche.

Consists of notes to use when teaching the case study entitled After Monetization: The New Recording Landscape for Artists

Historical account of musicians in Texas, grouped by region, describing "underappreciated" artists as well as some famous artists. Each chapter provides anecdotes and biographical information about an artist or musical group. Index starts on page 299.

This version of the Asangba Nongjabi (Crimson Rainclouds) is in Manipuri using the Roman script.

Anthology of writing by the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: McCrummen, “An American Void” (1st place); Goffard, “Fleeing Syria: The Choice” (2nd place); Schweitzer, “The Life and Times of Strider Wolf” (3rd place), and runners up, Hubert, “Genny’s World”; Phillips, “Inside an FBI Hostage Crisis”; Johnson, “Patient, Surgeon Work Together”; Reich, “Norman Malone’s Quest”; Cox, “Telling JJ”; Cramer, “The Boy Who Burned Inside”; and Barton, “Unsolved: A Murdered Teen, a 40-year Mystery."

This case examines the plans developed by the administration of the New World Symphony for its new home, in particular the operating cost projections for using the facility once it was built.

Consists of notes to be used when teaching the case study entitled Building on Trust at the New World Symphony.

Even though the potential passage of the Equal Rights Amendment had cracked glass ceilings across the country, in 1978 jazz remained a boys’ club. Two Kansas City women, Carol Comer and Dianne Gregg, challenged that inequitable standard. With the support of jazz luminaries Marian McPartland and Leonard Feather, inaugural performances by Betty Carter, Mary Lou Williams, an unprecedented All-Star band of women, Toshiko Akiyoshi’s band, plus dozens of Kansas City musicians and volunteers, a casual conversation between two friends evolved into the annual Kansas City Women’s Jazz Festival (WJF). But with success came controversy. Anxious to satisfy fans of all jazz styles, WJF alienated some purists. The inclusion of male sidemen brought on protests. The egos of established, seasoned players unexpectedly clashed with those of newcomers. Undaunted, Comer, Gregg, and WJF’s ensemble of supporters continued the cause for eight years. They fought for equality not with speeches but with swing, without protest signs but with bebop. For the first book about this groundbreaking festival, Carolyn Glenn Brewer interviewed dozens of people and dove deeply into the archives. This book is an important testament to the ability of two friends to emphatically prove jazz genderless, thereby changing the course of jazz …

In the winter of 1901, James W. Jarrott led a band of twenty-five homesteader families toward the Llano Estacado in far West Texas, newly opened for settlement by a populist Texas legislature. But frontier cattlemen who had been pasturing their herds on the unfenced prairie land were enraged by the encroachment of these “nesters.” In August 1902 a famous hired assassin, Jim Miller, ambushed and murdered J. W. Jarrott. Who hired Miller? This crime has never been solved, until now. Award-winning author Bill Neal investigates this cold case and successfully pieces together all the threads of circumstantial evidence to fit the noose snugly around the neck of Jim Miller’s employer. What emerges from these pages is the strength of intriguing characters in an engrossing narrative: Jim Jarrott, the diminutive advocate who fearlessly champions the cause of the little guy. The ruthless and slippery assassin, Deacon Jim Miller. And finally Jarrott’s young widow Mollie, who perseveres and prospers against great odds and tells the settlers to “Stay put!”

Mary L. Scheer has assembled fifteen contributors to explore special moments in Texas history. The contributors assembled for this anthology represent many of the “all stars” among Texas historians: two State Historians of Texas, two past presidents of TSHA, four current or past presidents of ETHA, two past presidents of WTHA, nine fellows of historical associations, two Fulbright Scholars, and seven award-winning authors. Each is an expert in his or her field and provided in some fashion an answer to the question: At what moment in Texas history would you have liked to have been a “fly on the wall” and why? The choice of a moment and the answers were both personal and individual, ranging from familiar topics to less well-known subjects. One wanted to be at the Alamo. Another chose to explore when Sam Houston refused to take a loyalty oath to the Confederacy. One chapter follows the first twenty-four hours of Lyndon Baines Johnson’s presidency after Kennedy’s assassination. Others write about the Dust Bowl coming to Texas, or when Texas Southern University was created.

Percussion ensemble concert performed at the UNT College of Music Voertman Hall.

Opera performed at the UNT College of Music Lyric Theater.

Recording of the second Friday evening performance of the opera "Madama Butterfly" at the UNT College of Music Lyric Theater.

Chamber music concert performed at the UNT College of Music Voertman Hall.

Orchestra concert performed at the UNT College of Music Winspear Hall. This video is shot from the audience's perspective, showing the orchestra.

Orchestra concert performed at the UNT College of Music Winspear Hall. This video is shot from the orchestra's perspective, showing the conductor.

Gospel music concert performed at the UNT College of Music Voertman Hall.

Trumpet ensemble concert performed at the UNT College of Music Recital Hall.

Band concert performed at the UNT College of Music Winspear Hall.

Band concert performed at the UNT College of Music Winspear Hall.

Concerto competition concert performed at the UNT College of Music Winspear Hall.

Concerto competition concert performed at the UNT College of Music Winspear Hall.